新世紀(jì)西部長篇小說研究
本文選題:新世紀(jì) + 西部長篇小說 ; 參考:《蘭州大學(xué)》2017年博士論文
【摘要】:新世紀(jì)西部長篇小說是中國文壇不可或缺的重要組成部分,其寫作視域和表現(xiàn)手法愈顯寬廣和多樣,逐漸成為重要的文學(xué)現(xiàn)象和學(xué)術(shù)界關(guān)注的焦點(diǎn)。以新世紀(jì)以來頗具影響力的西部長篇小說為研究對(duì)象,在對(duì)現(xiàn)有研究成果歸納總結(jié)、分析整理的基礎(chǔ)上,從歷史祛魅、鄉(xiāng)土懷舊和詩性建構(gòu)三個(gè)角度入手,梳理并探究新世紀(jì)以來西部長篇小說在創(chuàng)作資源、主題表現(xiàn)、創(chuàng)作技巧、文體形式、敘事結(jié)構(gòu)、語言類型、精神氣質(zhì)和美感神韻等方面具有的表現(xiàn)形態(tài)與發(fā)展趨向,這些方面共同建構(gòu)著西部獨(dú)有的文學(xué)圖景。在對(duì)西部長篇小說創(chuàng)作給予整體觀照的過程中,嘗試歸納和揭示新世紀(jì)以來西部長篇小說書寫所體現(xiàn)出的文學(xué)史意義和美學(xué)價(jià)值,以及由此帶給中國當(dāng)代文學(xué)的啟示。論文由緒論、正文和結(jié)語三個(gè)部分組成,其中正文部分包括五章。緒論部分首先對(duì)論文中涉及的一系列概念進(jìn)行說明和厘定,然后梳理總結(jié)現(xiàn)有研究工作,最后交待本文選題的緣由和意義,以及論文的整體寫作思路。“西部小說:世紀(jì)之交的文學(xué)轉(zhuǎn)型”,勾勒西部長篇小說的演變軌跡,探討西部長篇小說在新世紀(jì)發(fā)生的轉(zhuǎn)型,闡釋小說中蘊(yùn)含的西部精神。西部長篇小說演變軌跡的勾勒,聚焦于1949年至1999年間西部長篇小說的歷史發(fā)展脈絡(luò),將其歸納為新生成長、復(fù)蘇發(fā)展以及繁榮發(fā)展三個(gè)階段,并對(duì)每一發(fā)展階段的特征給予分析。進(jìn)入新世紀(jì)后社會(huì)整體的轉(zhuǎn)型孕育了西部小說自身的轉(zhuǎn)型,新世紀(jì)西部長篇小說轉(zhuǎn)型的論述,注重對(duì)轉(zhuǎn)型內(nèi)外成因的分析,以及“西部經(jīng)驗(yàn)”內(nèi)涵的考究。對(duì)于西部長篇小說中“西部精神”的探究,開始于對(duì)“西部精神”概念的厘定,籍此闡釋轉(zhuǎn)型期“西部精神”具有的新特質(zhì)和新內(nèi)涵。“西部歷史本相的多元與多維透視”,從“歷史祛魅”這一關(guān)鍵詞入手,透視西部作家在長篇小說中構(gòu)建的多元化、多維度的西部歷史。就多元化而言,分析西部歷史小說對(duì)個(gè)人史、家族史、區(qū)域史、英雄傳奇史、宗教信仰史,以及“文革”史和“饑餓”史等不同樣態(tài)歷史的呈現(xiàn)。就多維度而言,探究西部作家針對(duì)不同樣態(tài)歷史采取的立體透視、現(xiàn)代重構(gòu)、寓言呈現(xiàn)、見證書寫等不同敘述方式。對(duì)西部歷史的多元化、多維度透視,有助于穿越歷史迷霧,勘探歷史真相!拔鞑苦l(xiāng)土小說的懷舊書寫”,從“鄉(xiāng)土懷舊”這一關(guān)鍵詞入手,聚焦西部長篇鄉(xiāng)土小說中隱含的懷舊特質(zhì)。進(jìn)入新世紀(jì)以來,西部鄉(xiāng)土逐漸淪喪的社會(huì)現(xiàn)實(shí),觸發(fā)了西部作家的鄉(xiāng)土情結(jié),小說創(chuàng)作因此體現(xiàn)出濃厚的“懷舊”情懷。從“即將消逝的‘村莊’”、“民俗人生與風(fēng)物追憶”、“遠(yuǎn)去的‘最后一個(gè)’”三個(gè)方面,論述西部小說中懷舊書寫的具體表現(xiàn)形態(tài),并探究懷舊書寫的文學(xué)意義。由于現(xiàn)代性入侵帶給西部作家的焦慮,上述西部鄉(xiāng)土的懷舊書寫,無不反映出作家對(duì)西部鄉(xiāng)村自我身份的認(rèn)知和確立,這體現(xiàn)為在全球化浪潮中西部作家維系歷史記憶、瞻望未來走向的文學(xué)表述。“西部長篇小說的詩性建構(gòu)”,從“詩性建構(gòu)”這一關(guān)鍵詞入手,分析新世紀(jì)西部小說在本體和文體方面具有的特征。首先,將西部作家對(duì)自然景物、動(dòng)物的神性書寫,以及對(duì)自然與人關(guān)系的重新定位,都看作是他們對(duì)“詩意棲居”的一種回應(yīng);其次,認(rèn)為“詩性”是對(duì)人生本源性和諧境界的向往,以及對(duì)現(xiàn)實(shí)人生的自覺提升和轉(zhuǎn)化,并使之趨向于人生理想化狀態(tài),表現(xiàn)為西部小說中一系列理想人物形象的塑造,這些共同反映了西部小說本體層面的詩性特征;最后,從文體層面的詩性特征來看,西部小說在藝術(shù)形式和審美追求上有著獨(dú)特的建構(gòu),其借鑒民間文化資源和傳統(tǒng)文學(xué)形式,并將方言和古語融入其中!拔鞑块L篇小說的文學(xué)價(jià)值與創(chuàng)作困境”,著眼于西部長篇小說的創(chuàng)作現(xiàn)狀,揭示其文學(xué)價(jià)值并探究其面臨的困境。認(rèn)為在眾聲喧囂的新世紀(jì)文壇,西部作家創(chuàng)作折射出的理性精神、人文關(guān)懷及西部本土意識(shí),都是西部長篇小說的獨(dú)特文學(xué)價(jià)值之所在。同時(shí)也指出了西部長篇小說在敘事資源、藝術(shù)表現(xiàn)形式、價(jià)值理念重建等方面的困境,并就如何走出困境探索可能的途徑。結(jié)語部分對(duì)新世紀(jì)以來西部長篇小說的發(fā)展歷程、創(chuàng)作特征及其文化意蘊(yùn)進(jìn)行歸納總結(jié),并進(jìn)一步闡明西部長篇小說在新世紀(jì)文壇的重要價(jià)值和意義,展望西部長篇小說未來研究可能的方向與趨勢(shì)。
[Abstract]:The novel in the western part of the new century is an indispensable and important part of the Chinese literary world. Its writing horizon and expressive techniques have become more and more broad and diverse, and gradually become the focus of important literary phenomena and academic circles. On the basis of the analysis and arrangement, from three angles of historical disenchantment, local nostalgia and poetic construction, this paper combs and explores the manifestations and development trends of western novels in the new century in the aspects of creative resources, theme performance, creative skills, stylistic forms, narrative structure, language types, spirit temperament and aesthetic spirit. In the process of giving a holistic view of the western novels, the author tries to sum up and reveal the significance of literary history and aesthetic value embodied in the writing of the western novels since the new century, as well as the enlightenment to the contemporary Chinese literature in the new century. The thesis consists of three parts: introduction, text and conclusion. The main body consists of five chapters. The introduction part explains and defines a series of concepts involved in the paper, then combs and summarizes the existing research work, and finally deals with the reasons and significance of this topic, as well as the overall writing idea of the thesis. "Western Novel: the transformation of literature at the turn of the century", outlines the western novels. The evolution of the western novels in the new century is discussed, and the western spirit of the novel is explained. The outline of the evolution of the western novels is focused on the historical development of the western novels from 1949 to 1999, which is summed up as three stages of the new growth, the development of the Soviet Union and the prosperity and development, and each of them. After entering the new century, the transformation of the society as a whole has given birth to the transformation of the western novel itself and the discussion of the transformation of the western novels in the new century. It pays attention to the analysis of the causes and causes of the transformation inside and outside the transformation and the connotation of "Western experience". The definition of the concept of "western spirit" explains the new characteristics and new connotations of the "western spirit" in the transition period. "The pluralism and multidimensional perspective of the western history of this phase", starting with the key words of "historical disenchantment", examines the pluralism of the western writers in the novels and the western history of multi dimension. Analysis of the historical novels of the West on the history of individual history, family history, regional history, heroic legend, religious belief, and the history of "Cultural Revolution" and the history of "hunger". In terms of multi dimension, it explores the different narrative ways of western writers, such as stereoscopic perspective, modern reconstruction, fable presentation, and testimony writing for different patterns of history. The diversification and multidimensional perspective of the history of the West will help to pass through the historical fog and explore the historical truth. "The nostalgia of the western local novels", starting with the key words of "nostalgia in local nostalgia", focuses on the concealed nostalgia in the long local novels of the western region. As a result of the native land complex of western writers, the creation of the novel embodies a strong "nostalgia" sentiment. From the three aspects of "the dying village", "the folk life and the wind recollection", "the last one" of "the distant", the concrete expression form of the nostalgic writing in the western novels is discussed, and the literary significance of the nostalgia writing is explored. With the anxiety of modern invasion to the western writers, the nostalgia written in the western country reflects the writer's recognition and establishment of the identity of the western country, which embodies the literary expression of maintaining the historical memory and looking forward to the future of the western writers in the wave of globalization. "Poetic construction of the western novels", from "poetic nature" Starting with this key word, this paper analyzes the characteristics of the western novels in the new century in terms of noumenal and stylistic aspects. First, it is regarded as a response to the "poetic inhabitation" by the western writers of the natural scenery, the divine writing of the animals, and the reorientation of the relationship between nature and human. Secondly, it is considered that "poetic" is the origin of life. The yearning for sexual harmony, as well as the conscious promotion and transformation of the real life, and the tendency to idealize the life of life, represent the image of a series of ideal characters in the western novels, which reflect the poetic features of the western novels in noumenal aspects; finally, from the poetic features of the stylistic level, the western novels are in art. The form and aesthetic pursuit have a unique construction, which draw on the folk cultural resources and the traditional literary forms, and integrate the dialects and ancient languages. "The literary value and the creation dilemma of the western novels", with a view to the creation status of the western novels, reveals the value of their literature and explores the difficulties faced by them. The literary world in the new century, the rational spirit reflected by the western writers' creation, the humanistic care and the local consciousness of the West are the unique literary values of the western novels. At the same time, it also points out the difficulties in the western novels in the aspects of the narrative resources, the artistic expression forms, the reconstruction of the values and so on, and the possible exploration of how to go out of the predicament. The concluding part sums up the development process, the creative features and cultural implications of the western novels since the new century, and further clarifies the important value and significance of the western novels in the new century, and looks forward to the possible directions and trends of the future study of the western novels.
【學(xué)位授予單位】:蘭州大學(xué)
【學(xué)位級(jí)別】:博士
【學(xué)位授予年份】:2017
【分類號(hào)】:I207.425
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