本文選題：現(xiàn)代裝飾插畫 + 視覺審美特點(diǎn)　； 參考：《湖北工業(yè)大學(xué)》2011年碩士論文

【摘要】：插畫藝術(shù)是一門歷史悠久的繪畫種類,也是世界上最早出現(xiàn)的繪畫形式,其裝飾性為最基本的視覺特征。裝飾插畫發(fā)展到現(xiàn)在,種類豐富,運(yùn)用的范圍廣泛,逐漸從書籍方面向包裝、游戲、廣告等更加廣闊的空間發(fā)展。 對(duì)于現(xiàn)代裝飾插畫涉及領(lǐng)域如此廣泛的這種現(xiàn)象,表明現(xiàn)代裝飾插畫是符合當(dāng)今人們的審美心理需求的,同樣也符合市場(chǎng)的商業(yè)需求。這些現(xiàn)象證明了現(xiàn)代裝飾插畫的內(nèi)在價(jià)值,因此本論文的目的是為了證明現(xiàn)代裝飾插畫盛行的外在視覺審美特征和它內(nèi)在的審美價(jià)值。本論文的第一部分從插圖的概念以及插畫藝術(shù)的中外發(fā)展歷程三大部分進(jìn)行闡述,對(duì)插圖的含義以及古至今中外插圖在裝飾風(fēng)格上的演變過程進(jìn)行簡(jiǎn)述。 論文第二部分針對(duì)現(xiàn)代裝飾插畫在視覺元素上的審美特點(diǎn)和裝飾繪畫的特點(diǎn)進(jìn)行描述,了解現(xiàn)代裝飾插畫的語言元素的風(fēng)格特點(diǎn)。從視覺審美特點(diǎn)的理論基礎(chǔ)上,探索現(xiàn)代裝飾插畫不同風(fēng)格的視覺表現(xiàn)方式,從而了解現(xiàn)代裝飾插畫具體的存在形式。本文以歐美及亞洲的裝飾插畫大師的作品為例,從不同的裝飾插畫的風(fēng)格入手,對(duì)其視覺特征進(jìn)行解析。 論文的第三部主要論述現(xiàn)代裝飾插畫特有的內(nèi)在審美價(jià)值,通過裝飾語言的特征,用現(xiàn)代裝飾插畫的思維美學(xué)形態(tài)、審美心理相與藝術(shù)價(jià)值相結(jié)合的方式,對(duì)現(xiàn)代裝飾插畫創(chuàng)作的思維形態(tài)和審美價(jià)值本質(zhì)進(jìn)行論述,嘗試用形象思維的規(guī)律來解釋審美思維的創(chuàng)作過程、審美價(jià)值以及審美心理在裝飾插畫運(yùn)用的特點(diǎn)。了解當(dāng)代裝飾插畫存在的審美的精神需求,為現(xiàn)代裝飾插畫的發(fā)展提供理論依據(jù)和指導(dǎo)實(shí)踐的作用。 文章最后針對(duì)現(xiàn)代裝飾插畫發(fā)展的有限性和無限性進(jìn)行論述。通過時(shí)空的有限性和商業(yè)的有限性,進(jìn)而了解狹義空間中的裝飾插畫創(chuàng)作的局限性,同時(shí)論文又通過思想的無限性與電腦技術(shù)在互聯(lián)網(wǎng)上運(yùn)用的無限性,闡述裝飾插畫發(fā)展的無限性。不論是有限價(jià)值的體現(xiàn)還是無限價(jià)值的實(shí)現(xiàn),都是對(duì)現(xiàn)代裝飾插畫審美價(jià)值的最終追求,為實(shí)現(xiàn)其審美價(jià)值和商業(yè)價(jià)值的最大化。 本文的創(chuàng)新點(diǎn)在于將現(xiàn)代插畫的裝飾性的視覺審美特點(diǎn)與審美心理相結(jié)合的形式來進(jìn)行論述,對(duì)其裝飾插畫的審美價(jià)值進(jìn)行分析,讓我們能夠更加深刻的了解現(xiàn)代裝飾插畫存在的價(jià)值和意義,能夠讓懂得插畫的設(shè)計(jì)師以及對(duì)裝飾插畫感興趣的人們提供理論參考和實(shí)踐的指導(dǎo)意義,讓現(xiàn)代裝飾插畫能夠有更好的發(fā)展空間和更多的表現(xiàn)形式,使這樣一種繪畫能夠最大限度發(fā)揮它的藝術(shù)價(jià)值。
[Abstract]:Illustration art is a kind of painting with a long history. It is also the earliest painting form in the world, and its decorative character is the most basic visual feature. Decorative illustrations have developed to the present, with a wide range of applications, from books to packaging, games, advertising and other broader space development. The phenomenon that modern decorative illustrations involve such a wide range of fields shows that modern decorative illustrations are in line with the aesthetic psychological needs of people today, as well as with the commercial needs of the market. These phenomena prove the intrinsic value of modern decorative illustrations, so the purpose of this paper is to prove the prevailing external visual aesthetic characteristics and its intrinsic aesthetic value of modern decorative illustrations. In the first part of this paper, the concept of illustrations and the development of illustration art at home and abroad are described, and the meaning of illustrations and the evolution process of illustrations in decoration style from ancient to present are briefly described. The second part of the paper describes the aesthetic characteristics of modern decorative illustrations on visual elements and decorative painting characteristics to understand the language elements of modern decorative illustrations style characteristics. Based on the theory of visual aesthetic characteristics, this paper explores the visual expression of different styles of modern decorative illustrations, so as to understand the concrete existing forms of modern decorative illustrations. This paper takes the works of European and American and Asian decorative illustrator as an example and analyzes their visual features from different styles of decorative illustrations. The third part of the paper mainly discusses the unique aesthetic value of modern decorative illustration, through the characteristics of decorative language, with the thinking aesthetic form of modern decorative illustration, the combination of aesthetic psychology and artistic value. This paper discusses the thinking form and aesthetic value essence of modern decorative illustration creation, and tries to explain the creative process of aesthetic thinking, aesthetic value and the characteristics of aesthetic psychology in decorative illustration by using the law of image thinking. To understand the aesthetic spiritual needs of contemporary decorative illustrations and to provide theoretical basis for the development of modern decorative illustrations and the role of guiding practice. Finally, the article discusses the finiteness and infinity of the development of modern decorative illustration. Through the finiteness of time and space and the finiteness of commerce, we can understand the limitation of decorative illustration creation in narrow sense space, and at the same time, through the infinity of thought and the infinity of the application of computer technology on the Internet, This paper expounds the infinity of the development of decorative illustrations. Whether it is the embodiment of finite value or the realization of infinite value, it is the ultimate pursuit of aesthetic value of modern decorative illustration, in order to maximize its aesthetic value and commercial value. The innovation of this paper lies in the combination of visual aesthetic characteristics and aesthetic psychology of modern illustrations, and the aesthetic value of decorative illustrations is analyzed. So that we can understand the value and significance of the existence of modern decorative illustrations, let designers who understand illustrations and people interested in decorative illustrations to provide theoretical reference and practical guidance. So that modern decorative illustrations can have a better space for development and more forms of expression, so that such a painting can maximize its artistic value.
【學(xué)位授予單位】：湖北工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J218.5

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