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日本中村不折舊藏禹域墨書文字與書法研究

發(fā)布時間:2018-01-16 07:17

  本文關(guān)鍵詞:日本中村不折舊藏禹域墨書文字與書法研究 出處:《南京師范大學(xué)》2016年博士論文 論文類型:學(xué)位論文


  更多相關(guān)文章: 中村不折 墨書 俗字 書法 題記 印章


【摘要】:日本《臺東區(qū)立書道博物館所藏中村不折舊藏禹域墨書集成》三冊是日本東京書道博物館所藏中村不折舊藏禹域墨書的原圖彩印資料匯編。該書于2005年由二玄社出版發(fā)行,但僅在內(nèi)部流通,因此,現(xiàn)在的研究成果零星分散,直未有系統(tǒng)的研究成果。筆者以三年時間完成對中村不折舊藏禹域墨書原典圖錄的初步校錄整理工作,本文涉及到的相關(guān)字形、題記、印章等皆是第一手資料。全文以日本書道博物館中村不折舊藏228件我國敦煌、吐魯番等地出土的寫本和日本傳世寫本作研究對象,從文字學(xué)與書法學(xué)兩大角度著手進(jìn)行系統(tǒng)研究。本文共分六章。緒論部分就中村不折先生本人和他的藏品出版情況進(jìn)行了回顧性研究,同時就本文的研究范圍和研究方法進(jìn)行了說明。第一章就中村不折舊藏禹域墨書的基本內(nèi)容、研究價值,已出研究成果做了綜述性研究,同時就寫本的真?zhèn)涡赃M(jìn)行了討論。第二章結(jié)合俗字理論發(fā)現(xiàn)不同時代、不同群體所抄寫本中俗字的使用具有共同性,且“能”、“經(jīng)”、“從”、“色”、“隨”、“冥”等等字形的俗字的使用頻率要高于正字。同時,筆者考證出了(?)、(?)、(?)、卞、(?)、(?)、(?)、(?)等疑難字形。第三章以中村不折舊藏禹域墨書的書法研究為中心,將所有寫本的書體分成了隸楷兼并型、楷書、行書、草書四類;通過南北朝寫本書法風(fēng)格的比較研究,發(fā)現(xiàn)南北朝早期寫本的書寫風(fēng)格差別大,直到南北朝中后期,兩地的書寫風(fēng)格才慢慢趨同;通過對中村不折舊藏禹域墨書中的官方寫本和官方抄經(jīng)機(jī)構(gòu)的研究,證明“寫經(jīng)體”在中國書法史上的價值。第四章是以筆者校錄整理的全部寫本題記為基礎(chǔ),分成古人題記與今人題記兩大類,探討古人題記的類型、題記和經(jīng)文的關(guān)系,今人題記的研究價值等。第五章通過闡述中村不折藏品中印章的使用情況,分析了古代寫本鈐蓋的印章與今人題記鈐蓋印章;辨析了學(xué)術(shù)界存在爭議的“瓜沙州大王印”,并且把160枚印章進(jìn)行了完整釋讀。第六章主要探討了中村不折舊藏墨書的文獻(xiàn)類型,同時就中國西域出土寫本與日本傳世寫本進(jìn)行比較研究,得出了相關(guān)結(jié)論。全文擬通過上述幾個方面的考察研究,對中村不折舊藏墨書進(jìn)行首次地系統(tǒng)全面研究,為學(xué)界提供更新的研究成果。
[Abstract]:Nakamura's collection of undepreciated Yuyu ink books in Taitoku museum, japan. Volume 3 is a collection of original drawings of Yuyu's ink books collected by Tokuki museum in Tokyo, japan. The book was published in 2005 by. The Xuan Society was published and issued. But only in the internal circulation, therefore, the current research results scattered, there is no systematic research results. The related glyph, inscription, seal and so on involved in this article are all firsthand information. The full text is to collect 228 Dunhuang pieces of our country without depreciation in the Japanese Book and Taoist Museum. Turpan and other places unearthed manuscripts and Japanese heritage of the study object. This paper is divided into six chapters. In the introduction part, the author makes a retrospective study on the publication of Mr. Nakamura and his collection. At the same time, the research scope and research methods of this paper are explained. The first chapter summarizes the basic content and research value of Yuyu ink book without depreciation in Nakamura. At the same time, the author discusses the authenticity of this book. The second chapter combines the theory of vulgar characters to find that the use of common characters in different groups is common, and "can", "classics", "from", "color". "with", "Ming" and so on the use of vulgar characters is higher than the use of positive characters. At the same time, the author of the textual research? What? What? Bian, Bian? What? What? What? The third chapter focuses on the calligraphy study of Yuyu calligraphy in Nakamura, which divides all the books into four types: merger type, block script, running script and cursive script. Through the comparative study of the calligraphy style of the Southern and Northern dynasties, it is found that the writing styles of the early Southern and Northern dynasties are quite different, until the middle and late of the Southern and Northern dynasties, the writing styles of the two places gradually converge. Through the study of official writings and official classics copying institutions in Zang Yuyu's ink books without depreciation, it is proved that the value of "writing the classics" in the history of Chinese calligraphy. Chapter 4th is based on the complete inscription of the author's book. Divided into the ancient inscription and the modern people inscription two categories, discusses the ancient inscription type, inscription and the relationship between the scripture, and so on. 5th chapter through the elaboration of Zhongcun collection of the use of seals. The seal of the seal and the seal of the seal are analyzed. This paper distinguishes and analyzes the controversial "Guasha Zhou Grand King Seal" in academic circles, and gives a complete interpretation of 160 seals. Chapter 6th mainly discusses the literature types of Nakamura's undepreciated ink books. At the same time, the author makes a comparative study on the unearthed manuscripts of the Western regions of China and the Japanese manuscripts, and draws the relevant conclusions. The full text is to be investigated and studied through the above several aspects. For the first time, a systematic and comprehensive study of Nakamura's undepreciated ink book is carried out, which provides the academic circles with updated research results.
【學(xué)位授予單位】:南京師范大學(xué)
【學(xué)位級別】:博士
【學(xué)位授予年份】:2016
【分類號】:J292.1

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