本文選題：雕塑中女性形象 + 藝術(shù)表象��； 參考：《北京服裝學(xué)院》2015年碩士論文

【摘要】：本篇論文總體分為兩大部分,第一部分從時(shí)間的脈絡(luò)出發(fā),沿著歷史的足跡找尋女神形象的變遷。摘選遠(yuǎn)古時(shí)期到現(xiàn)代社會(huì)的部分藝術(shù)作品,從族群意識(shí)、社會(huì)生活、藝術(shù)的表象和意象等幾個(gè)方面思考,歸納出六種女神形象。形象包括生育女神、肉體女神、禁欲女神、唯美女神、現(xiàn)實(shí)主義女神和欲望女神。主要是從理論上闡述創(chuàng)作思路來源,并為創(chuàng)作提供理論支持。第二部分通過對(duì)近現(xiàn)代女性形象地分析,描述我對(duì)現(xiàn)代社會(huì)部分女性形象的反思,希望利用怎樣的作品效果來傳達(dá)我的想法。最后提出結(jié)論,女性需要正視男權(quán)社會(huì)的不公與苛求,但卻不該用這些來束縛我們的自由與靈魂。每一位女性都是上帝創(chuàng)造的完美作品,要珍惜且接受自己與生俱來的優(yōu)勢(shì)和劣勢(shì)。當(dāng)女性找到我們本來的樣子與價(jià)值才會(huì)找到成為女神的途徑。
[Abstract]:This thesis is divided into two parts. The first part is to look for the change of goddess image from the perspective of time. Some works of art from ancient times to modern society are selected and considered from the aspects of ethnic consciousness, social life, artistic appearance and image, and six images of goddess are summed up. Images include fertility goddess, body goddess, abstinence goddess, beauty goddess, realism goddess and lust goddess. Mainly from the theoretical origin of creative ideas, and provide theoretical support for creation. In the second part, through the analysis of the modern female image, I describe my reflection on the female image of the modern society, and what kind of works I hope to use to convey my ideas. Finally, it is concluded that women should face up to the injustice and exorbitant demands of patriarchal society, but they should not be used to bind our freedom and soul. Every woman is the perfect creation of God, cherish and accept their inherent strengths and weaknesses. When women find what we are and what we are, they will find a way to be a goddess.
【學(xué)位授予單位】：北京服裝學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J305

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相關(guān)碩士學(xué)位論文 前1條

1 周子鵑;完美中的掙扎[D];北京服裝學(xué)院;2015年

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本文編號(hào)：2061566