【摘要】：本課題的研究主要集中在理論與實(shí)踐的結(jié)合,針對(duì)贛南采茶戲丑角動(dòng)態(tài)造型進(jìn)行數(shù)字化的系統(tǒng)研究設(shè)計(jì),著重分析動(dòng)作捕捉技術(shù)的數(shù)據(jù)采集特點(diǎn)和贛南采茶戲丑角表演的分解動(dòng)作與視覺(jué)包裝展示。 贛南采茶戲至今已有數(shù)百年的歷史,是江西采茶戲中最有代表性的一種,被田漢譽(yù)為“中國(guó)戲曲百花園中的一朵奇葩”。它由民間歌舞發(fā)展而來(lái),內(nèi)容貼近生活,語(yǔ)言詼諧幽默,表演時(shí),演員在伴奏音樂(lè)中靈巧地運(yùn)用獨(dú)特的矮子步、扇子花、單長(zhǎng)水袖及模仿動(dòng)物形象的一些表演動(dòng)作,載歌載舞,顯示出濃郁的鄉(xiāng)土氣息和鮮明的客家特色。然而由于贛南的地域性特點(diǎn),在采茶戲的發(fā)展及其普及上還不夠完善,東北二人轉(zhuǎn)由于著名表演藝術(shù)家趙本山的改良推廣已經(jīng)是家喻戶(hù)曉,這其中除了東北二人轉(zhuǎn)本身的特點(diǎn)之外,當(dāng)然還有演員儲(chǔ)備的原因。贛南采茶戲作為極具藝術(shù)價(jià)值的非物質(zhì)文化遺產(chǎn),在演員儲(chǔ)備和數(shù)字化包裝推廣上還是存在一定的問(wèn)題。 動(dòng)作捕捉技術(shù)的出現(xiàn)及其應(yīng)用,已經(jīng)不僅僅是停留在影視廣告等功能上在很多其他領(lǐng)域也是有所應(yīng)用,通過(guò)數(shù)字化項(xiàng)目本身的內(nèi)質(zhì),能夠達(dá)到推介主題和文化的目的�；趧�(dòng)作捕捉技術(shù)的贛南采茶戲丑角表演數(shù)字化設(shè)計(jì),能夠很好的虛擬丑角動(dòng)態(tài)造型流暢的動(dòng)作,很好的展示傳統(tǒng)藝術(shù)的文化內(nèi)涵和特色。它既是嚴(yán)謹(jǐn)?shù)奶摂M和模仿,同時(shí)也是對(duì)傳統(tǒng)藝術(shù)的再創(chuàng)造。這種再創(chuàng)造是在了解傳統(tǒng)藝術(shù)精神的基礎(chǔ)上,以現(xiàn)代科技的設(shè)計(jì)制作理念對(duì)傳統(tǒng)藝術(shù)的一些元素加以改造,提煉和運(yùn)用,使其富有時(shí)代氣息,又具有科技含量,達(dá)到媒體推廣展示和建立采茶戲丑角演員動(dòng)作虛擬數(shù)據(jù)庫(kù)的目的。 本文的寫(xiě)作建立在較為嚴(yán)格的動(dòng)作捕捉實(shí)踐基礎(chǔ)之上,通過(guò)數(shù)據(jù)采集與動(dòng)作特點(diǎn)的考察,力圖從贛南采茶戲丑角藝術(shù)表現(xiàn)形式、動(dòng)作捕捉系統(tǒng)技術(shù)特點(diǎn)與數(shù)據(jù)采集、采茶戲丑角分解動(dòng)作庫(kù)數(shù)據(jù)的捕捉等幾個(gè)方面進(jìn)行研究,客觀地探尋動(dòng)作捕捉技術(shù)的實(shí)踐應(yīng)用與贛南采茶戲丑角動(dòng)作表現(xiàn)形式的融合,并對(duì)贛南采茶戲丑角動(dòng)作捕捉數(shù)據(jù)庫(kù)的統(tǒng)計(jì)與歸類(lèi)提供相應(yīng)的實(shí)踐經(jīng)驗(yàn)和理論構(gòu)想。
[Abstract]:The research of this subject is mainly focused on the combination of theory and practice, aiming at the dynamic modeling of the clown of Gannan tea picking drama, the research and design of the digital system is carried out. This paper mainly analyzes the data collection characteristics of motion capture technology and the decomposing action and visual packaging display of Gannan tea-picking drama clown performance. Gannan tea picking drama, which has a history of hundreds of years, is the most representative one in Jiangxi tea picking drama. It is praised by Tian Han as "a wonderful flower in the hundred gardens of Chinese opera". It is developed from folk music and dance, and its contents are close to life, language is humorous and humorous. When performing, actors and actresses skillfully use their unique short steps, fan flowers, single long water sleeves and some performance movements to imitate the image of animals in accompaniment music, singing and dancing. Show strong local flavor and distinct Hakka characteristics. However, due to the regional characteristics of Gannan, the development and popularization of tea-picking opera is not perfect enough. Errenhuan in Northeast China has become a household name because of the improvement and promotion of famous performing artist Zhao Benshan. In addition to the characteristics of the Northeast Erren, there are, of course, the reasons for the reserve of actors. As an intangible cultural heritage of great artistic value, Gannan tea picking drama still has some problems in actor reserve and digital packaging promotion. The emergence and application of motion capture technology has not only been used in many other fields, such as film and television advertising, but also in many other fields. Through the intrinsic quality of digital project itself, the purpose of promoting theme and culture can be achieved. Based on action capture technology, Gannan tea-picking drama clown performance digital design, can be very good virtual clown dynamic modeling smooth movement, a good display of traditional art cultural connotation and characteristics. It is not only a rigorous virtual and imitation, but also a re-creation of traditional art. On the basis of understanding the spirit of traditional art, this kind of re-creation is to transform, refine and apply some elements of traditional art with the concept of design and production of modern science and technology, so that it has the flavor of the times and the content of science and technology. To achieve the media display and the establishment of tea-picking clown action virtual database. The writing of this paper is based on the strict practice of motion capture. Through the investigation of data collection and movement characteristics, this paper tries hard to analyze the form of artistic expression, the technical characteristics of motion capture system and the data collection of the clown in Gannan tea picking drama. In order to explore the integration of the practical application of motion capture technology and the expression form of action in Gannan tea-picking drama, this paper studies several aspects, such as capturing the data of the action database of the clown of tea-picking drama, and exploring objectively the practical application of the motion capture technology. And provides the corresponding practical experience and the theoretical conception to the Gannan tea picking play clown action capture database statistics and the classification.
【學(xué)位授予單位】：南昌大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類(lèi)號(hào)】：J825

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本文編號(hào)：2135339