本文選題：庭院式賓館 + 傳統(tǒng)文化�。� 參考：《西安建筑科技大學(xué)》2010年碩士論文

【摘要】： 在當(dāng)今這個開放的時代,人們受著多種思想和文化影響,這種影響可以說是遍及各個領(lǐng)域,特別是現(xiàn)代主義思潮后所推崇的國際主義文化正在逐漸吞噬地域性的民族文化。人們也前所未有的對自身所在的領(lǐng)域或行業(yè)有如此的關(guān)注,在全球化思潮的侵襲下,對自身有了新的認(rèn)識,作為“凝固音樂”的現(xiàn)代建筑設(shè)計更是如此。在這種國際風(fēng)格泛濫的洪潮中,人們不斷地“拿來”,也不斷地在反思,于是我們逐漸意識到中國的建筑設(shè)計越來越陷入一種僵局和尷尬。盲目的崇洋后果是失去了自己,在堆砌了外人諸多的”風(fēng)格”后,丟掉的卻是自己民族文化的“魂”。 在中國古代雖然沒有像現(xiàn)代這樣功能復(fù)雜的賓館建筑,但追溯歷史發(fā)現(xiàn)中國的庭院式建筑有其悠久的發(fā)展歷史,其文化底蘊博大精深。根據(jù)目前的考證,中國的旅館已有幾千年的歷史,是世界上最早出現(xiàn)旅館的國家之一。但由于封建時代歷經(jīng)時代的變革,中國古代旅館許多功能性的空間已經(jīng)不再適合現(xiàn)代生活的需要,因而逐漸的消失掉了。但隨著時代的變遷,人們越來越認(rèn)識到在當(dāng)代多元化以及經(jīng)濟全球化的大環(huán)境下傳統(tǒng)文化因素作為一種民族的符號及最有特色的廣告形式,其價值在今天是無法比擬的。因此,作為一種有社會意義的建筑設(shè)計,人們也認(rèn)識到“越是民族的,才越是是世界的”。 論文共分為四章： 第一章——緒論,介紹了課題研究的背景、目的及意義、課題研究的方法以及國內(nèi)外對本課題及相關(guān)課題的研究現(xiàn)狀 第二章——中國庭院式賓館建筑的發(fā)展歷程,著重闡述了庭院式賓館在中國古代的建筑原型以及現(xiàn)代庭院式賓館的出現(xiàn)及其定義。通過對古代旅館建筑的布局、形式、及裝飾等方面的分析,說明現(xiàn)代庭院式賓館的空間環(huán)境設(shè)計中對傳統(tǒng)文化因素應(yīng)用的取舍。 第三章——傳統(tǒng)文化因素在現(xiàn)代庭院式賓館空間環(huán)境設(shè)計中的運用探索,通過對傳統(tǒng)庭院特征體系的歸納總結(jié),分析并總結(jié)出現(xiàn)代庭院式賓館設(shè)計中傳統(tǒng)庭院空間的類型及平面布局形式、傳統(tǒng)庭院空間的構(gòu)成要素及意境在庭院式賓館建筑中的應(yīng)用方法以及體現(xiàn)傳統(tǒng)文化內(nèi)涵的庭院式賓館的立面造型及室內(nèi)空間設(shè)計等等。 第四章——歸納分析現(xiàn)代庭院式賓館建筑中傳統(tǒng)文化因素的應(yīng)用情況,通過總結(jié)當(dāng)代庭院式賓館建筑設(shè)計的成功與失敗之處,為今后庭院式賓館中傳統(tǒng)文化要素的運用提供一定的設(shè)計依據(jù)。
[Abstract]:In this open era, people are influenced by many kinds of thoughts and cultures. This influence can be said to spread all over the world, especially the internationalism culture which is respected after the modernism trend of thought is gradually devouring the regional national culture. People also pay more attention to their own field or industry than ever before. Under the attack of globalization, they have a new understanding of themselves, especially the modern architectural design as "solidified music". In the flood of international style, people constantly "bring" and constantly reflect on it, so we gradually realize that Chinese architectural design is getting into a kind of deadlock and embarrassment. Blind worship of the foreign is the result of losing themselves, after piling up a lot of outsiders "style", lost is their own national culture "soul". Although there was no hotel architecture with complex functions in ancient China, it was found by tracing back to history that Chinese courtyard architecture had a long history of development and its culture was rich and profound. According to the current textual research, Chinese hotels have a history of several thousand years and are one of the earliest hotels in the world. However, due to the changes of the feudal era, many functional spaces of ancient Chinese hotels are no longer suitable for the needs of modern life, so gradually disappeared. However, with the change of times, people realize that the value of traditional culture as a symbol of a nation and the most characteristic advertising form is unparalleled today in the environment of contemporary diversification and economic globalization. Therefore, as a kind of social architectural design, people also realize that "the more national, the more the world." The thesis is divided into four chapters: chapter 1, introduction, introduces the background, purpose and significance of the research. Research methods of this topic and the current situation of domestic and foreign research on this subject and related topics Chapter II-the development course of Chinese courtyard hotel architecture, The architectural prototype of courtyard hotel in ancient China and the appearance and definition of modern courtyard hotel are expounded. Through the analysis of the layout, form and decoration of the ancient hotel architecture, this paper explains the choice and choice of the application of the traditional cultural factors in the space environment design of the modern courtyard hotel. The third chapter: the application of traditional cultural factors in the space environment design of modern courtyard hotels, through the induction and summary of the traditional courtyard characteristic system, The types and layout of traditional courtyard space in the design of modern courtyard hotel are analyzed and summarized. The application methods of the elements and artistic conception of traditional courtyard space in the courtyard hotel architecture, and the facade modeling and interior space design of the courtyard hotel which embodies the traditional cultural connotation, and so on. The fourth chapter generalizes and analyzes the application of the traditional cultural factors in the modern courtyard hotel architecture, and summarizes the success and failure of the contemporary courtyard hotel architecture design. To provide some design basis for the use of traditional cultural elements in courtyard hotels.
【學(xué)位授予單位】：西安建筑科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：TU247.4;TU-05

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本文編號：2072551