本文選題：常玉　切入點(diǎn)：藝術(shù)理念　出處：《渤海大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：常玉號(hào)幼書（1901—1966）是一批較早出國留學(xué)的藝術(shù)家，也是中國寫意性油畫早期的實(shí)踐者之一。由于中國油畫發(fā)展的跳躍性與其它歷史原因，常玉的藝術(shù)一度被歷史塵封不被世人認(rèn)同。但在世界藝術(shù)大融合的今天，當(dāng)我們將藝術(shù)視線從新回歸到藝術(shù)本身的時(shí)候，不禁會(huì)發(fā)現(xiàn)常玉藝術(shù)精神的純粹、藝術(shù)視野的開闊與為中國藝術(shù)現(xiàn)代性進(jìn)程做出的貢獻(xiàn)。也許常玉與他所處同時(shí)期的藝術(shù)家相比少了些對(duì)社會(huì)的責(zé)任與對(duì)藝術(shù)史的貢獻(xiàn)，但常玉則做到了一位藝術(shù)家應(yīng)做到的本分。他一生都奮戰(zhàn)在巴黎，用畢生的精力抒寫著自己的藝術(shù)理想。 常玉用特有的東方符號(hào)語言與畫面、精神追求的處理，詮釋出了中國傳統(tǒng)文化、藝術(shù)與西方現(xiàn)代文化、藝術(shù)有機(jī)結(jié)合的魅力，而且豐富了中國傳統(tǒng)文化與藝術(shù)在現(xiàn)代語境下的表達(dá)形式。常玉通過每一件作品向世人展現(xiàn)出他個(gè)人的藝術(shù)世界與藝術(shù)追求，與此同時(shí)我們?cè)诔Ｓ竦淖髌分�，能感受到藝術(shù)最本質(zhì)的情感觸動(dòng)與中華民族文化、藝術(shù)的魅力所在。歲月流逝，珠玉蒙塵，吾輩拂拭有責(zé)，賦珠寶于重輝，常玉正是一顆不可湮沒的東方明珠。 本文試圖從相關(guān)的思想根源、文化背景方面以及當(dāng)時(shí)的藝術(shù)思潮等，對(duì)常玉的藝術(shù)理念、表達(dá)作品的形式等幾個(gè)方面進(jìn)行整理綜合、概括分析，，進(jìn)而能夠?qū)哟畏置�、循序漸進(jìn)、由表及里的從多方面剖析他的藝術(shù)理念，望能為中國油畫的“寫意”性研究提供基礎(chǔ)理論與學(xué)習(xí)產(chǎn)考。
[Abstract]:Changyu was a group of artists who studied abroad earlier, and also one of the early practitioners of Chinese freehand brushwork. Because of the leaping development of Chinese oil painting and other historical reasons, Changyu's art was once sealed up by history and not recognized by the world. However, when we return our artistic vision from the new art to the art itself, we can't help but find the purity of Changyu's artistic spirit. The broadening of artistic horizons and contributions to the process of Chinese art modernity. Perhaps Changyu has less social responsibility and less contribution to the history of art than the artists of his time. But Chang Yu did what an artist should have done. He fought in Paris all his life and devoted his life to expressing his artistic ideals. Changyu has interpreted the charm of Chinese traditional culture, art and modern western culture, art, and art with its unique oriental symbolic language and picture, and the handling of spiritual pursuit. And it enriches the expression of Chinese traditional culture and art in the modern context. Chang Yu shows his artistic world and artistic pursuit to the world through every piece of work. At the same time, we are in Changyu's works. Can feel the most essential emotional touch of art and Chinese culture, where the charm of art. The passage of time, pearl jade dust, my generation to wipe the responsibility, Fu jewelry in Chongghui, Changyuzheng is an indelible Oriental pearl. This paper attempts to sort out and synthesize Changyu's artistic ideas and the forms of his works from the related ideological roots, cultural background and artistic trends of thought at that time, and then make a clear analysis of them. Step by step, from the surface to the inside, he analyzes his artistic idea from many aspects, hoping to provide the basic theory and study test for the "freehand brushwork" study of Chinese oil painting.
【學(xué)位授予單位】：渤海大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J213

【參考文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 顧躍;常玉藝術(shù)研究[D];清華大學(xué);2008年

本文編號(hào)：1556547