本文選題：傳統(tǒng)居住民俗　切入點(diǎn)：禁忌　出處：《天津大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：在房地產(chǎn)開發(fā)熱潮過后,人們對城市住宅的要求日益增高,希望住房能夠體現(xiàn)世俗觀念的人情味和傳統(tǒng)文化的延伸性。這種自身對傳統(tǒng)文化的需求,或者說這種文化的斷代和隔離在復(fù)古文化的浪潮下被重新喚醒。在現(xiàn)代城市中,用戶希望購買能夠滿足傳統(tǒng)民族禁忌習(xí)俗的房產(chǎn)。這就要求新時(shí)代的建筑師在住宅設(shè)計(jì)時(shí)有新的態(tài)度和新的思想,把傳統(tǒng)的民居禁忌與現(xiàn)代住宅設(shè)計(jì)相結(jié)合,滿足市場的需求和時(shí)代的發(fā)展。目前,許多設(shè)計(jì)人員觀念還沒有轉(zhuǎn)變過來,不屑于了解和學(xué)習(xí)所謂的禁忌習(xí)俗,更不愿意在設(shè)計(jì)時(shí)為避免某種禁忌而做出讓步。我們的設(shè)計(jì)人員不僅對禁忌沒有正確的認(rèn)識,也沒有深入系統(tǒng)得了解。民俗是人類社會獨(dú)有的精神文明。它的形成和來源是原始先民對自然事物的原始崇拜和對未知事物的恐懼。隨著原始社會制度的發(fā)展成為具有行為規(guī)范意味的法令。如果玷污了神物或者褻瀆了神物,會被詛咒,招致不幸。不吉利的物品不許隨便接觸,否則沾染了邪惡骯臟的事物,同樣會招致不幸。禁忌滲透到人們生活的各個(gè)方面,其中居住民俗禁忌對中原漢族文化地區(qū)民居的影響深遠(yuǎn)。傳統(tǒng)民居中從選址到建房;從設(shè)計(jì)到施工;從平面布局到立面裝飾;從大格局到小細(xì)節(jié)都被民俗禁忌影響著。探其根源,居住禁忌的本質(zhì)是人們趨吉避兇的美好愿望,以實(shí)踐經(jīng)驗(yàn)指導(dǎo)著人們自我保護(hù),同時(shí)反映著社會制度和宗教信仰。在現(xiàn)代社會中民俗禁忌的市場認(rèn)同度仍然較高,設(shè)計(jì)師在工作中也遇到許多有關(guān)民俗禁忌的問題,需要設(shè)計(jì)人員的密切關(guān)注。對比分析傳統(tǒng)居住禁忌和現(xiàn)代居住禁忌在房屋總體布局、單體建筑外部空間組織、單體建筑內(nèi)部空間組織及細(xì)節(jié)設(shè)計(jì)、單體建筑色彩裝飾設(shè)計(jì)等方面,其中即有發(fā)展的方面,也有改革和淘汰的方面。從古代到現(xiàn)代在經(jīng)濟(jì)條件、社會發(fā)展、文化沖擊、科技時(shí)代方面發(fā)生的重大改變,這些重大改變都影響著居住禁忌。民俗禁忌是動態(tài)發(fā)展的過程,其改變是社會發(fā)展的縮影。民間禁忌是居住文化不可或缺的部分,是居住條件的評判標(biāo)準(zhǔn)和設(shè)計(jì)準(zhǔn)則。本文通過傳統(tǒng)與現(xiàn)代民居禁忌的對比,旨在歸納整理出符合現(xiàn)代社會發(fā)展的居住禁忌,希望對設(shè)計(jì)人員應(yīng)該在該設(shè)計(jì)方向上提供一些參考。
[Abstract]:After the upsurge of real estate development, people's demand for urban housing is increasing day by day. They hope that housing can reflect the humanism of secular concept and the extensibility of traditional culture. In other words, the period and isolation of this culture were reawakened in the tide of retro culture. In modern cities, Users want to buy properties that can meet the traditional national taboos. This requires architects in the new era to have a new attitude and new ideas in the design of their houses, combining the traditional taboos with the modern housing design. Meet the needs of the market and the development of the times. At present, many designers have not changed their ideas and do not care to understand and learn the so-called taboo customs. Less willing to make concessions when designing to avoid certain taboos. Our designers not only don't have a correct understanding of taboos, Folklore is the unique spiritual civilization of human society. Its formation and origin are primitive worship of natural things and fear of unknown things. With the development of primitive social system. For a code of conduct. If the God is defiled or desecrated, Cursed and unfortunate. Unlucky things are not allowed to be touched, otherwise they are tainted with evil and dirty things. Taboos permeate every aspect of people's lives. Among them, the folk taboos have a profound influence on the houses in the Han culture areas of the Central Plains. In the traditional houses, they are from siting to building, from design to construction, from plane layout to facade decoration. From the big pattern to the small details are influenced by folklore taboos. To find out the root causes, the nature of residence taboos is people's good desire to seek good fortune and avoid evil, and guide people to protect themselves by practical experience. At the same time, it reflects the social system and religious beliefs. In modern society, the market acceptance of folklore taboos is still relatively high, and designers also encounter many problems related to folklore taboos in their work. It needs close attention of designers. Comparing and analyzing the general layout of the house, the outer space organization of the single building, the interior space organization of the single building and the detailed design of the interior space of the single building, the traditional and modern residence taboos are compared and analyzed. Single building color decoration design, among which there are development aspects, but also aspects of reform and elimination. From ancient to modern in terms of economic conditions, social development, cultural shock, scientific and technological era of major changes, These major changes affect the living taboos. Folklore taboos are a process of dynamic development, and their changes are the epitome of social development. Folk taboos are an indispensable part of the residential culture. Based on the comparison between traditional and modern residential taboos, this paper aims to summarize the living taboos in line with the development of modern society, hoping to provide some references for designers in the design direction.
【學(xué)位授予單位】：天津大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：TU241

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本文編號：1581627