本文選題：太極拳　切入點：聲樂　出處：《江西師范大學》2012年碩士論文

【摘要】：高師聲樂教學由于藝術(shù)學生素質(zhì)與基礎(chǔ)參差不齊，，傳統(tǒng)的填鴨式的教學方法只解決表面現(xiàn)象，頭痛醫(yī)頭、腳痛醫(yī)腳的零打碎敲不解決實質(zhì)問題。聲樂教學是一門富于創(chuàng)造性的高級思維勞動工作，需要不斷地創(chuàng)新與不斷地想象，才能碰撞出很多的藝術(shù)火花。太極拳--在祖國絢麗多姿的傳統(tǒng)文化寶庫中，是一顆光耀奪目的明珠。作為中國幾千年燦爛文化的歷史產(chǎn)物,它生長于中國傳統(tǒng)文化的沃土中，它的根深深扎入中國傳統(tǒng)哲學、中國傳統(tǒng)醫(yī)學、中國傳統(tǒng)美學等多學科的廣袤深厚的領(lǐng)域。太極拳這種歷史悠久、博大精深的技藝為聲樂練習提供了許許多多的值得借鑒的技藝和方法。
[Abstract]:Due to the uneven quality and foundation of art students in normal college vocal music teaching, the traditional spoon-feeding teaching method only solves the superficial phenomenon and cure the head pain. The piecemeal treatment of foot pain does not solve the real problem. Vocal music teaching is a creative work of advanced thinking, which requires constant innovation and imagination. Taijiquan, in the splendid treasure house of the traditional culture of the motherland, is a shining pearl. As a historical product of China's splendid culture for thousands of years, it grows in the fertile soil of Chinese traditional culture. Its roots are deeply rooted in the vast and profound fields of multi-disciplinary disciplines such as Chinese traditional philosophy, Chinese traditional medicine, and Chinese traditional aesthetics. Taijiquan has a long history. Extensive and profound techniques for vocal music practice to provide a lot of skills and methods.
【學位授予單位】：江西師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J616-4;G652

【參考文獻】

相關(guān)期刊論文 前1條

1 王春燕;;莫扎特歌劇的審美價值[J];江蘇教育學院學報(社會科學版);2007年04期

本文編號：1682681