本文選題：宋代筆記 + 私密性　； 參考：《復(fù)旦大學(xué)》2014年博士論文

【摘要】：宋代是中國(guó)筆記發(fā)展的鼎盛時(shí)期,其內(nèi)容的廣泛和結(jié)構(gòu)的完善,都標(biāo)志著筆記這一文體的完全成熟。但是迄今為止,對(duì)于宋代筆記的研究還集中在對(duì)筆記的點(diǎn)校和整理方面,而對(duì)筆記本身的探討,似乎還相當(dāng)不夠——宋代筆記斷代史研究著作屈指可數(shù)；筆記通史研究雖然提綱挈領(lǐng),但其中的宋代部分內(nèi)容薄弱,無(wú)助于我們對(duì)宋代筆記自身的發(fā)展演變過(guò)程作更如深入的了解。因此本文試圖拓寬我們的研究視野和思路,為推進(jìn)宋代筆記研究的發(fā)展,做出一些初步嘗試。全文分為五章,各章的研究重點(diǎn),大致如下：第一章對(duì)筆記的概念及筆記的范圍進(jìn)行辨析。目前,關(guān)于筆記的定義及范圍問(wèn)題,言人人殊,未有定論。本章首先綜合學(xué)界關(guān)于筆記的各種現(xiàn)有觀點(diǎn),嘗試作出自己對(duì)筆記的看法。第二章處理宋代筆記的分類問(wèn)題。首先考察了《四庫(kù)全書總目》對(duì)宋代筆記的劃分情況及分類特點(diǎn)。其次,筆者將介紹學(xué)界現(xiàn)有關(guān)于宋代筆記的各種觀點(diǎn)。最后,嘗試作出筆者個(gè)人對(duì)宋代筆記的分類。第三章考察宋代筆記本身的發(fā)展和流變過(guò)程。大致概括如下：北宋前期盛行有關(guān)唐、五代十國(guó)的政事筆記和逸聞筆記；北宋中葉盛行黨爭(zhēng)筆記,同時(shí)出現(xiàn)文藝類與私密性筆記；南渡前后時(shí)期多為反映愛(ài)國(guó)憂患與反思?xì)v史的筆記,以及關(guān)于金國(guó)的出使筆記；中興時(shí)期以中興思想為中心的史料筆記、出使筆記和游記體筆記比較盛行；南宋末期的文人開(kāi)始撰寫有關(guān)南宋都市文化的筆記。第四章研究宋代筆記的特征中“私密性”傾向。迄今為止,學(xué)界業(yè)已肯定宋代文人把視線由歷史或朝廷之類的宏大題材移向自己或其周圍之類的微小題材,認(rèn)識(shí)到筆記的“私人”和“通俗”特征,但對(duì)其特征的概括總結(jié)和對(duì)其特征意義及對(duì)具體作品的研究卻是一片空白。文人記錄下自己生活上的細(xì)節(jié),這并非是一個(gè)簡(jiǎn)單的問(wèn)題,而是意味著文人開(kāi)始認(rèn)識(shí)到私人的生活空間,作者不再在文章的背后存在,而是積極地使自己出場(chǎng)于文章的前臺(tái)。從這個(gè)角度出發(fā),本章將探討文人如何把自己作為敘述的對(duì)象,探究如何發(fā)生以及如何發(fā)展的線索。第五章研究宋代筆記的價(jià)值與影響。宋代筆記有承前啟后的作用,與前代筆記相比,宋代筆記在作者的人數(shù)和范圍、筆記著作的數(shù)量、筆記中涉及的內(nèi)容方面都大大增加。本文將從史學(xué)、文學(xué)、學(xué)術(shù)的角度來(lái)考察宋代筆記的意義和價(jià)值。其次,關(guān)注宋代筆記的私密性要素對(duì)后代文學(xué)的影響。最后,本文還將考察傳入韓國(guó)的宋代筆記的版本狀況,以及韓國(guó)古代稗說(shuō)創(chuàng)作及其與中國(guó)筆記文學(xué)之間的關(guān)系。
[Abstract]:The Song Dynasty was the heyday of the development of Chinese notes. The extensive content and perfect structure of the notes symbolized the maturity of the style of notes. But up to now, the research on the notes of Song Dynasty is still focused on the point, correction and arrangement of notes, but the discussion of notebook body seems to be quite insufficient-there are only a few works on the history of notes in Song Dynasty. Although the research on the general history of notes is very brief, some of the contents of the Song Dynasty are weak, which is not helpful for us to have a deeper understanding of the development and evolution of the notes in the Song Dynasty. Therefore, this paper tries to broaden our research horizon and train of thought, and makes some preliminary attempts to promote the development of the research on notes in Song Dynasty. The full text is divided into five chapters, the main points of each chapter are as follows: the first chapter discriminates the concept and scope of notes. At present, there is no conclusion on the definition and scope of notes. This chapter first synthesizes the academic circles' various existing viewpoints on notes, and attempts to make their own views on notes. The second chapter deals with the classification of notes in Song Dynasty. First of all, it examines the classification and classification of the notes in the Song Dynasty. Second, the author will introduce the academic community on the Song Dynasty notes various views. Finally, I try to make a personal classification of the Song Dynasty notes. The third chapter examines the development and evolution process of notebook body in Song Dynasty. Generally summarized as follows: in the early Northern Song Dynasty, the political notes and anecdotal notes of the Tang Dynasty and the five dynasties and Ten Kingdoms were popular, while in the middle of the Northern Song Dynasty, the party contending notes were prevailing, and at the same time, the notes of literature and art and privacy appeared. Before and after the Nandu period, most of the notes reflect patriotic worries and reflect on the history, as well as the notes of the emissary of the State of Jin, the notes of historical materials centered on the thought of ZTE in the period of ZTE, the notes of the envoy and the travel notes are popular. Literati in the late Southern Song Dynasty began to write notes about the urban culture of the Southern Song Dynasty. Chapter four studies the tendency of privacy in the characteristics of notes in Song Dynasty. Up to now, scholars have affirmed that the scholars of the Song Dynasty have shifted their attention from such grand themes as history or court to small subjects such as themselves or around them, recognizing the "private" and "popular" characteristics of notes. However, the summary of its characteristics, the significance of its features and the study of concrete works are blank. It is not a simple problem for the literati to record the details of their life, but it means that the literati begin to realize the private living space, the author no longer exists in the background of the article, but actively makes himself appear in the foreground of the article. From this point of view, this chapter will explore how literati regard themselves as the object of narration, and explore the clues of how to happen and how to develop. Chapter five studies the value and influence of notes in Song Dynasty. Compared with the previous notes, the number and scope of the authors, the number of notebooks and the contents involved in the notes are greatly increased in the Song Dynasty. This paper examines the significance and value of Song Dynasty notes from the perspectives of historiography, literature and scholarship. Secondly, it pays close attention to the influence of the privacy elements of the notes in Song Dynasty on the literature of future generations. Finally, this paper will examine the version of the Song Dynasty notes introduced to Korea, as well as the relationship between the ancient Korean literary works and the Chinese note-taking literature.
【學(xué)位授予單位】：復(fù)旦大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2014
【分類號(hào)】：I206.2

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本文編號(hào)：1887606