本文選題：王筠 + 說文句讀��； 參考：《華中科技大學(xué)》2012年碩士論文

【摘要】：王筠是清代“《說文》四大家”之一，《說文釋例》和《說文句讀》是他最重要的兩部文字學(xué)著作。其中《說文釋例》集中體現(xiàn)了王筠的文字學(xué)理念，該書不但對許慎的《說文》“六書”體例進行了詳細(xì)而系統(tǒng)的闡釋，還提出了很多獨創(chuàng)性的文字學(xué)理論和概念，比如“分別文”、“累增字”等都是前人所未注意到的文字學(xué)現(xiàn)象。《說文句讀》不但取段玉裁、嚴(yán)可均、桂馥三家之長，還反映了許多王氏獨有的文字學(xué)觀念。因此研究王筠的文字學(xué)理論需將二書互相參照、互為補充。 前人對王筠文字學(xué)理論的研究主要集中在王筠對《說文》“六書”體例的闡釋及其對“分別文”、“累增字”等概念的研究上，對于王筠“諧聲”理論的專門研究比較薄弱，也沒有將其理論置于整個“諧聲”研究歷史中的觀察。在研究材料上，，對《說文句讀》重視不夠，沒有對其全面系統(tǒng)的整理。因此，為方便充分利用《說文句讀》，我們將其數(shù)字化，建立了《說文》系列數(shù)據(jù)庫，從而能夠更準(zhǔn)確、全面的提取相關(guān)信息，為研究工作提供完整、準(zhǔn)確的材料。 王筠全面、系統(tǒng)的整理、總結(jié)了《說文》“諧聲”體例，深入研究了“亦聲”、“省聲”、“一全一省”、“兩借”、“以雙聲字為聲”等特殊體例。此外王筠還繼承“右文說”等文字學(xué)研究成果，從字義孳乳的角度提出“分別文”、“累增字”等概念，開創(chuàng)了對“諧聲”進行縱向、歷時研究的新局面。王氏的“諧聲”研究在當(dāng)時是超越前人、富于遠(yuǎn)見的，極大的推動了“諧聲”研究的發(fā)展，為“六書”理論研究的進步做出了不可替代的貢獻(xiàn)。 本文將王筠的“諧聲”觀念和漢代許慎，宋代王安石、王圣美、戴侗，清代段玉裁的“諧聲”觀念進行了對比研究，全面梳理了“諧聲”研究的發(fā)展脈絡(luò)。并綜合分析了王氏之后劉師培、沈兼士、劉又辛和孫雍長等人對“諧聲”研究的發(fā)展以及王筠對他們的影響，總結(jié)了王筠在整個“諧聲”研究歷史上的貢獻(xiàn)和地位。
[Abstract]:Wang Yun is one of the four most important literary works in Qing Dynasty. Wang Yun's literary philosophy is embodied in Shuowen's interpretation of the text. The book not only gives a detailed and systematic explanation of Xu Shen's "six Books", but also puts forward a lot of original philological theories and concepts. For example, "separate text" and "accumulation of characters" are all unnoticed phenomena of philology. Not only does Shuowen sentence read from Duan Yu, Yan Ke du, Gui Fu three strong points, but also reflects many Wang's unique ideas of philology. Therefore, the study of Wang Yun's literary theory needs to cross-reference the two books and complement each other. The former studies on Wang Yun's literary theory are mainly focused on Wang Yun's interpretation of the style of "Shuoxue" and his research on the concepts of "separate text" and "accumulation of characters", but the special research on Wang Yun's theory of "harmony and sound" is relatively weak. Nor does it place its theory in the whole history of harmonic research. In the research material, not enough attention is paid to Shuo Wen sentence Reading, and it has not been sorted out in a comprehensive and systematic way. Therefore, in order to make full use of Shuo Wen sentence Reading, we digitize it and set up a series of database, which can extract relevant information more accurately and comprehensively, and provide complete and accurate materials for the research work. Wang Yun's comprehensive and systematic arrangement summarizes the style of "harmonic sound" in Shuo Wen, and studies in depth the special ways of "also sound", "saving sound", "one whole and one province", "two loans", "taking double sound as sound" and so on. In addition, Wang Yun inherits the research achievements of philology such as "right text theory" and puts forward the concepts of "separate text" and "accumulation of characters" from the angle of meaning development, thus creating a new situation of vertical and diachronic research on "harmonic sound". At that time, Wang's study of "harmonic sound" surpassed the predecessors and was full of foresight and greatly promoted the development of the study of "harmonic sound", and made an irreplaceable contribution to the progress of the theoretical study of "six Books". This paper compares Wang Yun's concept of "harmonic sound" with that of Xu Shen, Song Dynasty Wang Anshi, Wang Shengmei, Dai Dong and Duan Yuzai of Han Dynasty, and combs the development of "harmonic sound" in an all-round way. It also comprehensively analyzes the development of Liu Shipei, Shen Jianshi, Liu Youxin and Sun Yongchang, and the influence of Wang Yun on them, and summarizes Wang Yun's contribution and position in the whole history of "harmonic sound" research.
【學(xué)位授予單位】：華中科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：H122;H161

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