海德格爾物論的美學(xué)闡釋
發(fā)布時(shí)間：2018-09-01 17:28
【摘要】：海德格爾站在反本質(zhì)美學(xué)和反對技術(shù)的立場上,對古希臘以來的物問題進(jìn)行了審視,他的論證中包含著由研究存在者向研究存在轉(zhuǎn)化的內(nèi)在邏輯,一方面克服傳統(tǒng)形而上學(xué)對物之物性的遺忘,一方面克服自然科學(xué)導(dǎo)致的二元認(rèn)識論。在他談?wù)摗按嗽凇薄笆澜纭薄安賱凇薄叭粘Ｐ浴边@些問題時(shí),物的問題始終貫穿其中。海德格爾從生存論的角度來對物進(jìn)行闡發(fā),認(rèn)為除過人之外的一切存在者,只要不是虛無的東西就在“物”的范疇之中,并進(jìn)一步認(rèn)為即使是日常生活中的物,也有開啟四方純一結(jié)構(gòu)、超拔于日常的潛能。物在人的切近中存在,人在與物打交道的過程中,由一物可以開啟天、地、神、人的四方純一結(jié)構(gòu)。在這個(gè)四方場域中,真理能在其中現(xiàn)身。在世界之中的人身在物的圍繞之中與物打交道,由是,追問物是什么,其實(shí)是在追問人是誰。海德格爾由這種“人可以在物中逗留”的思想向“人詩意地棲居”發(fā)展,他認(rèn)為,作為藝術(shù)品的物最有潛能引導(dǎo)人通向詩意大地。伽達(dá)默爾對海德格爾物論的闡發(fā)及完善是后海德格爾物論研究中最有代表性的�！拔铩笔琴み_(dá)默爾藝術(shù)理論中的核心,在伽達(dá)默爾的闡釋學(xué)基礎(chǔ)上,伽達(dá)默爾將海德格爾的“世界”觀念發(fā)展成了“游戲”觀念,又將海德格爾的“時(shí)間”觀念發(fā)展成了“節(jié)日”觀念。從批判性地審視古希臘的物論研究,經(jīng)過海德格爾自己對物問題的闡發(fā),再到伽達(dá)默爾的完善,海德格爾的物問題研究體系獲得了豐富性和完整性。
[Abstract]:From the standpoint of anti-essential aesthetics and anti-technology, Heidegger examines the material problems since ancient Greece, and his argument contains the internal logic of the transformation from the research being to the research existence. On the one hand, it overcomes the traditional metaphysics's oblivion of materiality, on the other hand, it overcomes the dualistic epistemology caused by natural science. When he talks about "this", "working", "daily", the question of things runs through them all the time. Heidegger interprets things from the perspective of existentialism, believing that all beings except man are in the category of "things" as long as they are not nothingness, and that even in daily life, Also has opens the square pure structure, extricates in the daily potential. In the process of dealing with things, one thing can open the square structure of heaven, earth, god and man. In this quadrangle field, truth can appear in it. People in the world deal with things around things, thus asking what things are, in fact asking who people are. Heidegger developed from the thought of "man can stay in things" to "human poetical dwelling". He believes that as a work of art, things have the most potential to guide people to the poetic land. Gadamer's explanation and perfection of Heidegger's theory of matter is the most representative in the study of post Heidegger's theory of matter. Object is the core of Gadamer's art theory. On the basis of Gadamer's hermeneutics, Gadamer developed Heidegger's idea of "world" into "game". Heidegger's concept of time has developed into a concept of festival. From critically examining the study of the theory of things in ancient Greece, through Heidegger's own explanation of the matter problem, and then to the perfection of Gadamer, Heidegger's research system of the matter problem has gained richness and integrity.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：B516.54
本文編號：2217878
[Abstract]:From the standpoint of anti-essential aesthetics and anti-technology, Heidegger examines the material problems since ancient Greece, and his argument contains the internal logic of the transformation from the research being to the research existence. On the one hand, it overcomes the traditional metaphysics's oblivion of materiality, on the other hand, it overcomes the dualistic epistemology caused by natural science. When he talks about "this", "working", "daily", the question of things runs through them all the time. Heidegger interprets things from the perspective of existentialism, believing that all beings except man are in the category of "things" as long as they are not nothingness, and that even in daily life, Also has opens the square pure structure, extricates in the daily potential. In the process of dealing with things, one thing can open the square structure of heaven, earth, god and man. In this quadrangle field, truth can appear in it. People in the world deal with things around things, thus asking what things are, in fact asking who people are. Heidegger developed from the thought of "man can stay in things" to "human poetical dwelling". He believes that as a work of art, things have the most potential to guide people to the poetic land. Gadamer's explanation and perfection of Heidegger's theory of matter is the most representative in the study of post Heidegger's theory of matter. Object is the core of Gadamer's art theory. On the basis of Gadamer's hermeneutics, Gadamer developed Heidegger's idea of "world" into "game". Heidegger's concept of time has developed into a concept of festival. From critically examining the study of the theory of things in ancient Greece, through Heidegger's own explanation of the matter problem, and then to the perfection of Gadamer, Heidegger's research system of the matter problem has gained richness and integrity.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：B516.54
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