本文選題：藝術(shù)家 + 視覺文化�。� 參考：《山西師范大學(xué)》2009年碩士論文

【摘要】： 我們正處在一個文化轉(zhuǎn)型的時代,新的文化時代是以形象與視像因素為特征的。電視的普及應(yīng)用使廣告、動畫等各種動態(tài)的、非動態(tài)的圖像時刻充斥著我們的生存環(huán)境。隨著科技的迅猛發(fā)展,視覺文化已經(jīng)飛越視覺藝術(shù)的邊界在整個大眾日常生活中蔓延開來。不但我們生活中的建筑、服飾、街牌廣告、電視圖像、報紙、雜志、網(wǎng)絡(luò)、商品宣傳冊等充斥視覺圖像、影像,而且就連美味、音樂等非視覺因素領(lǐng)域也頻頻向視覺圖像、影像轉(zhuǎn)換,使得我們生活的方方面面都發(fā)生著深刻變化。視覺文化時代的到來不僅在很大程度上改變了受眾的視覺體驗方式,同時也影響藝術(shù)家認(rèn)知世界的方式,繼而,也就改變著他們的創(chuàng)作理念、創(chuàng)作語言、創(chuàng)作方法。本文主要以當(dāng)代視覺文化及影像技術(shù)為研究背景和研究視野,以當(dāng)代中國油畫的創(chuàng)作為基點(diǎn),來重點(diǎn)分析視覺文化背景下的當(dāng)代中國油畫創(chuàng)作。全文著重從以下幾個方面進(jìn)行了論述:第一部分主要是描述視覺文化的概念以及國內(nèi)外的動態(tài);第二部分主要是視覺文化時代對當(dāng)代油畫藝術(shù)的沖擊;第三部分是視覺文化對當(dāng)代油畫創(chuàng)作的影響及出現(xiàn)的新現(xiàn)象;第四部分進(jìn)一步論述視覺文化時代背景下的當(dāng)代中國油畫創(chuàng)作和新媒體技術(shù)應(yīng)用的融合與發(fā)展。在融合和發(fā)展的過程中,當(dāng)代油畫創(chuàng)作的發(fā)展空間將更加廣闊。
[Abstract]:We are in the era of cultural transformation, the new cultural era is characterized by image and video factors. With the popularity of television, advertising, animation and other dynamic, non-dynamic images are always full of our living environment. With the rapid development of science and technology, visual culture has spread across the boundary of visual art in the daily life of the whole people. Not only are buildings, costumes, street advertisements, television images, newspapers, magazines, networks, commodity brochures and other areas of our lives filled with visual images and images, but even non-visual areas such as delicacy, music, and so on, frequently turn to visual images. Image conversion, so that all aspects of our lives have undergone profound changes. The arrival of visual culture not only changes the visual experience of the audience to a great extent, but also affects the way artists perceive the world, and then changes their creative ideas, creative language, creative methods. This article mainly takes the contemporary visual culture and the image technology as the research background and the research visual field, takes the contemporary Chinese oil painting creation as the basic point, analyzes the contemporary Chinese oil painting creation under the visual culture background emphatically. The thesis focuses on the following aspects: the first part mainly describes the concept of visual culture and the domestic and foreign trends, the second part is the impact of the visual culture era on contemporary oil painting art; The third part is the influence of visual culture on contemporary oil painting creation and the new phenomenon; the fourth part further discusses the fusion and development of contemporary Chinese oil painting creation and the application of new media technology under the background of visual culture times. In the process of integration and development, the development of contemporary oil painting will be more broad space.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J213

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 侯潔;新生代油畫藝術(shù)語言中的代際性探究[D];湖南工業(yè)大學(xué);2012年

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本文編號：1812600