本文選題：詞論 + 清雅　； 參考：《云南大學(xué)》2014年博士論文

【摘要】：“雅”是中國文論中的重要范疇,具有獨(dú)特的內(nèi)涵和鮮明的民族特色,在詞曲、詩文、小說等文體評(píng)論中占有重要地位。詞最初是作為一種通俗的大眾文藝出現(xiàn)的,為了改變其俗艷、卑微的地位,其雅化的要求和趨勢(shì)大于詩文等文體,從唐五代直至晚清,詞論者大多以“雅”為尚。而現(xiàn)今研究者對(duì)詞論中“雅”的研究多局限在宋代,尤其是南宋,或者多是對(duì)雅詞流派、雅詞創(chuàng)作的研究,對(duì)詞論中“雅”的發(fā)展嬗變及其內(nèi)在深厚而復(fù)雜的內(nèi)涵,則很少有人研究,把“雅”放在詞論中進(jìn)行系統(tǒng)、深入、全面地進(jìn)行探討的,更是闕如。本文主要從動(dòng)態(tài)和靜態(tài)兩個(gè)層面對(duì)詞論中的尊“雅”觀進(jìn)行研究：一是從縱向即動(dòng)態(tài)層面探討詞論尊“雅”觀的發(fā)展、嬗變的歷史,“雅”在各個(gè)時(shí)代所呈現(xiàn)出的面貌；二是從橫向即靜態(tài)層面探討尊“雅”觀的哲學(xué)基礎(chǔ),探討詞論中“雅”之風(fēng)格要求和創(chuàng)作特點(diǎn)以及“雅”與相關(guān)的諸范疇之間的關(guān)系問題。本文共分七個(gè)部分進(jìn)行論述。 導(dǎo)言部分主要綜述詞論之“雅”的研究情況并說明本選題的由來,闡述研究中國古典詞論尊“雅”觀的邏輯起點(diǎn),并闡明本文研究的方法和思路。 第一章主要探討尊“雅”觀的形成和嬗變。中國古典詞論尊“雅”觀萌芽于唐五代時(shí)期,是尚文雅的社會(huì)文化思想和“清雅”的審美趣尚的產(chǎn)物,受到過儒家思想明顯的影響。宋代是古典詞論尊“雅”觀樹立和發(fā)展的時(shí)期,在內(nèi)斂的士風(fēng)的刺激下,詞論尊“雅”觀成為這一時(shí)期的主流意識(shí),詞體在創(chuàng)作上完成了由“空中語”到“心中事”的轉(zhuǎn)變。“雅”之內(nèi)涵逐漸豐富,出現(xiàn)本色之雅論和詩化之雅論這樣兩種既相聯(lián)系又有區(qū)別的尊“雅”觀。在“清”與“渾”的此消彼長中,“清空”成為得“雅”之旨的典范,受到推崇并得以發(fā)展。此一時(shí)期,詞論尊“雅”觀的思想基礎(chǔ)以儒家思想為主,道釋為輔。元明時(shí)期,追求真性情,反對(duì)禮法的束縛和壓制,在“寧為大雅罪人”等等思想的影響下,詞論中的尊“雅”觀逐漸喪失了其主流地位,且為當(dāng)時(shí)正統(tǒng)的審美意識(shí)所排斥,詞論中的尊“雅”觀念在與世風(fēng)的沖擊和磨合中得以延續(xù)和凝定,“尚雅而不避俗”成為一時(shí)典范。清代是詞體的“中興”時(shí)期,尊“雅”觀得以開拓和深化。倡雅詞論者在方法論與思想內(nèi)涵等方面對(duì)“雅”進(jìn)行深入而系統(tǒng)的闡釋。 第二章主要探討了“雅”這一審美范疇的義界、內(nèi)涵及其內(nèi)在矛盾。“雅”在義界上有廣義和狹義之分,而作為詞論中的“雅”,歷代詞論者所提倡的“雅”之內(nèi)涵則更為具體和深厚。詞論中的尊“雅”觀涉及三個(gè)層面：在詞體創(chuàng)作層面要求音協(xié)律合,字琢句煉,才高意新,創(chuàng)作者人品高潔；在詞體風(fēng)格論層面,以“雅”為審美要求,強(qiáng)調(diào)意高、趣雅；在思想層面上是以儒家思想為主,以道、釋為輔。詞論之“雅”,以“中”為內(nèi)在尺度,以“禮”為外在要求,在情、性、志、韻等的變化組合中形成矛盾張力。 第三章主要論述古典詞論中“雅”的根本思想精神、哲學(xué)辯證法。在思想上,詞論中“雅”的根本思想精神是儒家的詩教原則、復(fù)古與崇正思想等等,而道家的“清”、“無”、自由不拘、超然出塵和佛家的“空”、“圓融無礙”等精神對(duì)詞論尊“雅”觀有很深的影響。在方法上,詞論尊“雅”觀所體現(xiàn)出的藝術(shù)辯證法之“中”,更多地體現(xiàn)為折中兼取的方法和“中和之美”的藝術(shù)辯證法。 第四章以詞論中的主張和典型雅詞為例,闡述了“雅”的主要風(fēng)格特點(diǎn)。辨析了清雅與閑雅,雅正與騷雅,醇雅與儒雅等等及其與一般概念上的“雅”之風(fēng)格的區(qū)別,與同時(shí)期相關(guān)美學(xué)范疇的聯(lián)系與區(qū)別,最后論及詞論尊“雅”觀中的風(fēng)格要求和創(chuàng)作實(shí)踐之間的關(guān)系。 第五章主要探討詞論尊“雅”觀的意義。詞論尊“雅”觀具有較高的理論價(jià)值與指導(dǎo)實(shí)踐的意義。其理論價(jià)值主要表現(xiàn)在具有鮮明的時(shí)代性與強(qiáng)烈的現(xiàn)實(shí)針對(duì)性和樹立了雅詞的典范。在對(duì)實(shí)踐的指導(dǎo)方面,詞體的內(nèi)容得到擴(kuò)大,詞境、詞品得以提升,詞體在認(rèn)同規(guī)范的同時(shí),實(shí)現(xiàn)了自我地位的提升。詞論尊“雅”觀對(duì)詩學(xué)具有豐富和深化的作用,對(duì)其他文體也有很大的影響。 結(jié)語部分主要是對(duì)詞論尊“雅”觀的形成與嬗變、內(nèi)涵及生成、思想與方法、風(fēng)格、意義等諸方面加以總結(jié)。總起來看,詞論尊“雅”觀借助于傳統(tǒng)文化和詩學(xué)話語來建構(gòu)詞學(xué)批評(píng)體系,其對(duì)詞學(xué)理論史的建構(gòu)、豐富和深化作用是不可忽視的。
[Abstract]:"Elegance" is an important category in Chinese literary theory. It has a unique connotation and distinctive national characteristics. It occupies an important position in the literary criticism of poetry, poetry and fiction. It was originally appeared as a popular popular literature and art. In order to change its gaudy and humble status, the requirements and trends of its elegance are greater than poetry and other styles, from Tang Dynasty. The five generation until the late Qing Dynasty, most of the word theorists took "elegance" as the Shang Dynasty, and the research of the "elegance" in the word theory is limited in the Song Dynasty, especially in the Southern Song Dynasty, or more on the elegant ci poetry school, the study of the elegant word creation, the development and evolution of the "elegance" in the word theory and the deep and complicated connotation of the "elegance". On the basis of the dynamic and static two layers, this paper mainly studies the "elegant" view of the word theory from the dynamic and static layers: first, to explore the development of the "elegance" view from the vertical and dynamic level, the history of the evolution, the appearance of "elegance" in various times, and the two from the horizontal. The philosophical basis of the view of "elegance" is discussed at the static level, and the style requirements and creative characteristics of the "elegance" in the word theory and the relationship between the "elegance" and the related categories are discussed. This paper is divided into seven parts.
The introduction mainly summarizes the research situation of the "elegance" of the word theory and explains the origin of this topic, expounds the logical starting point of the study of the "elegance" view of the Chinese classical theory of speech, and clarifies the methods and ideas of this study.
The first chapter mainly discusses the formation and evolution of the view of "elegance". The Chinese classical theory of "elegance" sprout in the period of the Tang and Five Dynasties. It is the product of the elegant social and cultural thought and the aesthetic taste of "elegant", and has been influenced by the Confucian thought. The Song Dynasty is the period of the establishment and development of the classical theory of the "elegance", and the reserved taxis. Under the stimulation of the wind, the "elegance" view of the word theory has become the mainstream consciousness of this period. The CI style has completed the transformation from "air language" to "mind" in the creation. The connotation of "elegance" is gradually rich, the elegance of the original elegance and the poetic elegance appear in the two kinds of "Qing" and "muddy". In the period of this period, the ideological basis of the "elegance" view was based on Confucianism and Taoism as a supplement. In the period of the yuan and Ming Dynasties, the pursuit of true nature, the restraint and suppression of the law of etiquette, and the influence of "Ning for the great sinners" were influenced by the thought of "rather the great sinner" and so on. The concept of "elegance" gradually lost its mainstream position and was rejected by the aesthetic sense of orthodoxy at that time. The concept of "elegance" in the theory of "elegance" was extended and condensed in the impact of the world style, and the "elegance without avoiding vulgarity" became a model. The Qing Dynasty was the "Zhongxing" period of the word body, and the concept of "elegance" was developed and deepened. In terms of methodology and ideological connotations, the author makes an in-depth and systematic interpretation of "elegance".
The second chapter mainly discusses the meaning, connotation and inner contradictions of the aesthetic category of "elegance". "Elegance" has a broad and narrow sense in the sense of meaning, but as the "elegance" in the word theory, the connotation of "elegance" advocated by the writers of the past dynasties is more specific and profound. The "elegance" view in the word theory involves three levels: in the creation layer of the word body On the aspect of the style of word body, the "elegance" is the aesthetic requirement of the ICO and the elegance. In the ideological level, the Confucian thought is based on the Confucian thought, and the "elegance" is the "elegance" of the word theory, the "middle" as the inner scale, the "rite" as the external requirement, the emotion, sex, and ambition, with the "ceremony" as the external requirement. Paradox tension is formed in the combination of rhyme and so on.
The third chapter mainly discusses the fundamental ideology and spirit of "elegance" in the classical theory of speech and philosophical dialectics. In thought, the fundamental ideological and spiritual spirit of "elegance" in the theory of words is the Confucian doctrine of poetry, reunification and worship, and the Taoist "Qing", "no", freedom and unrestraint, transcendental dust and the Buddha's "empty", "harmony without hindrance" and so on spirit, The "elegance" view of the word theory has a profound influence. In the method, the "middle" of the art dialectics embodied in the view of "elegance" is embodied in the method of compromise and taking and the artistic dialectics of "the beauty of neutralization".
The fourth chapter, taking the proposition of the word theory and the typical elegant words as an example, expounds the main style and characteristics of "elegance", distinguishes the distinction between elegance and elegance, elegance and elegance, alcohol elegance and Confucian elegance, and the distinction between the style of "elegance" in the general concept, the connection and distinction between the aesthetic categories of the same period, and the final discussion of the "elegance" view of the word theory respect. The relationship between style requirements and creative practice.
The fifth chapter mainly discusses the meaning of the "elegance" view of the word theory respect. The "elegance" view of the word theory has a high theoretical value and the significance of guiding practice. Its theoretical value is mainly manifested in the distinct times and strong realistic pertinence and the example of setting up the elegant words. In the direction of practice, the content of the word body is expanded and the word is in the realm of words. The word has been promoted, and the word body has realized the promotion of self status while recognizing the standard. The "elegance" view of the word theory has a rich and deepening role in Poetics and has a great influence on other styles.
The conclusion is to summarize the formation and evolution of the "elegance" view of the word theory, the connotation and the generation, the thought and method, the style, the meaning and so on. In the whole, the view of the "elegance" of the word theory respecting the traditional culture and the Poetics Discourse to construct the system of Ci criticism, which can not be ignored in the construction of the history of the theory of CI. Yes.
【學(xué)位授予單位】：云南大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2014
【分類號(hào)】：I207.23

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