本文關(guān)鍵詞：《京華煙云》和《寵兒》中概念隱喻的對(duì)比分析　出處：《長(zhǎng)春工業(yè)大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

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【摘要】：1987年,萊考夫和約翰遜在《我們賴以生存的隱喻》一書中提出概念隱喻,他們認(rèn)為隱喻是人類認(rèn)知和思維的一種方式,是用一種事物去理解和經(jīng)歷另一種事物。作為人類的一種普遍認(rèn)知工具,隱喻在日常生活中無處不在。經(jīng)過多年更加深入和細(xì)致的研究,萊考夫和約翰遜認(rèn)為概念隱喻可以分為兩大類：基本隱喻和合成隱喻。因?yàn)槿祟惗加邢嗤纳眢w器官,所以他們把直接來自人類感知?jiǎng)佑X的經(jīng)驗(yàn)叫做基本隱喻,這體現(xiàn)了隱喻的普遍性。而合成隱喻是基本隱喻結(jié)合文化信仰而形成的隱喻。這是由于人類生活的環(huán)境、所受文化環(huán)境的不同,人類的認(rèn)知和思維方式也存在差異,導(dǎo)致不同文化背景下,人類使用隱喻的不同,這體現(xiàn)了隱喻的差異性。 本論文基于萊考夫和約翰遜的概念隱喻理論,致力于探討《京華煙云》和《寵兒》中概念隱喻的表達(dá),并分析這些隱喻產(chǎn)生的社會(huì)、歷史和文化背景,以及對(duì)闡釋主題的積極作用。通過系統(tǒng)歸類并且對(duì)兩部作品中的概念隱喻進(jìn)行對(duì)比分析,找出兩部小說在運(yùn)用概念隱喻手法的相似性與差異性。本文從語言表達(dá)和小說結(jié)構(gòu)兩個(gè)維度對(duì)《京華煙云》和《寵兒》中多次出現(xiàn)的概念隱喻進(jìn)行分析,包括名字的隱喻、人生的隱喻以及結(jié)構(gòu)的隱喻,并對(duì)這些隱喻進(jìn)行詳盡地歸類分析。從認(rèn)知語言學(xué)角度探討這些隱喻的映射過程及其產(chǎn)生存在的經(jīng)驗(yàn)基礎(chǔ),并分析兩部作品中概念隱喻產(chǎn)生原因的相同點(diǎn)與不同點(diǎn)。以下是對(duì)兩個(gè)維度的詳細(xì)闡釋： 在語言表達(dá)方面,本文從結(jié)構(gòu)隱喻、方位隱喻和本體隱喻三個(gè)方面對(duì)比分析《京華煙云》和《寵兒》中出現(xiàn)的“名字”的隱喻,“人生”的隱喻。兩部作品的作者分別將自己所要表達(dá)的感情與態(tài)度通過作品中主要人物的名字表達(dá)出來,使得人物的名字在文學(xué)作品中有了隱喻意義。例如,名字代表社會(huì)地位；名字代表期望；名字代表自由。同時(shí),兩位作者都使用了人生的隱喻表達(dá)自己的思想與情感。但由于所受文化、歷史及社會(huì)影響不同,因此在運(yùn)用概念隱喻的方式方法上也存在很多不同。其中,兩部作品中都出現(xiàn)的隱喻是名字代表社會(huì)地位,不同的是在《京華煙云》中名字代表期望,在《寵兒》中名字代表自由。 在結(jié)構(gòu)方面,通過對(duì)《京華煙云》和《寵兒》兩部作品的結(jié)構(gòu)分析,本文認(rèn)為兩部小說的結(jié)構(gòu)分別是各自小說的主題隱喻。兩部小說都屬于敘事小說,因此對(duì)小說時(shí)間線,小說情節(jié)結(jié)構(gòu)以及標(biāo)題的安排都含有作者所要表達(dá)的隱喻意義。其中兩位作者有相同之處,更有不同之處。特別是在小說時(shí)間線和標(biāo)題中的安排,兩位作者采取了兩種截然不同的方式,形成了鮮明的對(duì)比。通過細(xì)致分析發(fā)現(xiàn),其隱喻意義也非常深刻,體現(xiàn)了兩位作者的匠心獨(dú)運(yùn)以及他們根深蒂固的文化及歷史淵源。
[Abstract]:In 1987, Lakoff and Johnson proposed conceptual metaphors in metaphor for our existence, which they consider as a way of human cognition and thinking. As a universal cognitive tool, metaphor is ubiquitous in daily life. It has been studied more deeply and carefully for many years. Lakoff and Johnson think that conceptual metaphor can be divided into two categories: basic metaphor and synthetic metaphor. This reflects the universality of metaphor, and synthetic metaphor is a metaphor formed by the combination of basic metaphor and cultural belief, which is due to the different cultural environment in which human beings live. There are also differences in human cognition and mode of thinking, which leads to the different use of metaphor in different cultural backgrounds, which reflects the difference of metaphor. Based on Lakoff's and Johnson's Conceptual metaphor Theory, this thesis is devoted to exploring the expression of conceptual metaphors in Beijing Huayun and beloved, and analyzing the social, historical and cultural background of these metaphors. And the positive role of explaining the theme. Through systematic classification and comparative analysis of conceptual metaphors in the two works. To find out the similarities and differences between the two novels in the use of conceptual metaphors. This paper analyzes the conceptual metaphors that appear many times in Jinghua Yanyun and beloved from the perspectives of language expression and novel structure. It includes the metaphor of name, the metaphor of life and the metaphor of structure, and makes a detailed classification and analysis of these metaphors. From the perspective of cognitive linguistics, the mapping process of these metaphors and the empirical basis for their existence are discussed. This paper also analyzes the similarities and differences of the causes of conceptual metaphor in the two works. The following is a detailed explanation of the two dimensions: In the aspect of language expression, this paper compares and analyzes the metaphors of "name" in "Jinghua smoke Cloud" and "beloved" from three aspects: structural metaphor, orientation metaphor and Noumenon metaphor. Metaphors of "Life". The authors of the two works express their feelings and attitudes respectively through the names of the main characters in the works, which makes the names of characters have metaphorical meanings in literary works. For example. Names represent social status; Names represent expectations; Names represent freedom. At the same time, both authors use metaphors of life to express their thoughts and feelings, but due to their cultural, historical and social influences. Therefore, there are many differences in the ways and means of using conceptual metaphors. Among them, the metaphors in both works are names representing social status, and the difference is that names represent expectations in Jinghua smoke Cloud. In beloved, the name stands for freedom. In terms of structure, through the analysis of the structure of the two novels, the author holds that the structure of the two novels is the thematic metaphor of their respective novels, and the two novels belong to narrative novels. Therefore, the time line, the plot structure and the title arrangement of the novel all contain the metaphorical meaning that the author wants to express. Especially in the arrangement of the time line and the title of the novel, the two writers have adopted two different ways to form a sharp contrast. Through careful analysis, it is found that the metaphorical meaning of the novel is also very profound. It reflects the originality of the two writers and their deep-rooted cultural and historical origins.
【學(xué)位授予單位】：長(zhǎng)春工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：H05

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本文編號(hào)：1369331