本文選題：點(diǎn)石齋畫報　切入點(diǎn)：圖像敘事　出處：《中國科學(xué)技術(shù)大學(xué)》2017年博士論文　論文類型：學(xué)位論文

【摘要】：《點(diǎn)石齋畫報》作為晚清畫報中的翹楚,有著較為豐富的圖像敘事語言。從圖像語言類型上講,它屬于具象性的圖像語言,它繼承了中國傳統(tǒng)圖像語言的基本樣式與表現(xiàn)手法,同時也吸收了當(dāng)時西洋圖像的創(chuàng)作技巧。語言是敘事的媒介,《點(diǎn)石齋畫報》豐富的圖像語言為其出色地完成圖像敘事提供了物質(zhì)基礎(chǔ)。敘事關(guān)乎時間、空間兩個維度,所以敘事性圖像對事件的敘述或再現(xiàn)離不開時間和空間的表達(dá)。這樣圖像敘事或敘事性圖像中兩個核心要素被突顯出來,即圖像語言與時空表達(dá)。它們是如何共同致力于敘事表達(dá)?語言和時空表達(dá)之間貌似不言自明的關(guān)系背后顯現(xiàn)了相關(guān)學(xué)科對兩者關(guān)系研究的忽視,本文試從文化哲學(xué)的理論視角切入這兩者之間的關(guān)系研究。因?yàn)闊o論語言還是時空表達(dá)都是人的行為方式與存在模式,具有深刻的文化特質(zhì)。而語言自身又是最具內(nèi)涵與代表性的文化符號形式,它能夠在一定程度上映射人的思維、觀念以及行動。時空表達(dá)相對于語言系統(tǒng)更具有能動性,它是人們富含著時空思維與實(shí)踐的行為方式,在文化哲學(xué)的學(xué)理下易于明晰這兩者之間的關(guān)系。本文首先梳理了《點(diǎn)石齋畫報》圖像敘事的文化語境。它是畫報圖像敘事中語言與時空表達(dá)的共同基石。因?yàn)橥砬迳虾５某鞘邪l(fā)展與都市大眾文化的勃興催生了《點(diǎn)石齋畫報》,反之畫報自身也參與了晚清大眾文化的建設(shè)。時空觀念的革新是晚清都市大眾文化特點(diǎn)之一,而時空觀念的革新勢必會影響到時空表達(dá),這些通過畫報的圖像語言得以表征。為了明晰《點(diǎn)石齋畫報》圖像敘事中語言與時空表達(dá)的關(guān)系,本文主要采取了類型分析法、文本細(xì)讀法以及圖像分析法逐一研究了畫報的語言與時空表達(dá)。畫報的圖像語言包括基本語素與圖式。此外圖像中的大量文字語言也參與了圖像敘事。本文依據(jù)《點(diǎn)石齋畫報》圖像敘事中時間的處理方法,類分了時空表達(dá)的類型,即單一敘事頃間的時空表達(dá)、混合頃間、空間的時空表達(dá)以及連續(xù)時間的多幅圖像敘事的時空表達(dá)。在分別梳理了畫報圖像敘事中語言與時空表達(dá)的基礎(chǔ)上,本文得出兩者之間主要呈現(xiàn)共生與互動關(guān)系的結(jié)論。共生關(guān)系主要表現(xiàn)在圖像語言作為時空表達(dá)的介質(zhì)而存在,以及時空表達(dá)作為圖像語言的修辭�；雨P(guān)系主要表現(xiàn)在圖式與時空表達(dá)的互動、語圖互動這兩個方面。如果說《點(diǎn)石齋畫報》圖像敘事中語言與時空表達(dá)的共生與互動關(guān)系,是一種普遍的、一般的關(guān)系,那么依據(jù)語言相對論理論,本文認(rèn)為它們還存在一種個別、特殊的關(guān)系,這就是語言相對論關(guān)系——《點(diǎn)石齋畫報》圖像語言影響、反映了思維與行動(時空觀念與時空表達(dá))。這種影響可分為兩個層次,即觀念層次與行動層次。觀念層次對應(yīng)為時空觀念與視覺思維,行動層次對應(yīng)為晚清圖像敘事的時空表達(dá)實(shí)踐。綜上本文的主要結(jié)論是:《點(diǎn)石齋畫報》作為晚清的文化現(xiàn)象之一,它一定程度上反映了傳統(tǒng)儒家文化在遭遇西方近代文化時的沖突與交融。《點(diǎn)石齋畫報》所呈現(xiàn)的文化圖景,折射了我國傳統(tǒng)循環(huán)往復(fù)、天圓地方的時間、空間觀念的松動。對于晚清國人而言這些文化圖景具有視覺的現(xiàn)代性啟蒙作用,它從視覺層面裂變了中國人的傳統(tǒng)視界,重塑了晚清國人的視覺經(jīng)驗(yàn);《點(diǎn)石齋畫報》圖像敘事中語言與時空表達(dá),不僅存在著共生與互動的關(guān)系,還存在語言相對論關(guān)系。其中語言相對論關(guān)系突顯了論文研究的文化哲學(xué)意義,即圖像敘事語言作為一種文化符號形式是文化的高度表征,它反映文化現(xiàn)象背后人的總體性。本文在一定程度上揭示了文化形態(tài)與社會之間的固有關(guān)系。
[Abstract]:"Shi Zhai pictorial > as a leader in the pictorials in late Qing Dynasty, has a rich image narrative language. From the image language type, which belongs to the figurative language, it inherits the traditional image China basic language style and expression, but also absorbed the western image creation skills. When the language is the narrative of the media," Shi Zhai pictorial > rich image language provides a material basis for the complete image narrative. The narrative about the time, the two dimensions of space, so the image narrative narrative of events or reproduction cannot do without the expression of time and space. So the image narrative or narrative image in two core elements are highlighted, namely image language and expression. How they are working together to express the relationship between the expression of narration? Behind the seemingly self-evident show related subjects to both language and time off Department of neglect, this article tries to study the relationship between the two from the angle of theory from the perspective of cultural philosophy. Because regardless of language or expression is people's behavior and existing mode, has profound cultural qualities. But the language itself is the symbol of the most content and representative, it can map people in a certain degree of thinking, ideas and actions. The spatial and temporal expression relative to the language system have more initiative, it is rich in spatial thinking and practice of people's behavior, the relationship between the two is clear in the cultural philosophy theory. This paper firstly reviews the "Shi Zhai pictorial > image narrative context it is a common cornerstone. Expression of language and narrative pictorial spatio-temporal image. Because of city development of Shanghai in the late Qing Dynasty and the prosperity of urban mass culture gave birth to the" Shi Zhai pictorial ", and also illustrated reference With the construction of mass culture in the late Qing Dynasty. The space-time concept innovation is one of the characteristics of urban mass culture in the late Qing Dynasty, and the space-time concept of innovation is bound to affect the spatial and temporal expression, these can be illustrated by the image language. In order to clarify the relationship between the expression and characterization of "language and space-time Dian Shi Zhai pictorial > image narrative, this paper mainly adopts the type analysis, text method and image analysis method of one by one language and expression. The pictorial language pictorial image including basic morpheme and schema. In addition to a large number of words in the image are also involved in the image processing method based on the narrative." Shi Zhai pictorial > image narrative, type classification of time the expression of the spatial and temporal expression of single narrative moment, are mixed, the spatial and temporal expression of space and time and space image narrative continuous time expression. In the pictorial werecombing The basic expression of language and spatio-temporal image in the narrative, this paper mainly presents the symbiotic interaction between the two relations conclusion. The symbiotic relationship is mainly manifested in the image language as the temporal expression of medium exists, and the temporal and spatial expression as the image of language rhetoric. Interaction mainly expressed in the schema and interactive space, these two aspects sonagram interaction. If < symbiosis and interaction between language and expression of space-time Dian Shi Zhai pictorial > image narrative, is a common, general relationship, so on the basis of linguistic relativity theory, this paper believes that they have a special relationship, individual, this is the Language Relativity Theory -- "Shi Zhai pictorial image > linguistic influence, reflects the thinking and action (spatial and temporal expression of ideas). This effect can be divided into two levels, namely the concept level and action level level corresponding to the concept. The concept of space-time and visual thinking, action levels corresponding to time and space in the late Qing Dynasty image narrative expression practice. The main conclusions in this paper are: "Shi Zhai pictorial" as one of the cultural phenomenon of the late Qing Dynasty, it reflects the cultural landscape of traditional Confucian culture in modern western culture of conflict and blend. Dian Shi Zhai pictorial on the present, reflects the traditional Chinese Tianyuandifang cycle, time and space idea. These loose cultural landscape with modern enlightenment vision in the late Qing Dynasty, Chinese, it is the fission of Chinese traditional view from the visual aspect, remodeling of the late Qing Dynasty were the visual experience; "Shi Zhai pictorial > image narrative language and expression, not only have a symbiotic relationship and interaction, there are linguistic relativity. The linguistic relativity relationship highlights the significance of the research of cultural philosophy, That is, image narrative language, as a form of cultural symbol, is highly representative of culture. It reflects the totality of people behind cultural phenomenon. This paper reveals the inherent relationship between cultural form and society to a certain extent.

【學(xué)位授予單位】：中國科學(xué)技術(shù)大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2017
【分類號】：J209.2

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