本文選題：《僧王之歌》　切入點(diǎn)：蒙古人歷史記憶　出處：《中央民族大學(xué)》2017年博士論文　論文類型：學(xué)位論文

【摘要】：近代蒙古族民間被廣為傳唱的《僧王之歌》是贊揚(yáng)民族英雄僧格林沁的科爾沁民歌代表作之一。蒙古族近代歷史條件與社會(huì)背景下產(chǎn)生的歷史人物與歷史事件中的文化淵源高度融合,進(jìn)而發(fā)展成為民眾歷史記憶并構(gòu)成了民族認(rèn)同。本文主要運(yùn)用歷史學(xué),民間文學(xué)以及文化人類學(xué)理論,對(duì)《僧王之歌》進(jìn)行文本研究,深入解讀提煉這首民歌歷史演變過程中的民族認(rèn)同觀點(diǎn)。本文以導(dǎo)論、三章內(nèi)容、結(jié)語(yǔ)等五個(gè)部分組成。在導(dǎo)論部分交代了選題理由、研究方法、研究目的、研究意義及相關(guān)研究動(dòng)態(tài)等概況�！渡踔琛肪哂袕�(fù)雜的歷史背景,多層次思想,歷史與藝術(shù)的融合,歷史與記憶影響,這些都需要認(rèn)真研究和深入闡述。前人對(duì)僧格林沁的生平事跡,《僧王之歌》的文本搜集,缺乏以理論視角探析僧格林沁的民歌,更沒有從蒙古人歷史記憶中去探討挖掘主人翁的作品,因此本文的研究在一定程度上彌補(bǔ)前人研究的不足。第一章闡述了歷史記憶的概念,特點(diǎn)與研究概況,并交代了僧格林沁的生平的同時(shí)是這一歷史人物如何在理論中運(yùn)用歷史記憶的方法展現(xiàn)出來(lái)的。歷史記憶是從現(xiàn)代視角回憶過去歷史思想表現(xiàn)的一種形式。僧格林沁及他的生平歷史、文字記載和口頭傳說(shuō)廣為流傳,這些可以證明歷史記憶的價(jià)值體現(xiàn)。因此僧格林沁所生活的社會(huì)背景,文化傳承,口頭藝人的審美等因素形成了特殊的歷史記憶。第二章闡釋了《僧王之歌》的社會(huì)歷史背景及其民歌流傳的因素、來(lái)源與內(nèi)容�！渡踔琛肥腔谡嫒苏媸滦纬傻拿晒抛鍞⑹旅窀�,1840年鴉片戰(zhàn)爭(zhēng)之后清政府內(nèi)亂外患,處于動(dòng)蕩的政治時(shí)局時(shí)期。僧格林沁對(duì)于朝庭忠心耿耿,在大沽口戰(zhàn)役中勇敢抗擊外敵,后來(lái)鎮(zhèn)壓北伐太平軍和捻軍而成為眾人心中的英雄以及有公正的形象。因?yàn)槊晒抛逡恢币詠?lái)有英雄崇拜思想所以他自然地成為科爾沁敘事民歌的英雄人物。由此可見民歌在流傳過程中的記憶形式在一定程度上體現(xiàn)了歷史是通過民族被傳承的。第三章重點(diǎn)分析《僧王之歌》不同的文本進(jìn)行比較研究,將民歌的歷史與藝術(shù)的真實(shí)性和其他民間文學(xué)體裁進(jìn)行對(duì)比研究。同一出處的《僧王之歌》在不同時(shí)期、不同地點(diǎn)形成了不同的變體文本。在分析對(duì)比后根據(jù)其最全面完全的版本總結(jié)出這些文本有著千絲萬(wàn)縷的聯(lián)系與區(qū)別。歷史記憶在歷史與民歌中起著關(guān)鍵性作用。所以歷史記憶在分析不同文本時(shí)成為不可欠缺的組成部分并發(fā)揮著橋梁作用�？傊ㄟ^對(duì)蒙古人歷史記憶中的《僧王之歌》進(jìn)行了相對(duì)而系統(tǒng)的研究,并對(duì)歷史人物僧格林沁給予了正面的評(píng)價(jià)。
[Abstract]:The Song of the Mongol is one of the masterpieces of Horqin folk songs that praise the national hero Sangherqin. Historical figures and Historical events in Modern Mongolian Historical conditions and Social background. Is highly integrated with its cultural origins, Then it develops into the historical memory of the people and forms the national identity. This paper mainly uses the theories of history, folklore and cultural anthropology to study the Song of the Monk. This paper is composed of five parts: introduction, three chapters and conclusion. In the introduction, it explains the reasons for selecting the topic, the research methods, and the purpose of the research. The song of the monk has complex historical background, multi-level thoughts, the fusion of history and art, the influence of history and memory, and so on. All these need to be studied and expounded in depth. The life story of Sanghelin, the collection of texts of the Song of the Monk, the lack of theoretical analysis of Sanghelinqin's folk songs, Moreover, it has not explored the works of the masters from the historical memory of Mongols, so the research of this paper to a certain extent makes up for the shortcomings of previous studies. Chapter one describes the concept, characteristics and research overview of historical memory. And explained the life of Sanghelinqin at the same time is this historical figure in the theory of how to use the method of historical memory. Historical memory is a form of historical thinking from a modern perspective. Lin Qin and his life history, Written records and oral legends are widely circulated, which can prove the value of historical memory. The aesthetic factors of oral artists form a special historical memory. Chapter two explains the social and historical background of the Song of the Monk and the factors in the spread of folk songs. Source and content. "Song of the Monk King" is a Mongolian narrative folk song based on real life events. After the Opium War of 1840, the Qing government suffered from internal and external disturbances and was in a period of turbulent political situation. Bravely resisting foreign enemies in the Battle of Dagu Kou, Later the Northern Expedition Taiping Army and the Nian Army became heroes in the hearts of the people and had a fair image. Because the Mongols had always had the idea of hero worship, he naturally became a hero in Horqin's narrative folk songs. From this, he naturally became a hero in Horqin's narrative folk songs. It can be seen that the memory form of folk songs in the process of spreading reflects to a certain extent that history is passed down through the nation. Chapter three focuses on the comparative study of different texts of "Song of the Monk". A comparative study of the history of folk songs and the authenticity of art and other genres of folk literature. According to the most comprehensive and complete version, the text has inextricable connections and differences. Historical memory plays a key role in history and folk songs. Therefore, historical memory becomes an indispensable part of the analysis of different texts and acts as a bridge. And the historical figure Sanghelin gave a positive evaluation.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2017
【分類號(hào)】：J607
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本文編號(hào)：1644609