本文選題：京派小說烏托邦書寫 + 生態(tài)秩序　； 參考：《浙江大學(xué)》2016年博士論文

【摘要】：烏托邦書寫作為一種獨(dú)特的文化現(xiàn)象與文學(xué)表現(xiàn),受到了許多文化與文學(xué)研究者的關(guān)注。"烏托邦"作為一個同時(shí)指向"不存在"與"完美"這二重意義的特殊概念,包含了人們對于與生存密切相關(guān)的物質(zhì)、情感、意義等多方面的現(xiàn)實(shí)體認(rèn)與理想憧憬,不可不謂生結(jié)于人類思想史上的一枚奇珍。誠然,在不同的歷史文化語境之下,不同作者的烏托邦書寫呈現(xiàn)出了各異其趣的敘事方式與價(jià)值取向,但其對于人之生存的關(guān)注,對于理想生境的追求,卻是貫穿于烏托邦書寫始終的一道精神宗旨。反之,也正是在不同時(shí)代語境與不同作者的共同建構(gòu)之下,烏托邦書寫方得以展現(xiàn)出其豐富面貌。筆者將二十世紀(jì)二十年代與三十年代京派小說的烏托邦書寫作為考察對象,分別從文化學(xué)、生態(tài)學(xué)、美學(xué)、心理學(xué)、生命哲學(xué)等多重視角對其展開探索,并借鑒具有前沿性與針對性的西方理論,對京派小說的烏托邦書寫展開研究。本論文在整體上依循由表及里、由結(jié)構(gòu)到意義的論述邏輯,試圖從京派小說中挖掘?yàn)跬邪钜庾R,解析京派作家對獨(dú)特的烏托邦形象的建構(gòu)過程、建構(gòu)方式,及其價(jià)值蘊(yùn)藉,并意圖通過此番解析,論證京派作家筆下烏托邦獨(dú)特的"人間"屬性。具體包括從時(shí)代語境與心境、藝術(shù)構(gòu)想與探索、文化活動等方面,對作為一種"情結(jié)"的烏托邦在特定文化、心理層面的映射與表現(xiàn)進(jìn)行探討;以此為引,圍繞人與自然、人與人、人與自我這三組關(guān)系,展開對京派小說烏托邦書寫的整體生態(tài)秩序的析理;繼而以一種"演化互動"的理念,觀照京派小說在時(shí)、空、人三重維度上所呈現(xiàn)出的烏托邦結(jié)構(gòu)形態(tài)的豐富變化,及其以"多異"的審美感受為特征的藝術(shù)表現(xiàn);最后,則在生命關(guān)懷的層面,對京派小說的烏托邦書寫進(jìn)行存在意義上的開掘。
[Abstract]:Utopian writing, as a unique cultural phenomenon and literary expression, has attracted the attention of many cultural and literary researchers. " Utopia, as a special concept pointing to the double meanings of "non-existence" and "perfection", contains people's vision of reality and ideal in many aspects, such as substance, emotion, meaning and so on, which are closely related to existence. Can not be said to be born in the history of human thought a rare treasure. It is true that in different historical and cultural contexts, the Utopian writing of different authors presents different interesting narrative ways and value orientations, but their concern for human existence and pursuit of ideal habitat are not the same. However, it is a spiritual purpose that runs through the writing of Utopia. On the other hand, it is under the common construction of different times and writers that the Utopian writers can display their rich features. The author takes the Utopian writing of Beijing novels in the 1920s and 1930s as the object of investigation, and explores it from the perspectives of culture, ecology, aesthetics, psychology, philosophy of life and so on. And draw lessons from the leading and targeted western theory, the Beijing school novel Utopia writing research. On the whole, this thesis follows the logic of exposition from exterior to interior, from structure to meaning, tries to excavate the utopian consciousness from the novels of Beijing School, and analyzes the construction process, construction mode and value implication of the unique Utopian image of the writers of Beijing School. Through this analysis, the author intends to demonstrate the unique "human" attribute of Utopia written by Beijing School writers. It includes discussing the mapping and expression of Utopia as a kind of "complex" in specific culture and psychology from the aspects of context and mood of the times, artistic conception and exploration, cultural activities, etc. The relationship among people, between people and themselves, is to analyze the whole ecological order of the dystopian writing of the Peking School novels, and then, with a concept of "evolution and interaction", to observe the time and space of the novels of the Beijing School. The rich changes of the utopian structure in the triple dimension of human beings and their artistic expression characterized by the aesthetic feeling of "diversity"; finally, on the level of care for life, This paper explores the existence of the Utopian writing of the Beijing School of Fiction.
【學(xué)位授予單位】：浙江大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2016
【分類號】：I207.42
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本文編號：1858031