本文關(guān)鍵詞： 羌繡工藝 羌繡文化 文化傳承 價(jià)值轉(zhuǎn)化　出處：《上海大學(xué)》2016年博士論文　論文類(lèi)型：學(xué)位論文

【摘要】：羌繡是廣泛流傳于羌族聚居地的手工技藝,是展現(xiàn)羌族傳統(tǒng)文化與羌族女性聰明才智的重要工藝形式之一。刺繡紋飾因其直觀的符號(hào)所指,而成為記述羌族現(xiàn)實(shí)生活及民俗情感的重要載體。2007年3月,羌繡入選四川省首批省級(jí)非物質(zhì)文化遺產(chǎn)保護(hù)名錄;2008年6月,入選第二批國(guó)家級(jí)非物質(zhì)文化遺產(chǎn)名錄。作為羌族文化的物化形式之一,羌繡的傳承與發(fā)展均受到來(lái)自民間生活的影響,社會(huì)組織、經(jīng)濟(jì)結(jié)構(gòu)、科技條件等現(xiàn)實(shí)環(huán)境的變遷都成為其形態(tài)、工藝演變的內(nèi)因,對(duì)于羌繡的研究不可能脫離其生息的民間文化、民俗生活。因此,本論文借鑒了美國(guó)文化人類(lèi)學(xué)家斯圖爾德提出的“文化生態(tài)”概念,從羌繡發(fā)展與衍生的整體性背景綜合認(rèn)識(shí)與把握其當(dāng)代價(jià)值轉(zhuǎn)換的可行路徑,其范疇不僅涵蓋羌繡的形制、技藝等藝術(shù)特征,還包括羌繡在文化與生活變遷中的自我調(diào)適,是從物質(zhì)形態(tài)到價(jià)值觀念、文化歸屬的層面拓展,涉及藝術(shù)學(xué)、人類(lèi)學(xué)、社會(huì)學(xué)等研究范疇與方法。在“當(dāng)代中國(guó)”的時(shí)代背景下,主流文化的一元化格局以及大眾文化的風(fēng)行,影響著人們對(duì)生活方式的選擇,人們的世俗道德、倫理觀念及價(jià)值衡量也相應(yīng)地發(fā)生轉(zhuǎn)變,傳統(tǒng)手工藝從生產(chǎn)到實(shí)用都難以滿(mǎn)足現(xiàn)代生活模式的需求。如何修正與平衡手工藝發(fā)展的文化生態(tài)環(huán)境,成為傳統(tǒng)技藝活態(tài)傳承的關(guān)鍵。然而,人們對(duì)物欲、快樂(lè)的追求是推動(dòng)社會(huì)整體進(jìn)步的重要因素,與人們生存、發(fā)展息息相關(guān)的科學(xué)技術(shù)、經(jīng)濟(jì)體制、社會(huì)組織只會(huì)向著適宜生活的方向發(fā)展,“羌繡文化生態(tài)”的保護(hù)難以通過(guò)物質(zhì)條件的倒退得以實(shí)現(xiàn),只有在經(jīng)濟(jì)高度發(fā)達(dá)的時(shí)代才會(huì)出現(xiàn)“逆城市化”的發(fā)展取向。因此,當(dāng)下羌繡手工藝的傳承與保護(hù)在于精神層面的引導(dǎo),在于從“各美其美”到“美人之美”的轉(zhuǎn)換,傳統(tǒng)價(jià)值語(yǔ)境的復(fù)歸才能最終引導(dǎo)“文化自覺(jué)”意識(shí)的形成,進(jìn)而實(shí)現(xiàn)羌繡獨(dú)立藝術(shù)品格的延伸以及活態(tài)傳承的發(fā)展策略。
[Abstract]:Qiang embroidery is one of the most important craftsmanship to show the traditional culture of Qiang nationality and the intelligence and intelligence of Qiang women. In March 2007, Qiang embroidery was selected as the first batch of provincial intangible cultural heritage protection list in Sichuan Province. In June 2008, Qiang embroidery became an important carrier of the Qiang nationality's real life and folklore feelings. As one of the materialized forms of Qiang culture, the inheritance and development of Qiang embroidery are influenced by folk life, social organization and economic structure. The changes of the real environment, such as scientific and technological conditions, have become its form. The internal cause of the technological evolution is that the study of Qiang embroidery cannot be divorced from its living folk culture and folk life. This paper draws lessons from the concept of "cultural ecology" put forward by American cultural anthropologist Stuart, and comprehensively understands and grasps the feasible path of its contemporary value transformation from the holistic background of the development and derivation of Qiang embroidery, and its scope not only covers the form of Qiang embroidery, The artistic features such as skills, including the self-adjustment of Qiang embroidery in the changes of culture and life, are expanded from material forms to values, cultural affiliation, and involve art, anthropology, and so on. Under the background of "contemporary China", the monistic pattern of mainstream culture and the popularity of popular culture influence people's choice of life style, people's secular morality, and so on. The ethical concept and the measurement of value have also changed correspondingly, the traditional handicraft is difficult to meet the demand of the modern life pattern from the production to the practical. How to modify and balance the cultural ecological environment of the handicraft development, However, people's pursuit of material desire and happiness is an important factor to promote the overall progress of society, which is closely related to the survival and development of science, technology and economic system. Social organizations will only develop in the direction of suitable life. The protection of "Qiang embroidery cultural ecology" cannot be realized through retrogression of material conditions. Only in the era of highly developed economy will there be a development orientation of "reverse urbanization". At present, the inheritance and protection of Qiang embroidery handicraft lies in the guidance of spirit, the transformation from "beauty of beauty" to "beauty of beauty", and the restoration of traditional value context can ultimately lead to the formation of "cultural consciousness". And then realize the extension of Qiang embroidery independent artistic character and the development strategy of living state inheritance.
【學(xué)位授予單位】：上海大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2016
【分類(lèi)號(hào)】：J523.6
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本文編號(hào)：1537665