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從功能文體學(xué)的角度看幽默祝福類短信的文體特征

發(fā)布時(shí)間:2018-07-31 07:18
【摘要】:隨著網(wǎng)絡(luò)和通訊技術(shù)的迅猛發(fā)展,手機(jī)短信以其短小精悍,幽默睿智,即時(shí)迅捷等多重優(yōu)點(diǎn)迅速融入大眾生活,并逐步發(fā)展成為“第五媒體”,成為當(dāng)代人日常信息傳播的重要渠道和載體之一。短信語言也因?yàn)槠洳粩喑尸F(xiàn)出來的鮮明特征而逐步被語言學(xué)界所關(guān)注。短信的語言雖然是以文字的形式存在,卻具有眾多口語的特點(diǎn),同時(shí)自身許多獨(dú)有的特點(diǎn)已使其逐漸成為一種全新的語體。然而,令人遺憾的是,目前人們對(duì)短信這一新興語體的研究還不夠深入和全面,對(duì)短信語言研究多停留在直觀感性的收集、分類和介紹,形成系統(tǒng)理論的還很少。 本文以功能文體學(xué)中極具影響力的前景化理論作為理論框架,充分結(jié)合語音學(xué),語相學(xué),詞匯學(xué),語義學(xué),句法學(xué)等多學(xué)科的基礎(chǔ)理論,對(duì)短信語言文體特征進(jìn)行了全面而詳細(xì)的分析。 關(guān)于文體形形色色的定義中,功能文體學(xué)的觀點(diǎn)是文體即“前景化”。Hallidy (1973)將“前景化”(foregrounding)與“突出”(prominence)進(jìn)行了區(qū)分,認(rèn)為只是“有動(dòng)因的突出”(motivated prominence)才是“前景化”。同時(shí),“前景化”也是“自動(dòng)化”的對(duì)立面:“自動(dòng)化”使事件“程序化”;而“前景化”則是對(duì)“程序”的偏離。Halliday接受了英國(guó)語言學(xué)家Leech的觀點(diǎn),將突出特征分為兩類:一類是否定的,違反常規(guī)的,與其他語言或社會(huì)已接受的常規(guī)相違背的,稱為“失協(xié)”(incongruity);另一種則是肯定的,是建立常規(guī),強(qiáng)化常規(guī)的,是數(shù)理上的突出,稱為“失協(xié)”(deflection)。 通過對(duì)紛繁復(fù)雜的短信進(jìn)行整理分類,作者發(fā)現(xiàn)根據(jù)功能的不同,短信可以分為以下幾類:信息聯(lián)絡(luò)類、幽默祝福類以及廣告公務(wù)類。幽默祝福類短信作為短信的典型,具有短信的基本特征,同時(shí)便于收集整理,成為本文用作分析的主要語料。為了客觀真實(shí)的反映短信語言的特點(diǎn),作者從身邊的親朋好友以及互聯(lián)網(wǎng)上收集了大量的幽默祝福類短信作為語料,運(yùn)用定性分析和實(shí)例分析等方法,從音系、語相、詞匯、句法以及語義等各個(gè)層次對(duì)其文體特征進(jìn)行了詳細(xì)的分析研究。 短信語言的“失協(xié)”主要體現(xiàn)在語相層和詞匯層。在語相層,短信通過對(duì)多種標(biāo)點(diǎn)符號(hào)的特殊使用以及空間布局的特別設(shè)計(jì)實(shí)現(xiàn)了對(duì)常規(guī)的偏離;詞匯層中,則出現(xiàn)了大量的舊詞新意、不同詞匯集的共現(xiàn)、方言、雙關(guān)詞匯及英文表達(dá)的使用,從而實(shí)現(xiàn)了短信語言在詞匯層對(duì)常規(guī)的偏離。 短信語言的“失衡”則充分體現(xiàn)在各個(gè)層次上:在音系層,為了實(shí)現(xiàn)前景化,大量使用了諧音,押韻及擬聲詞;語相層的前景化主要體現(xiàn)在逗號(hào)的大量使用,以及經(jīng)過標(biāo)點(diǎn)符號(hào)及字母的組合而形成的表情符號(hào)的大量使用;從詞匯層來看,同素詞、數(shù)詞、同義詞近義詞、感嘆詞的頻繁使用,以及詞匯的排比和重復(fù)使用都實(shí)現(xiàn)了短信語言的前景化;在句法層,失衡主要通過句式的重復(fù)以及大量的句子成分的省略來實(shí)現(xiàn);語義層的失衡主要體現(xiàn)在各種修辭手法的頻繁使用中,包括:比喻、仿擬、擬人、排比、反語、以及突降法。 由于短信的發(fā)送與收取不受時(shí)間和空間的阻隔,其更能適應(yīng)新時(shí)期的人際互動(dòng)方式。這種溝通方式呈現(xiàn)出短小精悍、時(shí)尚風(fēng)趣、快捷及時(shí)和方便實(shí)用等各種特征,而短信語言的各種前景化特征則正好順應(yīng)了這一新興通訊方式的要求,實(shí)現(xiàn)了人與人之間信息的傳遞以及良好人際關(guān)系的建立與維持。 本文通過對(duì)大量幽默祝福型短信的文體特征分析,研究結(jié)果不僅深化了對(duì)短信的研究,同時(shí)也拓展了功能文體學(xué)的適用范圍。有助于人們?nèi)粘6绦沤浑H中更好的利用這種新型的交流方式,并感受其語言的美感,體會(huì)手機(jī)短信語言的獨(dú)特魅力。
[Abstract]:With the rapid development of network and communication technology, the short message of mobile phone is rapidly integrated into the public life with its many advantages, such as short, humorous and intelligent, instant and quick, and has gradually developed into "fifth media", which has become one of the important channels and carriers of the daily information dissemination. Although the language of short message exists in the form of words, it has many characteristics of spoken language, and many unique features of it have made it a new style. However, it is regrettable that the research on this new style of text is not thorough and comprehensive at present. The study of letter language mostly stays in the collection, classification and introduction of intuition, and very few systems theory is formed.
This paper, based on the theoretical framework of the highly influential prospect theory in functional stylistics, fully combines the basic theories of phonetics, phonology, lexicology, semantics, and sentence jurisprudence, and makes a comprehensive and detailed analysis of the stylistic features of SMS language.
In the definition of style and color, the view of functional stylistics is that style is "foreground".Hallidy (1973) distinguishes between "foregrounding" and "prominence", and that only "motivated prominence" is "foreground". At the same time, "foreground" is "automation" and "automation". "The opposite:" automation "makes the event" program "; and" foreground "is a deviation from the" program ".Halliday accepted the British linguist Leech's view, the prominent features are divided into two categories: one is negative, unconventional, and contrary to other languages or social accepted routines, called" incongr. " Uity); the other is affirmative, which is to establish routines and strengthen the routine, which is a prominent figure in mathematics and physics. It is called "deflection".
By sorting the complex and complex text messages, the author finds that according to the different functions, the text message can be divided into the following categories: information contact, humorous blessings and advertising business. The humorous blessings as text messages are typical of SMS, with the basic characteristics of SMS, and easy to collect and collate at the same time, and become the main language of the analysis. In order to objectively and truly reflect the characteristics of short message language, the author collected a large number of humorous blessings as a corpus from relatives and friends and on the Internet, using qualitative analysis and case analysis to analyze their stylistic features from different levels, such as phonology, language, vocabulary, syntax and semantics. Study.
The "loss of association" in the text message language is mainly reflected in the language layer and the vocabulary layer. In the language layer, short message has achieved the conventional deviation through the special use of a variety of punctuation marks and the special design of the spatial layout. In the vocabulary layer, there are a large number of new meanings of old words, the co occurrence of different vocabulary sets, dialects, pun vocabulary and English expression. Thus, the deviation of the short message language from lexical level to routine is realized.
The "imbalance" of short message language is fully embodied in all levels: in the phonological layer, homophonic, rhyme and onomatopoeia are used in great quantities in order to realize the prospect. The foreground of the language layer is mainly embodied in the large use of commas, and the use of the emoticons formed by the combination of punctuation symbols and letters; from the lexical level, the same Word, numeral, synonym, synonym, interjection frequently used, and the comparison and reuse of words all realize the foreground of short message language; in the syntactic layer, the imbalance is mainly realized through the repetition of sentence patterns and the omission of a large number of sentence components; the imbalance of the semantic layer is mainly reflected in the frequent use of various rhetorical devices, including the frequent use of various rhetorical devices. Parables, parody, personification, parallelism, irony, and sudden fall.
Since the sending and collecting of short messages are not blocked by time and space, they are more adaptable to the interpersonal interaction in the new period. This communication method presents a variety of features such as short and delicate, fashionable and interesting, quick and timely, convenient and practical, and the various foreground features of SMS language just conform to the requirements of this new mode of communication. It is the transmission of information between people and the establishment and maintenance of good interpersonal relationship.
Through the analysis of the stylistic features of a large number of humorous blessings, this paper not only deepens the study of SMS, but also expands the scope of functional stylistics. It helps people to make better use of this new mode of communication in daily short message communication, feel the aesthetic sense of its language, and realize the unique language of mobile phone. Charm.
【學(xué)位授予單位】:中國(guó)海洋大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2011
【分類號(hào)】:H152

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