發(fā)布時(shí)間：2018-06-28 12:03

  本文選題：乾嘉時(shí)期 + 《說文》　； 參考：《南京藝術(shù)學(xué)院》2016年博士論文

【摘要】：在與乾嘉時(shí)期篆書發(fā)展密切相關(guān)的事項(xiàng)中,依照傳統(tǒng)之觀念,《說文》學(xué)是絕不可被忽視的,但迄今為止,尚未見有直奔這一主題的學(xué)術(shù)作品。實(shí)際上如果仔細(xì)審視這個(gè)時(shí)期的篆書,也可以發(fā)現(xiàn),其創(chuàng)作變遷之幾乎所有重要環(huán)節(jié),還是與《說文》學(xué)密切相關(guān)。因此,考察乾嘉時(shí)期篆書創(chuàng)作之升降,《說文》學(xué)無疑是一個(gè)比較適宜的切入點(diǎn)。本論文的研究主旨在以《說文》學(xué)為視角與重要依據(jù),采取紀(jì)事本末體與以事系人的寫作手法,對(duì)乾嘉時(shí)期篆書創(chuàng)作的各個(gè)方面問題作深入的考察論證,在一定程度上展現(xiàn)一個(gè)相對(duì)近真的乾嘉篆書創(chuàng)作之景象,并探討其創(chuàng)作之得失,揭示其創(chuàng)作方法之理論價(jià)值與現(xiàn)實(shí)意義。以下簡(jiǎn)要敘述本論文討論的各方面內(nèi)容:“緒論”部分。首先說明本文的寫作緣起和相關(guān)術(shù)語(yǔ);其次陳述本文的材料格局及研究方法;再次闡明研究之目的與總體構(gòu)想。第一章是“清初的《說文》研究與篆書創(chuàng)作”。分別論證顧炎武對(duì)《說文》的先導(dǎo)性研究;《說文》毛氏汲古閣本的刊行與風(fēng)格問題;王澍篆書創(chuàng)作的相關(guān)問題。第二章是“乾嘉時(shí)期的《說文》學(xué)對(duì)篆書創(chuàng)作之影響”。分別論證戴震研究《說文》的影響及對(duì)篆書創(chuàng)作之啟示;段玉裁、桂馥的研究與創(chuàng)作問題;《說文》的�？�、《說文》檢字法研究等方面影響篆書創(chuàng)作的相關(guān)問題;篆書創(chuàng)作論對(duì)《說文》學(xué)的回應(yīng)問題。第三章是“乾嘉時(shí)期《說文》學(xué)者的篆書創(chuàng)作”。著重對(duì)孫星衍、洪亮吉、錢坫在學(xué)術(shù)思想、研究理路、創(chuàng)作方法、創(chuàng)作風(fēng)格上的異同作深入論證,且對(duì)學(xué)者們?cè)谧瓡鴦?chuàng)作上的若干共性問題作辯證分析。第四章是“鄧石如的《說文》研究與篆書創(chuàng)作之得失”。對(duì)鄧石如的博涉群碑、手寫《說文》、“隸筆作篆”、篆法“不合六書”、創(chuàng)作之遭遇等問題作深入論證。第五章是“以《說文》為本的他類篆書創(chuàng)作”。對(duì)楊法的奇篆、朱為弼的商周銅器銘文篆書之所形成的淵源、背景、特點(diǎn)等問題進(jìn)行逐一分析�！敖Y(jié)論”部分。既總括敘述本文的主要論證,也對(duì)相關(guān)問題及研究方法,提出一些個(gè)人的看法。此外,本論文附錄“《唐寫本說文解字》與《說文》宋刻元修本、汲古閣本篆文字形對(duì)照表”、“二李石刻與《說文》篆文字形對(duì)照表”,以供篆書創(chuàng)作資鑒。
[Abstract]:In the matters closely related to the development of seal script in Qianjia period, according to the traditional concept, the study of "Shuo Wen" can never be ignored, but up to now, no academic works have been written directly to this subject. In fact, if we carefully examine the seal script of this period, we can also find that almost all the important links of its creation changes are closely related to the study of "Shuo Wen". Therefore, to investigate the rise and fall of seal script creation in Qianjia period, Shuo Wen is undoubtedly a more suitable entry point. The main purpose of this thesis is to take Shuo Wen as the angle of view and important basis, to take the writing technique of chronicle-book and related person, and to make a thorough investigation and demonstration on all aspects of the creation of seal script in Qianjia period. To a certain extent, it shows the scene of the creation of a relatively real seal script of Qianjia, probes into the gains and losses of its creation, and reveals the theoretical value and practical significance of its creative methods. The following is a brief description of the contents of this paper: introduction. First, it explains the origin of the writing and related terminology; secondly, it describes the material pattern and research methods; and then clarifies the purpose and overall concept of the research. The first chapter is the study of Shuo Wen and the creation of seal script in the early Qing Dynasty. The paper respectively demonstrates Gu Yanwu's leading research on Shuowen; the publication and style of Mao's ancient cabinet book; and the related problems of Wang Shu's seal script. The second chapter is the influence of Shuo Wen on the creation of seal script in Qianjia period. The paper respectively demonstrates the influence of Dai Zhen's research on Shuo Wen and its inspiration to the creation of seal script; Duan Yu-Cai, Gui Fu's research and creation problems; The response of the creation of Seal script to the study of Shuo Wen. The third chapter is the creation of seal script by scholars in Qianjia period. In this paper, Sun Xingyan, Hong Liangji and Qian goblet are discussed in their academic thoughts, research on the principles, methods and styles of creation, and dialectical analysis is made on some common problems in the creation of seal script by scholars. The fourth chapter is "Deng Shiru's" Shuo Wen "research and seal script creation gain and loss." In this paper, Deng Shiru's inscription, handwriting, seal character, writing experience and so on are discussed in depth. The fifth chapter is the creation of other seal script based on Shuo Wen. This paper analyzes the origin, background and characteristics of Yang Fa's Qichuan script and Zhu Weibi's Shang Zhou bronze inscription seal script one by one. "conclusions". Not only the main argumentation of this paper, but also the related problems and research methods, some personal views are put forward. In addition, the appendix of this paper is "the explanation of the characters of the Tang Dynasty and the Song Dynasty" and the comparison table of the seal characters of the ancient cabinet and the two Li Shi and the "Shuo Wen > Zhuan characters", so as to provide a reference for the creation of the seal script.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2016
【分類號(hào)】：J292.1
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本文編號(hào)：2077930