本文選題：“80后”　切入點：傳統(tǒng)繪畫　出處：《曲阜師范大學》2013年碩士論文　論文類型：學位論文

【摘要】：本文主要以當代“80后”青年繪畫學習者如何去延續(xù)傳統(tǒng)繪畫的精神為立足點和切入點,通過對中國傳統(tǒng)繪畫由古至今的流變與“80后”自身對于中國畫的學習創(chuàng)作及怎么樣去延續(xù)進行探討和研究,試圖從受到西方影響后傳統(tǒng)繪畫的發(fā)展現(xiàn)狀到現(xiàn)代“80后”對其學習所受困惑的角度去揭示中國傳統(tǒng)繪畫逐漸走向衰落、創(chuàng)新道路異常艱難的原因。主張“80后”在繪畫創(chuàng)新的過程中,一定不能丟掉中國傳統(tǒng)筆墨的優(yōu)勢,創(chuàng)新應該是在保持具有中國優(yōu)良文化傳統(tǒng)和中國民族特色的前提下進行探索和努力。 “80后”繪畫學習者正處于中國畫發(fā)展特殊時期的特殊地帶,是值得給予關注的一個群體。多數(shù)人都曾接受過或正在接受學校的高等教育,同時也有部分人己步入社會,受到生活、工作等各方面的壓力,繪畫作品內容還要滿足藝術品市場和大眾文化的需要才能受到青睞,各方面原因可能會使“80后”一代內心壓抑、矛盾沖突加大,致使創(chuàng)作的作品需要借用西方繪畫的形式才能將現(xiàn)實感受表達出來。還有則是徹底脫離現(xiàn)實,去追求個人靈魂中才有可能追求的理想,尋求遠離現(xiàn)實,尋求氣韻、心境,盡管如此也不可能回歸到古代重復古人那種筆墨意境,更多的卻是把現(xiàn)實帶給自己的心理問題放到了所創(chuàng)作的作品之中。 創(chuàng)新是一個時代的精神與文化氣息的體現(xiàn),而“80后”的進退則關乎到中國畫藝術在轉型期的發(fā)展,同時也關系到自身的繪畫藝術之路。所以我們“80后”一代人應該認清自我,提高自身的藝術理論與藝術修養(yǎng)。在作品創(chuàng)作中不能放棄中國筆墨的優(yōu)勢,在繼承延續(xù)傳統(tǒng)的基礎上進行創(chuàng)新。同時汲取西方等外來文化的養(yǎng)分,推陳出新。找到適合自己的繪畫之路而為之奮斗,創(chuàng)作出優(yōu)秀的中國畫作品,將中國畫的傳統(tǒng)精神延續(xù)下去。
[Abstract]:This article mainly takes the contemporary "post-80s" young painting learners how to continue the spirit of traditional painting as the foothold and breakthrough point. Through the evolution of Chinese traditional painting from ancient times to the present and the study and creation of Chinese painting by the "post-80s" itself and how to continue it, This paper attempts to reveal the decline of Chinese traditional painting from the point of view of the current situation of the development of traditional painting after being influenced by the West to the perplexity of the study of the modern "post-80s" painting. The reason why the road of innovation is extremely difficult. It is argued that in the process of painting innovation, the "post-80s" must not lose the advantages of traditional Chinese ink and pen. Innovation should be carried out on the premise of maintaining Chinese fine cultural tradition and Chinese national characteristics. The "post-80s" painting learners are in a special area in the special period of the development of Chinese painting, which is a group worthy of attention. Most of them have received or are receiving higher education in schools, and some of them have entered the society at the same time. Under the pressure of life, work, and so on, the contents of paintings must meet the needs of the art market and popular culture in order to be favored. Various reasons may cause the "post-80s" generation to suppress their hearts and increase contradictions and conflicts. The works created need to borrow the form of Western painting in order to express the realistic feelings. There is also a complete separation from reality, to pursue the ideal that only in the individual soul can pursue, to seek to be far from reality, to seek charm, mood, and state of mind. Although it is impossible to return to the ancient times to repeat the artistic conception of the ancient pen and ink, but more reality brought to their own psychological problems into the creation of the works. Innovation is the embodiment of the spirit and culture of an era, and the advance and retreat of "post-80s" is related to the development of Chinese painting art in the transition period, and also to the way of painting art itself. Improve one's own artistic theory and artistic accomplishment. In the creation of works, we should not give up the advantages of Chinese ink and pen, and innovate on the basis of inheriting the tradition. At the same time, we should absorb the nutrients of foreign cultures such as the West. To find the right way to paint and strive for it, to create excellent Chinese painting works, to continue the traditional spirit of Chinese painting.
【學位授予單位】：曲阜師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J205

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本文編號：1584480