【摘要】：這群已達2.8億的“80后”一代，日益成為人們關注的焦點，因為這樣一群具有獨特品質(zhì)的年青人將影響未來社會的發(fā)展，并成為中國未來主導。80后的年輕人正沉淀出自己的特有的品質(zhì)，日趨成熟的80后，正承載中國的未來發(fā)展。80后處在新文化覺醒意識強烈的時代下，怎樣發(fā)現(xiàn)新的創(chuàng)作元素，怎樣將過時破敗的理念打垮，怎樣使繪畫煥發(fā)新的生機，怎樣完善、怎樣創(chuàng)新是具有覺醒意識的80后畫家整日思考的問題。他們將實用美術所涉及的平面構成、色彩構成、圖像拼貼等視覺傳達的理論融入繪畫中，將油畫的理念引入國畫中，又將國畫的題材和概念加入到油畫的創(chuàng)作中去，是80后一直實踐的東西。 80后目前的就業(yè)狀況十分令人擔憂，市場狀況也出現(xiàn)很多問題，但是對于前些年，80后作品的價格走高，80后應該有更清醒的認識，80后，特別是82后那些還未踏進市場之門的畫家，請勿被火熱市場的泡沫之象所蒙蔽，市場機制不是一切，不能只作市場而忽略了作品本身。在生存的前提下，你可以附庸，但是在藝術的大環(huán)境下，你的附庸可以讓你在藝術之路上走多遠呢。市場在選擇繪畫，但市場不能代替繪畫，市場機制可以讓你的作品價格升值，但他不能讓你的品質(zhì)攀升。真正好的作品不是市場調(diào)教出來的。80后的確需要一些市場機制的輔助，可以通過一些途徑，對80后進行廣告似的宣傳，但是80后更需要健康的機制，而絕非拔苗助長似的毒害。 80后在創(chuàng)作中表現(xiàn)出的狀態(tài)，是他們未來之路的預示，不會影響80后前景的腳步。無論80后是否真正成熟，80后都與60、70后一樣，一種勢不可擋的態(tài)勢在發(fā)展，在壯大。 所以請給80后繪畫，更多的包容與鼓勵，還要建立起完整健康的市場機制，，給年輕的、對繪畫充滿夢想的80后畫家更大的舞臺，去展現(xiàn)80后心中的藝術。
[Abstract]:The "post-80s" generation, which has reached 280 million, has increasingly become the focus of attention, because such a group of young people with unique qualities will affect the development of future society. And become the leading force in the future of China. The young people of the post-80s generation are precipitating their own unique qualities. The increasingly mature post-80s generation is carrying the future development of China. In the era of strong awareness of the new culture, how can the post-80s generation find new creative elements? How to break down the outdated idea, how to make painting radiate new vitality, how to perfect, how to innovate is the problem that the post-80s painters who have awakened consciousness think all day. They incorporate the theory of visual communication, such as plane composition, color composition, image collage and so on, involved in practical art into painting. They introduce the idea of oil painting into traditional Chinese painting, and add the subject matter and concept of traditional Chinese painting to the creation of oil painting. Is the 80's has been the practice of things. The present employment situation of the post-80s generation is very worrisome, and there are many problems in the market situation. However, in previous years, the price of the post-80s works has gone up, so the post-80s generation should have a more sober understanding, the post-80s generation, Especially for those painters who have not entered the market after 82, please do not be blinded by the bubble image of the hot market. The market mechanism is not everything. In the premise of survival, you can subservient, but in the context of art, your vassal can make you on the road to art how far. The market is choosing painting, but the market can not replace painting, market mechanism can let your work price appreciation, but he can not let your quality climb. Really good works are not made by the market. The post-80s generation really needs some market mechanism to assist them. They can advertise the post-80s generation through some channels, but the post-80s generation needs a healthy mechanism even more. By no means does it encourage poison. The state of the post-80s generation in their creation is a predictor of their future, and will not affect the future of the post-80s. Whether or not after 80 really mature, after 80 and 60 after the same, an unstoppable trend in the development, in the growth. So please give the post-80s painting, more tolerance and encouragement, but also to establish a complete and healthy market mechanism, to young, painting full of dreams of the post-80s painter a bigger stage to show the art of the post-80s heart.
【學位授予單位】：沈陽師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J205

【參考文獻】

相關碩士學位論文 前1條

1 胡慧英;中國80后藝術中的超現(xiàn)實主義成分解析[D];湖南師范大學;2009年

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