本文選題：張湛 + 《列子》注��； 參考：《文學(xué)遺產(chǎn)》2017年01期

【摘要】：張湛《列子注》貫通儒玄,圓融佛學(xué),成為魏晉玄學(xué)發(fā)展的最后一個階段。《列子注》的哲學(xué)基點雖然在于論述人生解脫的問題,但是所提出的至虛、虛靜、玄照、理言、神明等一系列范疇都與美學(xué)有密切的內(nèi)在聯(lián)系。如果僅從美學(xué)上考察,《列子注》建立在"至虛為宗"的哲學(xué)本體論基礎(chǔ)上,所闡釋的"虛靜之性"的心境論、"圓通玄照"的神思論、"至理無言"的言意論、"神明所得"的美感論,雖非專論美學(xué),卻都闡釋了具有深刻美學(xué)意義的哲學(xué)命題。
[Abstract]:Zhang Zhan's Notes on Liesi, through Confucianism and metaphysics, became the last stage of the development of metaphysics in the Wei and Jin dynasties. Although the philosophical basis of Li Zi's Notes lies in the discussion of the problem of life liberation, it puts forward the most empty, quiet, metaphysical, and rational remarks. A series of categories, such as deities, are closely related to aesthetics. If we only look at it from an aesthetic point of view, it is based on the philosophical ontology of "the most empty is the sect". The state of mind theory of "empty and quiet nature", the deity theory of "Yuantong metaphysical light", the word-meaning theory of "absolute reason", the aesthetic feeling theory of "divine gains", though not monotheistic aesthetics, all explain the philosophical proposition with profound aesthetic significance.
【作者單位】： 浙江越秀外國語學(xué)院中文系;
【基金】：國家社會科學(xué)基金項目“魏晉經(jīng)學(xué)與詩學(xué)關(guān)系研究”(項目編號08BZW032)成果之一
【分類號】：B235.9
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本文編號：2046710