本文選題：甌語　切入點：顏色詞　出處：《溫州大學》2012年碩士論文　論文類型：學位論文

【摘要】：作為一類比較特殊的詞群，顏色詞數(shù)量眾多、分類方式多樣、所含民族文化底蘊豐富，因此顏色詞研究成了眾多學者研究的對象，在語言研究中占有一席之地。顏色詞的記錄古已有之，而真正的研究卻在現(xiàn)代。到目前為止除了英漢顏色詞對比、顏色詞的構成、顏色詞的文化蘊涵兩方面做了深入詳細的探討外，很少人對其他方面做研究，方言的顏色詞便是其中一例。 甌語是溫州市的主要方言，其顏色詞十分有特點，有的和普通話一致，有的很有特色，我們查閱諸多方言詞典并收集了許多甌語顏色詞，以此為基礎展開課題。 在前人研究的基礎上，本課題主要從語言學、詞匯學、文化學等方面對甌語顏色詞進行較為深入的研究。全文共分為六部分。 第一部分為緒論，簡要介紹了國內外顏色詞的研究概況和甌語的研究概況。 第二部分主要從詞匯學角度出發(fā)，，將甌語顏色詞歸納為單項式、復合式、重復合式、派生式。 第三部分從對比角度出發(fā)，簡單闡述了普通話和甌語顏色詞的區(qū)別，包括基本顏色詞定位、顏色詞的數(shù)量、語義演變等方面。 第四部分從文化學角度出發(fā)，主要論述社會民俗和游藝民俗在甌語顏色詞中的反映及甌語顏色詞在手工藝發(fā)展的體現(xiàn)。由于顏色紅、白在甌地民俗中文化內涵最為深厚，因此在這一部分主要論述甌語基本顏色詞“紅”、“白”兩色所反映的社會民俗和游藝民俗。 第五部分聯(lián)合實際，將甌語兩類特殊顏色詞（區(qū)別詞“嫩、中、老”+基本顏色詞根、基數(shù)詞“大、二、三”+基本顏色詞根）單獨列出，并對其的消失進行簡單探討。 第六部分主要對前文的內容進行概況總結，并指出本文的不足。 總之，本文嘗試在顏色詞已有的研究背景下將甌語顏色詞作為具體研究對象，并結合甌語語料對其進行由點到面、由表及里的全面分析和探討，使大家對甌語顏色詞的各個方面能有一個較為透徹的認識。希望本課題的研究能夠進一步促進方言學、詞匯學、認知學及文化學的研究。
[Abstract]:As a kind of special word group, color words have a large number of words, a variety of classification methods, rich national culture, so the study of color words has become the object of many scholars' research. The record of color words has existed in ancient times, but the real research is in modern times. So far, in addition to the contrast between English and Chinese color words, the composition of color words, The cultural implication of color words has been discussed in depth and in detail, few people have done research on other aspects, one example is the color words in dialects. Ou language is the main dialect of Wenzhou city, its color words are very characteristic, some are consistent with Putonghua, some have characteristics. We consult many dialect dictionaries and collect a lot of ou language color words. On the basis of previous studies, this paper mainly studies ou color words from linguistics, lexicology, culture and so on. The full text is divided into six parts. The first part is the introduction, briefly introduces the research situation of color words at home and abroad and the research survey of ou language. In the second part, from the lexicology point of view, ou color words are divided into single form, compound type, heavy compound type and derivative type. In the third part, the differences between Putonghua and ou color words, including the location of basic color words, the number of color words, and the semantic evolution, are briefly expounded from a contrastive point of view. The 4th part mainly discusses the reflection of social folklore and recreation folklore in ou language color words and the embodiment of ou language color words in handicraft development from the point of view of culturology. Because of the color red, the cultural connotation of the white in ou folk custom is the most profound. Therefore, this part mainly discusses the basic color words "red" and "white" reflected by the social folklore and entertainment folklore. In 5th part, two kinds of special color words of ou language (the distinguishing words "tender, medium, old" basic color root, the base word "big, two, three" basic color root) are listed separately, and the disappearing of them is simply discussed. Part 6th summarizes the content of the previous article, and points out the shortcomings of this paper. In a word, this paper tries to take the ou language color word as the concrete research object under the existing research background of the color word, and carries on the comprehensive analysis and the discussion from the point to the face, from the surface to the inside, in combination with the ou language corpus. It is hoped that the study of this subject can further promote the study of dialects, lexicology, cognition and culturology.
【學位授予單位】：溫州大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：H173

【參考文獻】

相關期刊論文 前3條

1 謝新f

本文編號：1598557