東巴文字符號走進(jìn)動畫的可行性研究
發(fā)布時間：2018-09-07 22:04
【摘要】：東巴文被譽為是目前世界上唯一保留完整的“活著的象形文字”,是世界上最古老的象形文字之一,是人類社會文字起源和發(fā)展的“活化石”。這一古老而有韻味的中國傳統(tǒng)民間文字是一種獨特而豐富的民族文化,是民族的,更是世界的,是傳統(tǒng)的,更是時尚的,它已經(jīng)引起了國內(nèi)外眾多學(xué)者和設(shè)計師的極大的關(guān)注與重視。本文不是從對古老文字的研究或民族學(xué)的角度探討東巴文字,而是通過對東巴文字符號的造型特點和審美特性的深入研究,發(fā)現(xiàn)這種象形文字符號存在某些動畫藝術(shù)的美學(xué)特性,進(jìn)一步探索兩者之間的關(guān)聯(lián)性和契合點,最后通過東巴象形文字動畫實例的剖析,證實東巴象形文字符號應(yīng)用于動畫藝術(shù)創(chuàng)作是切實可行的,可以成為一種新的動畫藝術(shù)表現(xiàn)形式。 在當(dāng)今全球化的時代,面對外來文化對中國傳統(tǒng)文化的影響,中國的動畫要想取得長足發(fā)展,重新立足于世界動畫強國之林,我們應(yīng)該立足于民族文化這片肥沃土壤之中。首先,我們要深入挖掘其中符合動畫藝術(shù)創(chuàng)作特點的“動畫元素”,在對民族文化進(jìn)行傳承的基礎(chǔ)之上進(jìn)行開拓創(chuàng)新,切不可因循守舊,故步自封。其次,我們要把其置于一個全球化的語境下,即與國際動畫接軌,推進(jìn)動畫產(chǎn)業(yè)化發(fā)展�？傊�,只有真正扎根于自己的土壤,把外來經(jīng)驗、好的制作運營機制與本國的實際相結(jié)合,與本民族的文化融會到一起,挖掘新的民族元素,才能茁壯成長,繁榮昌盛。 本文以東巴文字符號作為研究對象,通過研究其歷史發(fā)展淵源,并分析其象形文字的特性,將其融入到動畫藝術(shù)創(chuàng)作中,打破了符號世界和生活世界的界限,試圖以“字”為“圖”來挖掘出新的動畫元素。然而,古老的東巴象形文字符號已與當(dāng)代人的審美需求相距甚遠(yuǎn)。若是盲目、機械地將古老的象形文字符號用來表達(dá)人們今天的生活狀態(tài),那恐怕是辭不達(dá)意的。這就要求動畫藝術(shù)創(chuàng)作要真實體現(xiàn)并滿足當(dāng)代人的審美需求,為傳統(tǒng)民族文化與當(dāng)代主流文化的結(jié)合架起一座橋梁。目前,東巴文字在美術(shù)裝飾、書法藝術(shù)、平面設(shè)計、廣告設(shè)計等領(lǐng)域都有一些實際運用和深入的研究,但在動畫創(chuàng)作方面的運用與研究卻少之又少。本文提出在動畫創(chuàng)作中融入富有象形、簡潔、直觀、傳統(tǒng)等特性的東巴文字符號,是對我國本土化動畫創(chuàng)作的又一次大膽嘗試和創(chuàng)新,對我國動畫的民族化發(fā)展起到積極的推進(jìn)作用。 本文的主要觀點有：1、任何一門藝術(shù)想要在現(xiàn)代社會保持旺盛的發(fā)展的生機和活力,必須具有彰顯個性、強調(diào)本土元素、融入時代潮流的審美趨向,動畫藝術(shù)同樣也不例外；2、東巴象形文字符號的象形性、簡潔性、趣味性等審美特性能在動畫藝術(shù)創(chuàng)作得到充分的體現(xiàn)；3、東巴象形文字符號與動畫藝術(shù)的結(jié)合就意味著傳統(tǒng)與現(xiàn)代的完美結(jié)合,既能體現(xiàn)傳統(tǒng)文化的神韻,又不失現(xiàn)代設(shè)計美感；既有深厚的文化內(nèi)涵,又有鮮明的民族風(fēng)格；4、中國傳統(tǒng)文化中有很多值得動畫藝術(shù)創(chuàng)作借鑒的寶貴內(nèi)容,若能夠巧妙的將他們運用到動畫藝術(shù)創(chuàng)作中,必將為中國動畫的健康、可持續(xù)發(fā)展增添取之不盡的寶貴資源,同時也能起到傳承我國民族文化的積極作用。
[Abstract]:Dongba script is praised as the only "living hieroglyphic script" in the world which remains intact at present. It is one of the oldest hieroglyphic scripts in the world. It is the "living fossil" of the origin and development of human society. This ancient and charming traditional Chinese folk script is a unique and rich national culture, a nation and a world. This paper is not to discuss Dongba characters from the angle of the study of ancient characters or ethnology, but to discover this Hieroglyphic Character through the in-depth study of the modelling and aesthetic characteristics of Dongba characters. There are some aesthetic characteristics of animation art, and further explore the relationship between the two and the point of convergence. Finally, through the analysis of Dongba hieroglyphic animation examples, it proves that Dongba hieroglyphic symbols used in animation art creation is feasible and can become a new form of animation art.
In today's era of globalization, facing the impact of foreign culture on Chinese traditional culture, if China's animation wants to make great strides in development and re-establish itself in the forest of the world's animation powers, we should base ourselves on the fertile soil of national culture. First, we should dig deeply into the "animation elements" which conform to the characteristics of animation art creation. Second, we should put it in a global context, that is, to integrate with international animation and promote the development of animation industrialization. In short, only truly rooted in their own soil, foreign experience, good production and operation mechanism and Only by combining the reality of our country with the culture of our nation and excavating new national elements can we thrive and prosper.
This paper takes Dongba character symbol as the research object, through studying its historical development origin, analyzing its hieroglyphic characteristics, integrating it into the animation art creation, breaking the boundaries between the symbol world and the living world, trying to dig out new animation elements with "character" as "picture". However, the ancient Dongba hieroglyphic symbol It is far from the aesthetic needs of contemporary people. It would be impractical to use the ancient hieroglyphic symbols blindly and mechanically to express people's living conditions today. This requires that animation artistic creation should truly reflect and meet the aesthetic needs of contemporary people, so as to set up the combination of traditional national culture and contemporary mainstream culture. At present, Dongba characters in art decoration, calligraphy, graphic design, advertising design and other fields have some practical applications and in-depth research, but the application and research of animation creation is rare. Another bold attempt and innovation to our native animation has played a positive role in promoting the nationalization of our animation.
The main points of this paper are as follows: 1. If any art wants to keep vigorous development and vitality in modern society, it must show its individuality, emphasize the local elements, integrate into the aesthetic trend of the times, animation art is no exception; 2. The aesthetic characteristics of Dongba hieroglyphic symbols, such as pictographic, concise, interesting, etc. 3. The combination of Dongba hieroglyphic symbols and animation art means the perfect combination of tradition and modern art, which can not only embody the charm of traditional culture, but also lose the aesthetic feeling of modern design; it has both profound cultural connotation and distinct national style; 4. There are many worthy of moving in Chinese traditional culture. If we can apply them skillfully to the creation of animation art, we will surely add inexhaustible valuable resources for the healthy and sustainable development of Chinese animation, and also play an active role in inheriting our national culture.
【學(xué)位授予單位】：廣東工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J218.7
本文編號：2229539
[Abstract]:Dongba script is praised as the only "living hieroglyphic script" in the world which remains intact at present. It is one of the oldest hieroglyphic scripts in the world. It is the "living fossil" of the origin and development of human society. This ancient and charming traditional Chinese folk script is a unique and rich national culture, a nation and a world. This paper is not to discuss Dongba characters from the angle of the study of ancient characters or ethnology, but to discover this Hieroglyphic Character through the in-depth study of the modelling and aesthetic characteristics of Dongba characters. There are some aesthetic characteristics of animation art, and further explore the relationship between the two and the point of convergence. Finally, through the analysis of Dongba hieroglyphic animation examples, it proves that Dongba hieroglyphic symbols used in animation art creation is feasible and can become a new form of animation art.
In today's era of globalization, facing the impact of foreign culture on Chinese traditional culture, if China's animation wants to make great strides in development and re-establish itself in the forest of the world's animation powers, we should base ourselves on the fertile soil of national culture. First, we should dig deeply into the "animation elements" which conform to the characteristics of animation art creation. Second, we should put it in a global context, that is, to integrate with international animation and promote the development of animation industrialization. In short, only truly rooted in their own soil, foreign experience, good production and operation mechanism and Only by combining the reality of our country with the culture of our nation and excavating new national elements can we thrive and prosper.
This paper takes Dongba character symbol as the research object, through studying its historical development origin, analyzing its hieroglyphic characteristics, integrating it into the animation art creation, breaking the boundaries between the symbol world and the living world, trying to dig out new animation elements with "character" as "picture". However, the ancient Dongba hieroglyphic symbol It is far from the aesthetic needs of contemporary people. It would be impractical to use the ancient hieroglyphic symbols blindly and mechanically to express people's living conditions today. This requires that animation artistic creation should truly reflect and meet the aesthetic needs of contemporary people, so as to set up the combination of traditional national culture and contemporary mainstream culture. At present, Dongba characters in art decoration, calligraphy, graphic design, advertising design and other fields have some practical applications and in-depth research, but the application and research of animation creation is rare. Another bold attempt and innovation to our native animation has played a positive role in promoting the nationalization of our animation.
The main points of this paper are as follows: 1. If any art wants to keep vigorous development and vitality in modern society, it must show its individuality, emphasize the local elements, integrate into the aesthetic trend of the times, animation art is no exception; 2. The aesthetic characteristics of Dongba hieroglyphic symbols, such as pictographic, concise, interesting, etc. 3. The combination of Dongba hieroglyphic symbols and animation art means the perfect combination of tradition and modern art, which can not only embody the charm of traditional culture, but also lose the aesthetic feeling of modern design; it has both profound cultural connotation and distinct national style; 4. There are many worthy of moving in Chinese traditional culture. If we can apply them skillfully to the creation of animation art, we will surely add inexhaustible valuable resources for the healthy and sustainable development of Chinese animation, and also play an active role in inheriting our national culture.
【學(xué)位授予單位】：廣東工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J218.7
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