本文選題：宣傳畫 + 十七年　； 參考：《中央美術(shù)學(xué)院》2017年博士論文

【摘要】：建國十七年是新中國歷史上一個(gè)特殊的時(shí)期。它以中華人民共和國的建立為起始點(diǎn)，以文化大革命的爆發(fā)作終點(diǎn)。宣傳畫是一種重要的現(xiàn)代宣傳工具和信息傳播媒介。建國十七年是新中國宣傳畫發(fā)展的重要時(shí)期。本文將從文化與表征的角度對建國十七年宣傳畫的發(fā)展和演化進(jìn)行總結(jié)。本文概括出影響十七年宣傳畫發(fā)展的三對矛盾的力量：國際化與民族化、城市化與鄉(xiāng)村化、公眾趣味與意識形態(tài)。全文共分四章。第一章、宣傳畫的興起。本章首先介紹了新中國成立以前宣傳畫的發(fā)展?fàn)顩r。隨后介紹了新年畫運(yùn)動(dòng)開展的情況，并對新年畫兼具宣傳和習(xí)俗性質(zhì)的特性進(jìn)行了分析。最后，分析了由于抗美援朝運(yùn)動(dòng)的宣傳需要，導(dǎo)致了宣傳畫在新中國的興起。第二章、宣傳畫的發(fā)展。本章首先介紹了蘇聯(lián)宣傳畫和波蘭宣傳畫的引進(jìn)和它們對于新中國宣傳畫的觀念和創(chuàng)作的影響。隨后，介紹了在“一五"計(jì)劃期間，宣傳畫功能的分化和樣式的多樣化。最后，介紹了宣傳畫的私營出版對于公眾趣味的影響。第三章、宣傳畫的轉(zhuǎn)折。本章主要對大躍進(jìn)時(shí)期宣傳畫從內(nèi)容和形式上的雙重轉(zhuǎn)向進(jìn)行分析。本章共分為兩個(gè)部分。第一部分介紹宣傳畫對于大躍進(jìn)運(yùn)動(dòng)的宣傳。第二部分介紹宣傳畫出版發(fā)行業(yè)的大躍進(jìn)運(yùn)動(dòng)中的處境。第四章、宣傳畫的中斷和過渡。本章分為兩個(gè)部分。第一個(gè)部分介紹1961-1963年，宣傳畫出版的停滯。第二部分介紹1964-1965年，，宣傳畫向“文革”樣式的過渡。
[Abstract]:Seventeen years after the founding of the people's Republic of China was a special period in the history of the people's Republic of China.It began with the founding of the people's Republic of China and ended with the outbreak of the Cultural Revolution.Poster is an important modern propaganda tool and information media.Seventeen years after the founding of the people's Republic of China was an important period for the development of posters in New China.This paper summarizes the development and evolution of 17-year-old posters from the perspective of culture and representation.This paper summarizes three pairs of contradictory forces that influence the development of 17 years' posters: internationalization and nationalization, urbanization and ruralization, public interest and ideology.The full text is divided into four chapters.The first chapter, the rise of posters.This chapter first introduces the development of posters before the founding of New China.Then it introduces the new New year painting campaign, and analyzes the characteristics of the new New year painting with both publicity and custom.Finally, it analyzes the propaganda needs of the anti-US campaign and aids Korea, which leads to the rise of posters in New China.The second chapter, the development of posters.This chapter first introduces the introduction of Soviet and Polish posters and their influence on the concept and creation of New China posters.Then, it introduces the differentiation of poster function and diversification of style during the first five-year Plan.Finally, the influence of private publishing of posters on public interest is introduced.Chapter three, the turning point of posters.This chapter mainly analyzes the double turn of the content and form of the posters during the Great Leap forward period.This chapter is divided into two parts.The first part introduces the propaganda of the Great Leap forward Movement.The second part introduces the situation in the Great Leap forward Movement in the publishing and distribution of posters.Chapter IV, the interruption and transition of posters.This chapter is divided into two parts.The first part describes the stagnation of the publication of posters from 1961 to 1963.The second part introduces the transition of propagandists to the Cultural Revolution from 1964 to 1965.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級別】：博士
【學(xué)位授予年份】：2017
【分類號】：J218.1

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