本文選題：平面性　切入點(diǎn)：當(dāng)代工筆畫　出處：《山東理工大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：中國工筆畫是一門古老且獨(dú)特的繪畫藝術(shù)。中國畫的繪畫構(gòu)成要素不同于西方,工筆畫中的物像雖具有一定的結(jié)構(gòu)和體積,但較之西方仍具有壓扁平面的感覺,這是因?yàn)槠淅L畫意識(shí)的差別造成的。平面性特征是工筆畫最重要的特征之一,一幅工筆畫的特征全從平面性做起。所以,我們?cè)趧?chuàng)作和審視一幅工筆畫時(shí),絕不可予以輕視。當(dāng)代工筆畫創(chuàng)作者在借古開今引西潤中的卓絕努力下,取得了前古所無的卓越的成績。工筆畫廣收博取,其平面性特征也在藝術(shù)的交流中不斷展現(xiàn)出新氣象,呈現(xiàn)出多元化的發(fā)展趨勢(shì)。工筆畫形成了多種多樣的畫面形式,有關(guān)工筆畫平面性特征的研究卻相對(duì)不多,對(duì)當(dāng)代工筆畫平面性的研究尤為稀少。文章從工筆畫的平面性出發(fā),結(jié)合傳統(tǒng)工筆畫平面性的形成和表現(xiàn),論述當(dāng)代工筆畫在繼承傳統(tǒng)和借鑒西方的雙向作用下所呈現(xiàn)出的平面性特征,結(jié)合分析佳作,具體而微,詳盡講解當(dāng)代工筆畫平面性特征和表現(xiàn)方法及審美價(jià)值,研究涵蓋與當(dāng)代工筆畫平面性相關(guān)的技法并與畫家的創(chuàng)作相結(jié)合。本課題的創(chuàng)新之處在于:以往的研究大多將平面性在古代的一個(gè)時(shí)期人物畫中的表現(xiàn)進(jìn)行分析并加以命名。本文則是要尋找不同點(diǎn),不將研究對(duì)象局限于人物畫,而是涵人物、山水和花鳥,探討西畫法融入中國工筆畫之后,經(jīng)過與中國工筆畫表現(xiàn)手法和傳統(tǒng)意境追求的深層融合下,在當(dāng)代工筆畫中平面性的繪畫語言有了哪些突破進(jìn)展。
[Abstract]:Chinese fine brushwork is an ancient and unique art of painting. The elements of Chinese painting are different from those of the West. Although the images of fine brushwork have a certain structure and volume, they still have the feeling of flattening the plane compared with the West. This is caused by the difference in painting consciousness. The plane feature is one of the most important features of the fine brushwork, and the characteristics of a fine brush painting all start from the planarity. Therefore, when we create and examine a fine brush painting, Under no circumstances should we belittle it. With the great efforts of the contemporary painters in drawing from the west through the ancient times, they have made outstanding achievements that never existed in the past. The fine brushwork has been widely accepted, and its plane features have constantly displayed a new atmosphere in the exchange of art. There is a diversified trend of development. Fine brushwork has formed a variety of screen forms, but the research on the flatness of fine brushwork is relatively few, especially the research on the flatness of contemporary fine brushwork. Combined with the formation and expression of the planarity of the traditional fine brushwork, this paper discusses the plane characteristics of the contemporary fine brushwork under the bidirectional action of inheriting the tradition and drawing lessons from the west, combined with the analysis of the excellent works, concrete and slight. Explaining in detail the plane features, methods of expression and aesthetic value of contemporary fine brushwork, The research covers the techniques related to the planarity of contemporary fine brushwork and the combination of the painters' creation. The innovation of this subject lies in the fact that most of the previous studies have analyzed the performance of planarity in a period of ancient figure painting. And name it. This article is about looking for differences, Instead of limiting the object of study to figure painting, it contains figures, mountains and rivers and flowers and birds. After discussing the integration of Western painting methods into Chinese fine brushwork, and after deep integration with the expression techniques and traditional artistic conception of Chinese fine brushwork, What breakthrough has been made in the plane painting language in contemporary meticulous painting.
【學(xué)位授予單位】：山東理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J212

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