本文選題：民族性　切入點(diǎn)：全球化　出處：《廣州大學(xué)》2013年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：動(dòng)畫(huà)藝術(shù)作為一種新的文化意識(shí)形態(tài)，雖然發(fā)展歷史才一百來(lái)年,但發(fā)展迅速,具有豐富的藝術(shù)文化內(nèi)涵，并日益與眾多專(zhuān)業(yè)學(xué)科相互緊密聯(lián)系，在推動(dòng)科學(xué)、文化、藝術(shù)等發(fā)展當(dāng)中等扮演著一個(gè)重要的角色。當(dāng)前，，我國(guó)非常重視推動(dòng)動(dòng)畫(huà)藝術(shù)發(fā)展，積極將動(dòng)畫(huà)作為文化產(chǎn)業(yè)大力扶持，把過(guò)去動(dòng)畫(huà)發(fā)展由政府計(jì)劃轉(zhuǎn)為按市場(chǎng)需求的主動(dòng)轉(zhuǎn)型升級(jí)，而且現(xiàn)在不少地區(qū)已經(jīng)取得可喜的成績(jī)。其中處于沿海地區(qū)的嶺南在新時(shí)期動(dòng)畫(huà)發(fā)展較為突出，動(dòng)畫(huà)產(chǎn)業(yè)已進(jìn)入快速成長(zhǎng)階段,動(dòng)畫(huà)作品包含著巨大的文化藝術(shù)價(jià)值。但對(duì)其相關(guān)領(lǐng)域發(fā)展進(jìn)行深入系統(tǒng)的研究還較比較空缺，本文希望從專(zhuān)業(yè)的學(xué)術(shù)角度出發(fā)，針對(duì)新時(shí)期嶺南動(dòng)畫(huà)形成的母體文化土壤的內(nèi)在影響與全球語(yǔ)境的外在啟發(fā)等方面進(jìn)行分析和研究，探尋新時(shí)代嶺南動(dòng)畫(huà)的產(chǎn)生、發(fā)展過(guò)程以及深刻的思想意識(shí)之間的關(guān)系，通過(guò)對(duì)動(dòng)畫(huà)產(chǎn)業(yè)結(jié)構(gòu)、市場(chǎng)條件、動(dòng)畫(huà)表現(xiàn)視覺(jué)表現(xiàn)形式、題材創(chuàng)意研究等方面進(jìn)行分析的基礎(chǔ)上，研究嶺南動(dòng)畫(huà)發(fā)展的優(yōu)缺。然后比較分析相關(guān)國(guó)家動(dòng)畫(huà)產(chǎn)業(yè)發(fā)展的經(jīng)驗(yàn),總結(jié)嶺南動(dòng)畫(huà)可以借鑒之處,探討解決嶺南動(dòng)畫(huà)存在問(wèn)題的對(duì)策與發(fā)展策略,力求為本土動(dòng)畫(huà)能夠早日滿足國(guó)內(nèi)大眾精神文化需求，又能進(jìn)入國(guó)際市場(chǎng)，在世界的大舞臺(tái)上完美的展現(xiàn)中國(guó)文化的精髓的宏偉目標(biāo)盡綿薄之力。 本文共分六個(gè)部分，各部分的主要內(nèi)容： 第一部分：緒論。闡述本選題的研究背景，目的與意義，研究的方法。 第二部分：新時(shí)期嶺南動(dòng)畫(huà)的形態(tài)分析。從發(fā)展的角度研究新時(shí)期嶺南動(dòng)畫(huà)內(nèi)涵主旨，通過(guò)分析萌芽與再發(fā)展不同階段的成因，解讀本土文化母體對(duì)其內(nèi)在滋養(yǎng)，找尋應(yīng)未來(lái)的動(dòng)畫(huà)民族化發(fā)展的方向。 第三部分：全球語(yǔ)境對(duì)新時(shí)期嶺南動(dòng)畫(huà)的啟發(fā)。分析嶺南動(dòng)畫(huà)在長(zhǎng)時(shí)期的對(duì)外交流過(guò)程中，汲取可學(xué)習(xí)與借鑒的寶貴經(jīng)驗(yàn)，根據(jù)本土情況將動(dòng)畫(huà)民族化與全球化契合，建立較為成熟的多層次受眾動(dòng)畫(huà)產(chǎn)業(yè)鏈運(yùn)營(yíng)模式的成功之處。 第四部分：新時(shí)期嶺南動(dòng)畫(huà)視覺(jué)表現(xiàn)形式研究。針對(duì)新時(shí)期嶺南動(dòng)畫(huà)作品分析，探討在以三維、flash、水墨、綜合四類(lèi)藝術(shù)表現(xiàn)形式上突出的成績(jī)，總結(jié)內(nèi)在的學(xué)術(shù)價(jià)值的現(xiàn)實(shí)意義。 第五部分：新時(shí)期嶺南動(dòng)畫(huà)題材創(chuàng)意研究。通過(guò)研究嶺南動(dòng)畫(huà)題材創(chuàng)意在民間神話、新武俠文化、嶺南粵劇三大題材的創(chuàng)新。提煉出其動(dòng)畫(huà)題材創(chuàng)作的新思路。探討在當(dāng)今能持續(xù)發(fā)展的重要原因。 第六部分：新時(shí)期嶺南動(dòng)畫(huà)發(fā)展的不足與應(yīng)對(duì)策略。針對(duì)新時(shí)期嶺南動(dòng)畫(huà)過(guò)程中凸顯的不足之處，直擊問(wèn)題根源進(jìn)行剖析，然后結(jié)合本土實(shí)際情況提出動(dòng)畫(huà)產(chǎn)業(yè)發(fā)展的對(duì)策和建議。
[Abstract]:Animation as a new cultural ideology, although only 100 years of development history, but rapid development, with rich artistic and cultural connotations, and increasingly closely linked with many professional disciplines, in promoting science, culture, Art and other developments play an important role. At present, our country attaches great importance to promoting the development of animation art and actively supports animation as a cultural industry. The animation development in the past was changed from the government plan to the active transformation and upgrading according to the market demand, and many regions have already achieved gratifying results. Lingnan, which is located in the coastal areas, is more prominent in the new period of animation development. Animation industry has entered a stage of rapid growth. Animation works contain great cultural and artistic value. However, it is still relatively vacant to carry out a deep and systematic study on the development of animation industry in related fields. This paper hopes to start from a professional academic point of view. Based on the analysis and study of the inner influence of the parent culture soil and the external inspiration of the global context in the new period, the author explores the relationship between the emergence, development process and profound ideology of the Lingnan animation in the new era. On the basis of analyzing the structure of animation industry, market conditions, visual expression form of animation performance, theme and creativity, the paper studies the advantages and disadvantages of the development of animations in Lingnan, and then compares and analyzes the experiences of the development of animation industry in relevant countries. This paper summarizes what Lingnan animation can use for reference, and probes into the countermeasures and development strategies to solve the existing problems of Lingnan animation, in order to ensure that local animation can meet the spiritual and cultural needs of the domestic public as soon as possible, and can enter the international market as soon as possible. In the world of the grand stage of the perfect display of the essence of Chinese culture, the grand goal of a modest effort. This paper is divided into six parts, the main contents of each part:. The first part: introduction. Explain the research background, purpose and significance of this topic, research methods. The second part: the form analysis of Lingnan animation in the new period. From the angle of development, the connotation and purport of Lingnan animation in the new period are studied. By analyzing the causes of different stages of germination and re-development, the author interprets the inner nourishment of native culture mother. Looking for the direction of the future development of animation nationalization. The third part: the inspiration of the global context to the Lingnan animation in the new period. It analyzes the Lingnan animation in the long period of foreign exchange, draw on the valuable experience that can be learned and used for reference, according to the local situation, the animation nationalization and globalization fit together. The success of establishing a more mature multi-level audience animation industry chain operation model. Part 4th: the study of the visual expression of Lingnan animation in the new period. Aiming at the analysis of Lingnan animation works in the new period, the paper discusses the outstanding achievements in the three dimensional flash, wash ink and synthetic four kinds of artistic expression forms. Summarize the practical significance of internal academic value. Part 5th: the creative research of Lingnan animation theme in the new period. Through the study of Lingnan animation theme creativity in folk myth, new martial arts culture, The innovation of three major themes of Lingnan Cantonese Opera, the new ideas of its animation theme creation, and the discussion of the important reasons for sustainable development in today's world. Part 6th: the deficiency of Lingnan animation development in the new period and the countermeasures. Aiming at the deficiency in the process of Lingnan animation in the new period, the author analyzes the root cause of the problem directly. Then combined with the actual situation of the local animation industry development countermeasures and suggestions.
【學(xué)位授予單位】：廣州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J954;J218.7

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