本文選題：周揚(yáng) + 社會(huì)主義文藝　； 參考：《南京藝術(shù)學(xué)院》2016年博士論文

【摘要】：周揚(yáng)感時(shí)代之風(fēng)起而應(yīng)之,青年時(shí)期以打破舊制度,建設(shè)新中國(guó)為理想,從此致力于我國(guó)社會(huì)主義文藝運(yùn)動(dòng)的政治實(shí)踐。周揚(yáng)早在左聯(lián)時(shí)期就開始傳播馬克思主義,并深受列寧主義影響,列寧關(guān)于階級(jí)斗爭(zhēng)和社會(huì)主義文藝非自發(fā)性的理論成為周揚(yáng)領(lǐng)導(dǎo)我國(guó)文藝的直接理論來源。他最早引入蘇聯(lián)的社會(huì)主義現(xiàn)實(shí)主義理論,并以此主導(dǎo)了我國(guó)的社會(huì)主義文藝運(yùn)動(dòng);延安時(shí)期,周揚(yáng)親歷黨管理文藝的范式的創(chuàng)建,一方面,進(jìn)行了馬克思列寧主義中國(guó)化的初步嘗試,將毛澤東列入馬列譜系,另一方面,也將社會(huì)主義現(xiàn)實(shí)主義在《講話》中獲得了政治認(rèn)可;新中國(guó)成立后,周揚(yáng)成為建設(shè)社會(huì)主義文藝的具體領(lǐng)導(dǎo)者,他以《講話》為綱領(lǐng),以階級(jí)斗爭(zhēng)為理論基礎(chǔ),通過自覺推廣和建設(shè)社會(huì)主義現(xiàn)實(shí)主義體系的方式貫徹毛澤東的文藝路線,強(qiáng)調(diào)用辯證的觀念指導(dǎo)文藝管理實(shí)踐,造就了我國(guó)十七時(shí)期特有的文藝現(xiàn)象。研究周揚(yáng)在各個(gè)歷史時(shí)期的管理思想,解讀他對(duì)我國(guó)文化藝術(shù)管理實(shí)踐經(jīng)驗(yàn)的理論思考和啟示,是研究我國(guó)文藝管理不能回避的問題。
[Abstract]:Zhou Yang felt the wind of the times and responded to it. In his youth, he took breaking the old system and building new China as his ideal, and from then on he devoted himself to the political practice of the socialist literary and artistic movement in our country.Zhou Yang began to spread Marxism as early as the left League period and was deeply influenced by Leninism. Lenin's theory on class struggle and non-spontaneity of socialist literature and art became the direct theoretical source of Chinese literature and art led by Zhou Yang.He first introduced the socialist realism theory of the Soviet Union, and thus led the socialist literary and artistic movement in our country. In Yan'an period, Zhou Yang personally witnessed the establishment of the paradigm of the Party's management of literature and art. On the one hand,A preliminary attempt was made to make Marxism-Leninism Chinese, and Mao Zedong was included in the Marxist-Leninist genealogy. On the other hand, socialist realism gained political recognition in the speech. After the founding of New China,Zhou Yang has become a concrete leader in the construction of socialist literature and art. Taking the "speech" as his program and class struggle as the theoretical basis, Zhou Yang has carried out the literary and artistic line of Mao Zedong by consciously popularizing and building the socialist realism system.Emphasis is placed on guiding the practice of literature and art management with dialectical ideas, which has brought up the peculiar literary and artistic phenomena in 17 th period of our country.To study Zhou Yang's management thoughts in various historical periods and to interpret his theoretical thinking and inspiration to the practical experience of cultural and artistic management in China is a problem that can not be avoided in the study of Chinese literature and art management.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2016
【分類號(hào)】：I200
，

本文編號(hào)：1760490