本文關(guān)鍵詞：清末民初新興百美圖研究　出處：《南京藝術(shù)學(xué)院》2016年博士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 清末民初 新興百美圖 新女性 現(xiàn)代性

【摘要】：清末民初的新興百美圖以都市時裝美人為主體、洋場景觀為背景,描繪了從傳統(tǒng)向現(xiàn)代轉(zhuǎn)型過程中女性形象的變化,為新女性的建構(gòu)提供了重要的視覺資源。作為誕生于近代都會的流行圖式,新興百美圖迎合了兩種話語的需求:一種是精英知識分子的國族論述,一種是通俗文學(xué)的日常生活敘事。這兩種話語都旨在將女性塑造成符合各自理想的新女性,區(qū)別在于前者立足啟蒙,后者立足娛樂。藉由圖像和話語之間的縫隙,我們可以一窺當(dāng)時的社會風(fēng)尚和審美趣味。本文將百美圖作為一個獨(dú)立的系統(tǒng)進(jìn)行考察,發(fā)現(xiàn)它具有看似相反的二元傳統(tǒng)——列女傳統(tǒng)和百媚傳統(tǒng),在此基礎(chǔ)上建構(gòu)百美圖的系譜并探究其衍變原因及規(guī)律。在新的技術(shù)和媒介環(huán)境下,日本和歐美國家提供的女性鏡像,不僅影響了時人對女性的審美和價(jià)值判斷,也使女性的生活世界發(fā)生了顯著變化。這些因素在觀念和形式上催生出新興百美圖以女性作為敘事中心的敘事特征。新興百美圖在外來文化的影響下借鑒本土資源,通過沿用、轉(zhuǎn)化傳統(tǒng)母題和直接新創(chuàng)母題的方法,創(chuàng)造出異常豐富的女性形象,滿足了新興市民階層趨時務(wù)新和寫實(shí)的欲望,遂成為一種流行的視覺樣式。新興百美圖中女性的新角色反映了時人對現(xiàn)代性的想象,透過這些形象,我們看到的是畫家和文人通過重新定義女性之“美”來塑造新女性的企圖。
[Abstract]:At the end of the Qing Dynasty and the beginning of the Republic of China, the emerging beauty map, with the beauty of urban fashion as the main body and the landscape of the foreign field as the background, depicts the changes in the image of women in the process of transition from tradition to modernity. It provides an important visual resource for the construction of new women. As a popular schema born in modern metropolis, Xinxing hundred Meitu caters to the needs of two kinds of discourse: one is the national discourse of elite intellectuals. One is the daily life narration of popular literature. Both of these two kinds of discourse are aimed at portraying women as new women in line with their respective ideals, the difference being that the former is based on enlightenment. The latter is based on entertainment. By the gap between images and discourse, we can get a glimpse of the social fashion and aesthetic taste of the time. It is found that it has a seemingly opposite dualistic tradition-column women tradition and Baimei tradition. On this basis, it constructs the pedigree of the hundred Meitu and explores the causes and rules of its evolution. In the new technology and media environment. The mirror image of women provided by Japan and Europe and America not only affects the aesthetic and value judgment of women. These factors gave birth to the narrative characteristics of Xinxing hundred Meitu with women as the center of narration. Under the influence of foreign culture, Xinxing hundred Meitu draws lessons from local capital. Source. By using, transforming the traditional motif and directly creating the motif, we can create a very rich female image and satisfy the new and realistic desire of the new citizen stratum. Therefore, it has become a popular visual style. The new role of women in the new beauty picture reflects the imagination of modernity of the time, through these images. What we see is an attempt by painters and literati to redefine the beauty of women to shape new women.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級別】：博士
【學(xué)位授予年份】：2016
【分類號】：J205
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本文編號：1409977