【摘要】： 從某種意義上講，視覺傳達設計就是“圖形語言化”和“語言化圖形”的過程。為了達到信息傳達的目標，設計師需要始終不渝地尋找、挖掘并創(chuàng)造出最佳的視覺語言，借以表現(xiàn)傳達自我的設計理念和藝術主張。 20世紀末期，，數(shù)字化媒體出現(xiàn)，社會環(huán)境也發(fā)生了質的變化，就在網絡技術、數(shù)碼藝術設計、數(shù)字電影電視、多媒體廣告短片等新興科技不斷地挑戰(zhàn)著當代藝術設計形式的同時，也在充實著當代藝術設計的外延。多元化的視覺觀念也暗示著新的視覺傳達方式將要打破傳統(tǒng)設計門類的界限，讓藝術設計成為一種能夠融合多種學科的載體。像素之于計算機圖形正如原子之于世界萬物�？茖W的發(fā)展造就了今天多姿多彩的計算機的每個角落。隨著移動電子設備的功能越來越強大，以及彩信業(yè)務的推出，像素藝術得到了空前的發(fā)展。像素在今天的任務不再是作為象征意義的Icon，而是締造一片風格簡潔的世界，更多的人通過像素藝術來表現(xiàn)另一種自我，傳遞紛繁復雜的情感。在這樣的環(huán)境中，像素藝術作為一種新的視覺語言將在藝術設計領域中成為一個時代的標志。 本文詳細地介紹了什么是像素，矢量圖與位圖的區(qū)別，什么是像素畫，并從審美心理角度分析了像素藝術為何被現(xiàn)代人接納與喜愛，以及像素藝術在圖標、網站、游戲與動畫、包裝、招貼、插畫等多方面設計領域中的應用，并介紹了國際上最具代表性的像素藝術大師及作品，分析了中國在這片領域中的實情與現(xiàn)狀，將像素藝術作為一門獨立的藝術語言形式介紹給大家，希望更多的人了解與喜愛這門獨特的藝術。
[Abstract]:In a sense, visual communication design is the process of "graphic language" and "language graphics". In order to achieve the goal of communication, designers need to find, excavate and create the best visual language to express their own design ideas and artistic ideas. The emergence of digital media and the qualitative changes in the social environment are taking place at the same time that emerging technologies such as network technology, digital art design, digital film and television, multimedia advertising and short films are constantly challenging the forms of contemporary art design. It is also enriching the extension of contemporary art design. The diversity of visual concepts also implies that the new way of visual communication will break the boundaries of traditional design categories and make art design a carrier that can integrate many disciplines. Pixels are to computer graphics what atoms are to everything in the world. The development of science has created today's colorful computer in every corner. With the increasingly powerful function of mobile electronic devices and the introduction of MMS service, pixel art has been developed unprecedented. The task of pixels today is no longer to be a symbolic Icon, but to create a world of simple styles. More people express themselves through pixel art and transmit complex emotions. In such an environment, pixel art as a new visual language will become a symbol of the times in the field of art design. This paper introduces in detail what is pixel, the difference between vector graph and bitmap, what is pixel painting, and analyzes why pixel art is accepted and loved by modern people from the angle of aesthetic psychology, as well as pixel art in icon, website, game and animation. Packaging, posters, illustrations and other areas of design applications, and the introduction of the most representative of the international pixel art master and works, the analysis of China in this field of the reality and current situation, Pixel art is introduced as an independent art language form. We hope that more people will understand and love this unique art.
【學位授予單位】：四川大學
【學位級別】：碩士
【學位授予年份】：2007
【分類號】：J50

【引證文獻】

相關碩士學位論文 前2條

1 汪洋t

本文編號：2141281