本文關(guān)鍵詞：馬克思主義文藝學(xué)視域下中國(guó)現(xiàn)代詩歌人民性研究　出處：《安徽大學(xué)》2016年博士論文　論文類型：學(xué)位論文

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【摘要】：馬克思主義經(jīng)典作家關(guān)于人的本質(zhì)學(xué)說、文學(xué)與人民的關(guān)系、文學(xué)與文藝生產(chǎn)的關(guān)系、民族文學(xué)與世界文學(xué)的關(guān)系等理論,構(gòu)成了馬克思主義文藝學(xué)人民性完整的思想體系。為中國(guó)現(xiàn)代詩歌的形成、發(fā)展和完善,以及現(xiàn)代詩歌人民性的藝術(shù)化和大眾化普及提供了明確的理論借鑒和實(shí)踐指南。第一章主要論述馬克思主義文藝?yán)碚摰膫鞑ヅc中國(guó)現(xiàn)代詩歌人民性思想形成之間的內(nèi)在關(guān)聯(lián),考察和疏理馬克思主義經(jīng)典作家關(guān)于文藝“人民性”思想的相關(guān)闡釋及論述,以探討其與中國(guó)現(xiàn)代詩歌人民性之間交流對(duì)話與融合共生的現(xiàn)實(shí)性與合理性。馬克思主義人民性思想的傳播符合現(xiàn)代中國(guó)人民探求民族生路和思維轉(zhuǎn)換的價(jià)值判斷,與中國(guó)現(xiàn)代詩人的審美趨向相一致,引領(lǐng)現(xiàn)代中國(guó)詩人較好地突破了倫理困局,找到了詩歌文化的精神和文化承載。從這一時(shí)期開始,“為什么人”的問題便成為新舊詩學(xué)價(jià)值判定的分水嶺,而馬克思主義“人民性”思想的精神導(dǎo)向也為現(xiàn)代中國(guó)詩人的審美情感轉(zhuǎn)移提供了詩學(xué)的價(jià)值判定和理論標(biāo)尺。第二章主要論述在西方文化沖擊下,中國(guó)現(xiàn)代詩人面臨的文化危機(jī)與倫理思辨,特別是西方詩學(xué)觀引發(fā)的情感轉(zhuǎn)換和理論探索,以及民族文學(xué)覺醒、外來文化的滲透和張揚(yáng)凸顯的傳統(tǒng)詩學(xué)的困局、社會(huì)動(dòng)蕩引發(fā)的精神困境、新舊文化碰撞中詩歌載體的重新審視、世界文化碰撞中的中國(guó)現(xiàn)代詩歌的價(jià)值判定等。特別是傳統(tǒng)詩學(xué)中“文以載道”的啟迪引發(fā)了深刻的詩界革命和新詩運(yùn)動(dòng),在中華文化的圖存圖強(qiáng)中強(qiáng)化了現(xiàn)代詩歌的時(shí)代精神、人本思想和使命意識(shí)。體現(xiàn)了馬克思主義文藝?yán)碚撝袊?guó)化過程中現(xiàn)代詩人“民眾意識(shí)”的覺醒,以及文化警覺和詩學(xué)倫理思考。第三章主要論述在馬克思主義文藝思想中國(guó)化過程中,中國(guó)現(xiàn)代詩人積極參與民族文化的重塑和詩歌文體革新,并逐漸形成了一系列新的文藝思想。促進(jìn)了中國(guó)現(xiàn)代詩歌人民性的最終確立。中國(guó)現(xiàn)代詩歌的人民性具有被實(shí)踐證實(shí)的、與現(xiàn)代中國(guó)歷史進(jìn)程密切關(guān)聯(lián)的詩學(xué)審美特征,構(gòu)成了新文化運(yùn)動(dòng)后期現(xiàn)代詩人無法回避的詩學(xué)命題。其時(shí)代精神、使命意識(shí)、價(jià)值追求等經(jīng)過現(xiàn)代詩人長(zhǎng)期的創(chuàng)作實(shí)踐和文化傳承,業(yè)已成為中國(guó)現(xiàn)代詩學(xué)的精神向度,并演化為中國(guó)現(xiàn)代詩人的精神和思維標(biāo)度。第四章著重論述中國(guó)現(xiàn)代詩歌人民性的大眾實(shí)踐。中國(guó)現(xiàn)代詩歌是現(xiàn)代中國(guó)詩人在特定的時(shí)空條件下社會(huì)意識(shí)、文學(xué)觀念、審美趣味的集中體現(xiàn),隨著社會(huì)變革的日漸深入,其表現(xiàn)形式逐漸擺脫古典文學(xué)固有形式的約束,自覺不自覺地走向了白話化、大眾化和現(xiàn)代化。中國(guó)現(xiàn)代詩歌的產(chǎn)生和發(fā)展有其復(fù)雜的歷史背景,是與中國(guó)人民在反對(duì)封建專制、進(jìn)行新文化運(yùn)動(dòng)、抗日救亡運(yùn)動(dòng)、新民主主義革命的大歷史緊密相連的,現(xiàn)實(shí)生存的需要和對(duì)國(guó)家民族未來的擔(dān)憂,催生了一批新文化革命的先行者,他們?cè)隈R克思主義文藝思想影響下,主動(dòng)與大時(shí)代接軌,積極參與人民群眾的生活與革命實(shí)踐,接受人民群眾思想與情感的熏陶,并以優(yōu)秀的詩歌作品引領(lǐng)和影響人民群眾的精神和物質(zhì)生活�，F(xiàn)代中國(guó)的詩人們用自己獨(dú)特的文藝視角和天才創(chuàng)造,創(chuàng)新了中國(guó)現(xiàn)代詩歌的創(chuàng)作結(jié)構(gòu),優(yōu)化了新詩的內(nèi)涵,拓展了新詩的外在空間。使現(xiàn)代詩歌的創(chuàng)作、發(fā)展與現(xiàn)代社會(huì)中國(guó)人民的民族解放運(yùn)動(dòng)環(huán)環(huán)相扣密不可分,其強(qiáng)烈的人民性傾向,體現(xiàn)了中國(guó)現(xiàn)代詩人的時(shí)代擔(dān)當(dāng)和使命意識(shí),并賦予中國(guó)新詩以新的思維架構(gòu)和精神倫理。
[Abstract]:Marx and Engels on human nature theory, the relationship between literature and the people, the relationship between literature and literary production, national literature and world literature relation theory, made up of Marx's literature and art's complete ideological system. Chinese for modern poetry formation, development and perfection, and the people of modern poetry art and popularization provides a clear theoretical reference and practical guide. The first chapter mainly discusses the relation between the spread of Marx literary theory and the formation of people's ideology of modern poetry China, examination and analysis of Marx and Engels related interpretation about the "people" thought and discussion, and to explore its between the people of China modern poetry dialogue with the reality of fusion and rationality. Marx's thought of people's communication with modern Chinese people The people of minority life and change the way of thinking of value judgment, consistent with the aesthetic trend of China modern poets, leading modern poet Chinese better to break through the ethical dilemma, found carrying the spiritual and cultural poetry culture. From the beginning of this period, "why" question has become the watershed of the new and old poetic value judgment. And Marx's "people" thinking of the spiritual orientation for modern China poet's aesthetic emotion transfer provides poetics value judgment and theoretical scale. The second chapter mainly discusses the impact of the western culture, cultural crisis and ethical Chinese speculative modern poets face, especially the Western Poetics of emotion caused by the change and theoretical exploration well, the national literature awakening, the penetration of foreign culture and highlight the publicity of traditional poetics dilemma, spiritual dilemma of social unrest caused by the collision of old and new poetry culture Re examining the carrier, the world cultural collision in judging the value of modern poetry Chinese. Especially the traditional poetics of "Enlightenment Writings are for conveying truth. profound" revolution in the circles of poetry and new poetry movement in the Chinese culture the existence of modern poetry to strengthen the strong spirit of the times, the thought and reflects the modern sense of mission. The poet Marx people's consciousness of literary theory Chinese in the process of awakening, and cultural awareness and poetics. The third chapter mainly discusses the ethical thinking in Marx's literary thought in the process of Chinese, Chinese modern poetry people to actively participate in the national culture and reshape the poetry style innovation, and gradually formed a series of new literary thoughts. To promote the ultimate establishment of people China modern poetry. The people of China modern poetry has been proven in practice, is closely related with the modern history of Chinese The aesthetic features of poetic form, poetic proposition the later stage of the new culture movement of modern poets can not be avoided. The spirit of the times, a sense of mission, the pursuit of the value of modern poets after long-term practice and cultural heritage, has become the spiritual dimension of Chinese modern poetics, and evolved into modern China poet's spirit and thinking scale. The fourth chapter focuses on the practice of the people of Chinese mass of modern poetry. China modern poetry is a modern poet Chinese in social consciousness, the specific conditions of time and space concept of literature, embodies the aesthetic taste, along with the social reform is deepening, in the form of classical literature and gradually get rid of restrictive patterns, consciously or unconsciously to colloquial, popularization and modernization. The complex historical background of the formation and development of Chinese modern poetry, and is Chinese people against the feudal autocracy of new culture The movement, the Anti Japanese national salvation movement, history of the new democratic revolution is closely connected with the reality, the needs of survival and the national concern about the future of the birth of a number of new cultural revolution forerunner, they in Marx's literary thought under the influence of active integration with the times, actively participate in the life of the masses and revolutionary practice, accept the people's ideological and emotional edification, and excellent poems lead and influence people's spiritual and material life. Chinese modern poets with their own unique artistic perspective and create a new talent, the creation of Chinese structure of modern poetry, the new poetry optimization connotation, expand the outer space of poetry. The creation of modern poetry, and the development of modern society China people's national liberation movement are inseparable, the strong people's sexual orientation, embodies the modern poet China Replace the sense of responsibility and mission, and give Chinese New Poetry a new thinking structure and spiritual ethics.

【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2016
【分類號(hào)】：I207.25
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本文編號(hào)：1428991