隱語是一種特殊的語言現(xiàn)象。其使用對象是某些特定社會群體,其使用目的是維護群體利益、促進群內成員的交流。隱語既是一種語言變體,也是一種社會方言,因此它的產(chǎn)生既離不開人類對現(xiàn)實世界的認知體驗,也與其產(chǎn)生的社會因素有著密切的聯(lián)系。小偷隱語作為典型的隱語現(xiàn)象,反應了該群體特有的行為方式和群體意識等,因此小偷隱語的產(chǎn)生勢必與該群體對現(xiàn)實的認知體驗以及社會對其產(chǎn)生的影響有著諸多聯(lián)系�；诖�,我們有必要從認知社會語言學角度對小偷隱語的認知機制進行探討,進而對其意義的產(chǎn)生給出合理的解釋�！鹅F都孤兒》是英國作家查爾斯·狄更斯的一部現(xiàn)實主義小說,也是世界經(jīng)典名著之作。該小說中,狄更斯用了諸多小偷隱語刻畫了費金等惡棍形象,借此揭露了當時許多社會問題。雖有學者從語言學角度對該小說中的語言表達進行了研究,但大都探討其會話含義及權勢話語等,少有學者對其小偷隱語進行系統(tǒng)研究,因此本文從認知社會語言學視角出發(fā),以從該小說中收集到的72條小偷隱語為研究對象,基于語言接觸、概念隱喻、概念轉喻和事件域認知模型,嘗試構建LME模型（其中L代表語言接觸,M代表概念隱喻和概念轉喻,E代表事件域認知模型）,探討小偷隱語的認知機制,... 

【文章來源】：四川外國語大學重慶市

【文章頁數(shù)】：87 頁

【學位級別】：碩士

【文章目錄】：
摘要
abstract
Acknowledgements
Chapter One Introduction
    1.1 Research Background
    1.2 Objectives of the Study
    1.3 Methodology and Data Collection
    1.4 Layout of the Thesis
Chapter Two Literature Review
    2.1 Previous Studies on Cant
        2.1.1 Definitions of Cant
        2.1.2 Characteristics of Cant
        2.1.3 Classifications of Cant
        2.1.4 Previous Studies on Cant
            2.1.4.1 Studies on Cant Abroad
            2.1.4.2 Studies on Cant at Home
    2.2 Previous Studies on Language in Oliver Twist
    2.3 Shortcomings of Previous Studies
Chapter Three Theoretical Framework
    3.1 Theoretical Basis
        3.1.1 Language Contact Theory
            3.1.1.1 Definitions of Language Contact
            3.1.1.2 Classifications of Language Contact
            3.1.1.3 Limitations of Language Contact
        3.1.2 Conceptual Metaphor
            3.1.2.1 Basic Elements of Conceptual Metaphor
            3.1.2.2 Classifications of Conceptual Metaphor
            3.1.2.3 Characteristics of Conceptual Metaphor
            3.1.2.4 Limitations of Conceptual Metaphor
        3.1.3 Conceptual Metonymy
            3.1.3.1 Definitions of Conceptual Metonymy
            3.1.3.2 Classifications of Conceptual Metonymy
            3.1.3.3 Characteristics of Conceptual Metonymy
            3.1.3.4 Limitations of Conceptual Metonymy
        3.1.4 Event-domain Cognitive Model
            3.1.4.1 The Background of ECM
            3.1.4.2 The Framework of ECM
            3.1.4.3 Limitations of ECM
    3.2 Theoretical Integration: LME Model
        3.2.1 The Feasibility of LME Model
        3.2.2 Working Mechanism of LME Model
        3.2.3 A Case Study
    3.3 Summary
Chapter Four LME Application to the Analysis of Thieves’ Cants
    4.1 Data Description
    4.2 Data Analysis Based on LME Model
        4.2.1 The Analysis of Thieves’ Cants by Conceptual Metaphor
            4.2.1.1 The Analysis of Thieves’ Cants by Structural Metaphor
            4.2.1.2 The Analysis of Thieves’ Cants by Orientational Metaphor
        4.2.2 The Analysis of Thieves’ Cants by Conceptual Metonymy
            4.2.2.1 The Analysis of Thieves’ Cants by Whole-Part Metonymy
            4.2.2.2 The Analysis of Thieves’ Cants by Part-Part Metonymy
        4.2.3 The Analysis of Thieves’ Cants by Conceptual Metaphor-Metonymy
        4.2.4 The Analysis of Thieves’ Cants by Language Contact
Chapter Five Conclusion
    5.1 Major Findings
    5.2 Limitations and Suggestions
References
Appendix Thieves’ Cants Collected from Oliver Twist



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