【摘要】：沂水高橋的手繡技藝2007年被評(píng)為市級(jí)“非物質(zhì)文化遺產(chǎn)”。其中手繡荷包是高橋手繡中最有代表性且流傳時(shí)間最長(zhǎng)的一種手繡形式。高橋手繡荷包與其它地區(qū)的荷包有異曲同工之妙,但也有其獨(dú)特之處。本文先從其歷史淵源入手,介紹了高橋手繡荷包的發(fā)展歷史。隨后又根據(jù)實(shí)地調(diào)研情況分析了其基本藝術(shù)特色及發(fā)展現(xiàn)狀。高橋人民現(xiàn)代生活方式的改變對(duì)手繡荷包技藝產(chǎn)生了很大的影響,甚至使其處于消失的邊緣。通過(guò)分析,筆者得出,之所以會(huì)出現(xiàn)這種情況是由于:傳統(tǒng)技藝與現(xiàn)代生活不相融合的矛盾以及手工制作的高時(shí)間成本與低價(jià)格的矛盾。但高橋手繡荷包中的文化情感對(duì)于該地區(qū)人民來(lái)說(shuō)是難以割舍的,甚至可以說(shuō)是該地區(qū)文化的一部分。它由女性制作,傳遞的是來(lái)自于女性內(nèi)心的美好情感與吉祥祝福。要想實(shí)現(xiàn)高橋手繡荷包的產(chǎn)業(yè)化發(fā)展,就必須在深刻理解其文化內(nèi)涵的基礎(chǔ)上,進(jìn)行合理的轉(zhuǎn)型。文中提到的合理轉(zhuǎn)型,首先是依托于沂水地區(qū)的豐富旅游資源,在這一基礎(chǔ)上進(jìn)行工藝的優(yōu)化、設(shè)計(jì)的創(chuàng)新與營(yíng)銷模式的創(chuàng)新。以達(dá)到真正解決存在矛盾的目的,實(shí)現(xiàn)高橋手繡荷包的復(fù)興,為沂水地區(qū)文化產(chǎn)業(yè)發(fā)展注入新的資源與動(dòng)力。
[Abstract]:Yishui Takahashi hand embroidery technology in 2007 was rated as the city-level "intangible cultural heritage." Hand embroidered purse is the most representative and the longest hand embroidery form in Takahashi hand embroidery. Takahashi hand-embroidered purse is similar to that of other areas, but it also has its own unique features. This article begins with its historical origin, introduces the development history of Kaoqiao hand embroidered purse. Then it analyzes its basic artistic characteristics and development status according to the situation of field research. The change of Takahashi people's modern life style had a great influence on the skill of embroidered purse, and even made it on the verge of disappearing. Through the analysis, the author draws the conclusion that the reason for this situation is the contradiction between traditional technique and modern life, and the contradiction between high time cost and low price of hand-made. But the cultural feelings in Takahashi's hand-embroidered purse are hard for the people of the region to give up, or even part of the culture of the region. It is produced by women, the transmission of women from the heart of the good feelings and auspicious blessings. In order to realize the industrialization development of Kaoqiao hand embroidered purse, it is necessary to make a reasonable transformation on the basis of deep understanding of its cultural connotation. The reasonable transformation mentioned in this paper is based on the abundant tourism resources in Yishui area, on the basis of which, the optimization of technology, the innovation of design and the innovation of marketing mode are carried out. In order to truly solve the contradiction, realize the revival of high bridge hand embroidered purse, inject new resources and impetus for the development of cultural industry in Yishui area.
【學(xué)位授予單位】：山東工藝美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J523.6

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本文編號(hào)：2441196