美國(guó)深夜脫口秀節(jié)目話(huà)語(yǔ)研究
[Abstract]:American late-night talk show has a history of more than 60 years, and it has become an important part of American TV culture. As a classic form of talk shows, late-night talk shows incorporate news, celebrity interviews, comedy shows and band performances. Under the change of social context, the traditional program form has been gradually subverted. Due to the change of hosts and the aging of the audience, the new generation of late-night talk shows have highlighted their own characteristics and the comedy of the programs. The humourous style and personal charm of the host and the influence of social media will make the late-night talk show, a historic development of the traditional program, rich and vibrant with the progress of the times. Let more and more young people become the new generation of late-night talk show loyal audience. The talk show is a discourse-oriented program, ranging from the host, the guest speaker to the audience at the scene. All discourse subjects express "meaningful" discourse system in a free and open discourse space and discourse field of late-night talk show. Based on the theory of "discourse theory", this paper studies the American late-night talk show text, which is the transition and promotion from historical television science to theoretical television theory, from discourse subject, discourse construction, discourse rhetoric, discourse space. Discourse context, discourse identity, discourse social function and other aspects of the interpretation of the program text. Based on the historical and cultural background of American society, the text analysis is carried out from the history of late-night talk show to the strategy of the program facing the challenge of the times. The thesis is divided into five parts: the introduction part mainly introduces the research background and problems, the domestic and foreign research status, the significance and the method of the research; the first part is the American late-night talk show overview, through the program form characteristic, The second part is the analysis of several dimensions of discourse construction of late-night talk shows. The third part will further explore the relationship between the discourse and ideology of late-night talk show and the balance of power from the process of the construction and negotiation of discourse to identity, and also from the perspective of media discourse and television expression. The fourth part is based on the analysis of the results of the late-night talk show audience viewing preference, so as to explain the cultural nature of the late-night talk show audience.
【學(xué)位授予單位】:東北師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類(lèi)號(hào)】:H313
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