本文關(guān)鍵詞： 文化自覺(jué) 文化自信 文化強(qiáng)國(guó) 主體性 綜合創(chuàng)新　出處：《大連理工大學(xué)》2017年博士論文　論文類型：學(xué)位論文

【摘要】：我國(guó)著名社會(huì)學(xué)家費(fèi)孝通先生不僅提出了 "文化自覺(jué)"思想,而且將其發(fā)展歷程概括為"各美其美、美人之美、美美與共、天下大同",為我們研究"文化自覺(jué)"思想奠定了基礎(chǔ)。在經(jīng)濟(jì)全球化和文化多元化的張力關(guān)系中,對(duì)"文化自覺(jué)"思想的研究,有助于打破"文明沖突論"的狹隘格局,在更為宏大的視域中倡導(dǎo)多元文化之間的"互鑒"與"和合共生"。由于費(fèi)老的"文化自覺(jué)"概念作為一種"號(hào)召性的詞匯",其詩(shī)性敘事所生成的朦朧語(yǔ)境需要理性的澄明,其內(nèi)在邏輯和時(shí)代意蘊(yùn)也需展開(kāi),尤其是在當(dāng)今建設(shè)社會(huì)主義文化強(qiáng)國(guó)的背景下其新的理論內(nèi)涵也亟待深度挖掘。本文以費(fèi)老的"文化自覺(jué)"思想為基礎(chǔ),從哲學(xué)的視域追問(wèn)"文化自覺(jué)" "是什么"、"何以可能"、"何以發(fā)生"、"何以實(shí)現(xiàn)",賦予其本體論、方法論、認(rèn)識(shí)論和價(jià)值論的規(guī)定,從而希冀實(shí)現(xiàn)"文化自覺(jué)"思想的科學(xué)化、理論化、系統(tǒng)化。從唯物史觀分析"文化自覺(jué)"的內(nèi)在邏輯,是為了追問(wèn)當(dāng)代中國(guó)的"文化自覺(jué)""是什么"。"文化自覺(jué)"的本質(zhì)是一種實(shí)踐自覺(jué),文化自覺(jué)是在文化傳承和跨文化對(duì)話中,出于"文化生命"和"實(shí)踐理性"的"自知"而形成的與時(shí)俱進(jìn)、兼容并蓄、綜合創(chuàng)新的文化實(shí)踐觀。不同社會(huì)形態(tài)的不同實(shí)踐方式,決定了不同形式的"文化自覺(jué)"。和以往社會(huì)形態(tài)的精英層的"文化自覺(jué)"不同,當(dāng)代中國(guó)的"文化自覺(jué)"是一種人民大眾的、綜合創(chuàng)新的"文化自覺(jué)","馬魂、中體、西用"是其主要表現(xiàn)形式。從詮釋學(xué)的視角分析"文化自覺(jué)"的發(fā)展歷程,是為了追問(wèn)"文化自覺(jué)""何以可能"。首先,"各美其美"倡導(dǎo)當(dāng)代文化和傳統(tǒng)文化的創(chuàng)造性結(jié)合,"時(shí)間距離"卻橫隔在當(dāng)代和傳統(tǒng)之間,施萊爾馬赫的"時(shí)間距離"觀是一種變相的"文化回歸",而非"各美其美"。伽達(dá)默爾認(rèn)為"時(shí)間距離"是文化糟粕的"過(guò)濾器"和傳統(tǒng)文化精華的"生長(zhǎng)域",使"各美其美"得以可能。在馬克思的時(shí)間觀中,時(shí)間即為人的生命尺度和發(fā)展空間,使"各美其美"得以實(shí)現(xiàn)。其次,"美人之美"倡導(dǎo)多元文化之間的學(xué)習(xí)和借鑒,"文化距離"橫隔在不同文化之間,在跨文化詮釋學(xué)的視域中,"文化距離"是"他者"文化精華的"生長(zhǎng)域"和文化糟粕的"過(guò)濾器","美人之美"因此得以可能。馬克思主義認(rèn)為"歷史向世界歷史的轉(zhuǎn)變"凸顯出的人的本質(zhì)力量,使得"美人之美"得以實(shí)現(xiàn)。再次,"美美與共、天下大同"表達(dá)的是文化和諧的愿景,"馬魂、中體、西用"作為"美美與共"的中國(guó)文化表達(dá),在"看、聽(tīng)、說(shuō)"的視域融合作用之下,使中國(guó)文化呈現(xiàn)為馬克思主義主導(dǎo)的文化"三螺旋"的和諧結(jié)構(gòu)。從馬克思主義認(rèn)識(shí)論的視角來(lái)分析"文化自覺(jué)"的"坐標(biāo)軸",是為了追問(wèn)"文化自覺(jué)" "何以發(fā)生"。首先,"文化自覺(jué)"的"時(shí)間軸"表征出文化主體性的維度,在實(shí)踐的基礎(chǔ)上,先后形成了主體性的覺(jué)醒、文化精英的"文化自覺(jué)"、文化啟蒙得以完成和"文化自覺(jué)"對(duì)于主體的反作用力,它們共同構(gòu)成了"文化自覺(jué)"的歷史源起。"文化自覺(jué)"的現(xiàn)世圖景表現(xiàn)為資本邏輯壓抑了大眾的"文化自覺(jué)",所以在未來(lái)的維度中,"文化自覺(jué)"的創(chuàng)造性、超越性和價(jià)值引導(dǎo)性亟需內(nèi)化為文化主體的精神引擎。其次,"文化自覺(jué)"的"空間軸"表征出文化的主體間性維度,在考察中西文化空間中的主體間性之后,分析出二者對(duì)話的新形態(tài),并以此做為哲學(xué)根據(jù),在開(kāi)放性的語(yǔ)境下建設(shè)社會(huì)主義文化強(qiáng)國(guó)。從馬克思主義實(shí)踐哲學(xué)的視角分析"文化自覺(jué)",是為了追問(wèn)"文化自覺(jué)" "何以實(shí)現(xiàn)"。"馬魂、中體、西用"作為一種"社會(huì)主義文化自覺(jué)",其內(nèi)在的張力結(jié)構(gòu)需要闡明,目的是建構(gòu)一種精神實(shí)體化的"文化自覺(jué)"。文化因"自覺(jué)"而"自信",自實(shí)踐詮釋學(xué)的視域來(lái)看,從"社會(huì)主義文化自覺(jué)"到"社會(huì)主義文化自信",是在從文化的"效果歷史意識(shí)"到"世界歷史"視野形成開(kāi)放性的文化新視野、從"讀者視域"到"作者視域"形成創(chuàng)造性的新視域、從"詮釋循環(huán)"的主體內(nèi)化到主體外化的文化實(shí)踐過(guò)程中實(shí)現(xiàn)的。在從"文化自信"到文化強(qiáng)國(guó)的實(shí)踐空間中,形成了五種文化力。其中,社會(huì)主義核心價(jià)值觀的凝聚力是作為"社會(huì)主義文化自覺(jué)"的"馬魂、中體、西用"彰顯出的文化向心力,全民素質(zhì)的能動(dòng)力是在道德教化、道德物化和道德內(nèi)化三維度中實(shí)現(xiàn)的,文化對(duì)發(fā)展方式轉(zhuǎn)型的帶動(dòng)力表現(xiàn)為"經(jīng)濟(jì)的文化化",文化產(chǎn)業(yè)的創(chuàng)新力表現(xiàn)為"文化的經(jīng)濟(jì)化",中國(guó)文化在世界上的吸引力和影響力是國(guó)家文化硬實(shí)力、軟實(shí)力、巧實(shí)力以及和實(shí)力共同作用的結(jié)果。五種文化力相互作用,形成"五力互動(dòng)"的文化實(shí)踐景觀。
[Abstract]:China's famous sociologist Fei Xiaotong not only put forward the thought of "cultural consciousness", and the course of its development is summarized as "the beauty of its beauty, beauty, United States and the United States, the world Datong", laid the foundation for us to study the "cultural consciousness" thought. In the tension between economic globalization and cultural diversity, research the thought of "cultural consciousness", helps to break the "narrow pattern of the clash of Civilizations", in the broader perspective of multicultural between "mutual learning" and "harmony and symbiosis". Because of Fei Lao's concept of "cultural consciousness" as a "call to the words", the poetic the narrative context requires rational hazy clarity, its internal logic and implication of the times also need to expand, especially in the construction of socialist cultural power under the background of the new theoretical connotation should be the depth of excavation. In this paper, the "cultural consciousness" thought as the base The foundation, from the perspective of the philosophy of "cultural consciousness" questioning "what", "why", "why", "how to achieve", given its ontology, methodology, understanding regulation theory and value theory, which hopes to realize the "cultural consciousness" thinking of the scientific, theoretical, systematic analysis of internal logic of "cultural consciousness" from historical materialism, is to ask the contemporary China "cultural consciousness" "what". The essence of "cultural consciousness" is a kind of practical consciousness, cultural consciousness is the cultural heritage and intercultural dialogue, for "cultural life" and "practical reason" "knowing" and the formation of the times, fully inclusive and equitable cultural practice of concept innovation, comprehensive practice in different ways. Different social forms, determine the different forms of "cultural consciousness". And the social elite "cultural consciousness", contemporary China "cultural consciousness" is a popular, comprehensive The innovation of "cultural consciousness", "ma soul, in the body, with the west" is the main form of analysis. The development process of "cultural consciousness" from the hermeneutic perspective, is to ask the "cultural consciousness" "possible". First of all, "the United States and the United States" advocate of contemporary culture and traditional culture of creativity with "time distance" is between traditional and contemporary, Schleiermacher's "time distance" concept is a form of "cultural", rather than "the United States and the United States." Gadamer believes that the "time distance" is the dross "filter" and the essence of the traditional culture of "growth domain". "The United States and the United States" possible. In Marx's concept of time, time is the scale of life and human development space, so that "the United States and the United States". Second, "beauty" advocating the pluralistic culture between learning and reference, "cross cultural distance" in different cultures between, in cross-cultural Hermeneutics In the "cultural distance" is the "other" culture "growth domain" and culture dross "filter", "beauty" as possible. Marx thought that the essence of "highlights the strength of history turns to the world history" of the people, the "beauty" can be achieved. Once again, the United States and the United States, the world Datong "is the expression of culture of harmony," ma soul, in the west, "as the United States and the United States" Chinese cultural expression, in the "look, listen, say" the fusion of horizons under the harmonious structure of the China culture is dominant for the Marx doctrine culture "three spiral". From Marx's epistemology from the perspective of "cultural consciousness" and "axis", "cultural consciousness" is to ask "why". First of all, "cultural consciousness" of the "time axis" characterization of cultural subjectivity dimension, based on practice, has formed the subject of the awakening of the cultural elite "Cultural consciousness", to complete the cultural enlightenment and "cultural consciousness" for the subject's reaction, which together constitute the "cultural consciousness" of the historical origin of "cultural consciousness". This picture shows the logic of capital constrained mass "cultural consciousness", so in the future in the perspective of "cultural consciousness" creative, transcendence and value guide to internalize the cultural subject spirit engine. Secondly, "cultural consciousness" and "space axis" is characterized by cultural subjectivity dimension, subjects in the investigation of Chinese and Western cultural space in between, a new form of analysis of the dialogue of the two, and as a philosophy according to the construction of socialist culture and power in the open context. From Marx's practical philosophy from the perspective of "cultural consciousness", "cultural consciousness" is to ask "how to achieve the" horse ". The soul, body, with the west" as a "socialist culture Sleep ", the inner tension structure needs to be clarified, the purpose is to construct a kind of spiritual entity of" cultural consciousness ". As the culture of" consciousness "and" confidence ", from the perspective of hermeneutics of practice, from the" socialist cultural consciousness "to" socialist culture ", in confidence from the cultural effect of historical consciousness" to the "world history" view form the culture of open new horizons, from the perspective of "readers" to "view" the author form creative new perspective, from the "hermeneutic circle" of the main body of the culture into practice. In practice from the "space" to the cultural self-confidence in cultural power and has formed five kinds of culture. Among them, the socialist core values as "cohesion is the socialist culture consciously" "ma soul, body, West" highlights the cultural centripetal force, the quality of the power is in the moral education, moral materialization and moral internalization dimension In the implementation, with the dynamic performance of culture on the transformation of the development mode of "economic culture", innovation performance of cultural industry as "cultural economy" attraction and influence of Chinese culture in the world is the national cultural soft power, hard power, and the interaction of smart power and the strength of the results. Effect of five kinds of culture, the formation of "five interactive" cultural landscape practice.

【學(xué)位授予單位】：大連理工大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2017
【分類號(hào)】：G02
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本文編號(hào)：1474955