本文關(guān)鍵詞： 書法 功能 二十世紀(jì) 拓展　出處：《福建師范大學(xué)》2016年博士論文　論文類型：學(xué)位論文

【摘要】：書法有什么“用”?這是所有從事書法藝術(shù)的人都必須回答、所有和書法發(fā)生關(guān)聯(lián)的人都可能關(guān)注的問題。書法屬于藝術(shù)的一種,書法的功能和藝術(shù)的功能既有聯(lián)系也有區(qū)別,需要單獨(dú)加以觀察和研究；同時(shí),書法在傳統(tǒng)社會(huì)中的功能和書法在二十世紀(jì)的功能既有相同也有不同,需要分別加以梳理和陳述。本文主要完成以下工作：第一,通過文獻(xiàn)闡釋和現(xiàn)象分析首先對(duì)書法在傳統(tǒng)社會(huì)中的功能進(jìn)行了歸納和梳理,認(rèn)為書法是教化的工具、是自然的跡化、是天人合一的渠道、是虛擬的搏殺、是養(yǎng)生的手段。第二,本文重點(diǎn)討論了二十世紀(jì)里書法功能的拓展。書法保留了其舊有的全部功能,又在此基礎(chǔ)上有所拓展,尤其是在對(duì)政治生活和社會(huì)生活的介入方面呈現(xiàn)出前所未有的嶄新變化。例如,在革命戰(zhàn)爭(zhēng)歲月中,書法中的壁書被紅軍部隊(duì)用于標(biāo)語宣傳,書法被革命領(lǐng)袖用于重要場(chǎng)合和重要事件的題詞；在文革時(shí)代,書法被用于大鳴、大放、大字報(bào)；在民國時(shí)代國民黨元老于右任的觀念中,書法是壯大國家、提高效率的工具；在解放后的知識(shí)分子改造運(yùn)動(dòng)如沈尹默身上,書法是貫徹毛澤東《在延安文藝座談會(huì)上的講話》精神追求通俗化、大眾化的實(shí)踐形式；在改革開放之后,書法還廣泛用于統(tǒng)戰(zhàn)事業(yè)和外交工作,成為文化溝通帶動(dòng)政治溝通的觸媒；在新的國際競(jìng)爭(zhēng)格局中,文化產(chǎn)業(yè)和創(chuàng)意經(jīng)濟(jì)異軍突起,書法成為一種炙手可熱的盈利符號(hào)。第三,通過對(duì)書法功能的梳理,可以達(dá)到對(duì)書法藝術(shù)更加全面、靈活、通透的認(rèn)識(shí),可以幫助人們走出書法取消主義、書法本質(zhì)主義、書法自律主義的拘束。
[Abstract]:What is the use of calligraphy? This is a question that all those who engage in calligraphy must answer, that all those who are connected with calligraphy may be concerned about. Calligraphy is a kind of art, and the function of calligraphy is related to and different from that of art. At the same time, the functions of calligraphy in traditional society and calligraphy in 20th century are both the same and different, which need to be combed and stated separately. The main work of this paper is as follows: first, Through literature explanation and phenomenon analysis, this paper first sums up and combs the function of calligraphy in traditional society, and thinks that calligraphy is a tool of enlightenment, a trace of nature, a channel of the unity of nature and man, and a virtual fighting and killing. Second, this paper focuses on the expansion of calligraphy functions in 20th century. Calligraphy retains all its old functions, and on this basis, it expands. In particular, there has been an unprecedented change in the involvement of political and social life. For example, in the years of revolutionary war, wall calligraphy was used by Red Army troops to publicize slogans. Calligraphy was used by revolutionary leaders for important occasions and important events inscription; during the Cultural Revolution, calligraphy was used to sound, release, big character posters; in the Republic of China, the Kuomintang elder Yu You-Ren concept, calligraphy is a tool to strengthen the country and improve efficiency; In the post-liberation intellectuals' reform movement such as Shen Yinmo, calligraphy was a practical form of pursuing popularization and popularization of the spirit of Mao Zedong's speech at the Yanan Forum on Literature and Art; after the reform and opening up to the outside world, Calligraphy has also been widely used in United front work and diplomatic work as a catalyst for cultural communication to drive political communication. In the new international competition pattern, cultural industry and creative economy have suddenly emerged, and calligraphy has become a hot profit symbol. Third, Through combing the function of calligraphy, we can achieve a more comprehensive, flexible and thorough understanding of calligraphy art, and can help people get out of the restraint of calligraphy cancellationism, calligraphy essentialism and calligraphy self-discipline.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2016
【分類號(hào)】：J292.1
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本文編號(hào)：1506032