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中華劇藝社研究

發(fā)布時間:2018-03-25 22:15

  本文選題:中華劇藝社 切入點:話劇 出處:《重慶師范大學》2010年碩士論文


【摘要】: 抗日戰(zhàn)爭時期,重慶的話劇演出空前繁榮,為中國話劇的“黃金時代”做出了巨大貢獻。在重慶抗戰(zhàn)話劇發(fā)展中,作為話劇演出載體的劇社、戲院等擔當了重要角色,響應時代的召喚,對抗戰(zhàn)話劇的發(fā)展和繁榮做出了重要貢獻。在抗戰(zhàn)后期取得巨大成就的中華劇藝社,是我們研究抗戰(zhàn)話劇一個不可忽視的組成部分。中華劇藝社是大后方歷時最久的民間職業(yè)劇團,從成立到劇團停止活動共上演了數(shù)十臺大型話劇,傳世之作甚多,當時很多一流的導演、編劇、演員及舞美工作者都在中華劇藝社留下了他們辛勤耕耘的足跡,在山城的話劇演出史上寫下了光輝的一頁。 中華劇藝社的話劇演出活動在重慶取得極其輝煌的成就,就其原因是多方面的:抗戰(zhàn)爆發(fā)前重慶興起的話劇運動就奠定了堅實的基礎;抗戰(zhàn)時期隨著政治中心的轉(zhuǎn)移,重慶成為廣大戲劇工作者的匯集地;抗日愛國情思的高揚,重慶絕對數(shù)量可觀的話劇觀眾;劇社在自身的經(jīng)營和管理上所秉承的原則;以及廣大戲劇工作者的共同努力,正是這些因素的共同作用,從而締造了中華劇藝社在抗戰(zhàn)話劇演出中的輝煌。 雖然中華劇藝社是民間性質(zhì),但在話劇演出上是職業(yè)的,正規(guī)的演劇體制、出色的戲劇人才以及專精于藝術的孜孜不倦的追求都為話劇藝術水平的提高奠定了基礎。中藝的發(fā)展進程分為三個時期,但其演出劇目于歷史劇和市民社會題材之間取得平衡、以表演為中心的“明星制”、以及在劇社經(jīng)營管理上的集體制,這三個原則卻始終貫穿中藝發(fā)展的始末。正是這三原則的堅持,使得中藝在上演劇目的選擇,以及劇社演出廣告的突出“抗戰(zhàn)”、“國防”上,迎合了抗戰(zhàn)語境下,廣大民眾的心理需求,擴大了自身的影響,積極促進了重慶劇運的發(fā)展,為抗戰(zhàn)宣傳,抗日民族統(tǒng)一戰(zhàn)線的鞏固作出了巨大貢獻,同時也為新中國文藝的發(fā)展起到了積極作用。
[Abstract]:During the War of Resistance against Japan, the unprecedented prosperity of drama performances in Chongqing made a great contribution to the "Golden Age" of Chinese modern dramas. In the development of Chongqing's drama of the War of Resistance against Japan, theatres and theatres, as the carrier of drama performances, played an important role. In response to the call of the times, he made important contributions to the development and prosperity of the anti-Japanese drama. It is an important part of our study of the drama of the War of Resistance against Japan. The Chinese Drama Art Society is the oldest folk professional theater troupe in the rear area. From its establishment to the cessation of its activities, dozens of large-scale drama plays have been staged, and many works have been handed down in the world. At that time, many leading directors, writers, actors and dancers left their hard work in the Chinese Drama Society and wrote a glorious page in the history of the drama in Mountain City. The great achievements made by the Chinese Drama Society in Chongqing were due to a variety of reasons: the drama movement that began in Chongqing before the outbreak of the War of Resistance against Japan laid a solid foundation; during the War of Resistance against Japan, with the shift of political center, Chongqing has become a gathering place for the vast number of drama workers; the patriotic sentiment of the anti-Japanese war is high; Chongqing has an absolute large number of drama audiences; the principles that the drama society upholds in its own operation and management; and the concerted efforts of the vast number of drama workers. It was the joint action of these factors that created the brilliance of the Chinese Drama Society in the performance of the War of Resistance against Japan drama. Although the Chinese Drama Society is of a folk nature, it is a professional and formal theatrical system in the performance of modern dramas. Outstanding drama talents and the tireless pursuit of specialized in art have laid the foundation for the improvement of the art level of modern drama. The development process of Chinese art is divided into three periods, but its repertoire is balanced between historical plays and civil society themes. The "star system" centered on performance, as well as the collective system in the operation and management of the drama club, have all along run through the beginning and end of the development of the Chinese arts. It is precisely the persistence of these three principles that makes the Chinese Arts choose to stage plays. As well as the outstanding "War of Resistance" and "National Defense" in the performance advertisements of the Drama Society, it caters to the psychological needs of the broad masses of the people in the context of the War of Resistance against Japan, expands their own influence, actively promotes the development of the Chongqing opera movement, and propagandizes the war of resistance. The consolidation of the anti-Japanese national United front has made great contributions to the development of new Chinese literature and art.
【學位授予單位】:重慶師范大學
【學位級別】:碩士
【學位授予年份】:2010
【分類號】:J809.2

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9 徐s,

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