《第22條軍規(guī)》中黑色幽默的語(yǔ)篇分析
發(fā)布時(shí)間:2023-12-10 17:18
本論文從語(yǔ)篇分析的角度對(duì)黑色幽默的產(chǎn)生機(jī)制進(jìn)行探討,并對(duì)美國(guó)作家海勒的《第22條軍規(guī)》中的黑色幽默進(jìn)行了分析。 在論文的理論框架部分,作者先介紹以往在文學(xué)、社會(huì)學(xué)和心理學(xué)等領(lǐng)域?qū)谏哪难芯砍晒。作者指?從語(yǔ)言學(xué)角度研究幽默不能忽視語(yǔ)篇層次,因?yàn)槿魏问苷Z(yǔ)言學(xué)關(guān)注的幽默形式都不能脫離整個(gè)語(yǔ)篇發(fā)揮作用。因此,作者介紹了運(yùn)用語(yǔ)篇分析研究黑色幽默涉及到的相關(guān)理論。其中主要介紹了語(yǔ)篇銜接理論;言語(yǔ)行為和會(huì)話原則;語(yǔ)篇的文化語(yǔ)境。 作為一種新的表達(dá)手段,黑色幽默于二十世紀(jì)60年代興起于美國(guó)。自此,黑色幽默現(xiàn)象就引起了學(xué)者的廣泛關(guān)注。但是至今沒(méi)有人能給予黑色幽默一種令人滿意的定義。目前較為一致的觀點(diǎn)是:黑色幽默與恐懼、絕望相結(jié)合,是一種“大難臨頭的幽默”,“絞刑架下的幽默”,“絕望的喜劇”。本文認(rèn)為黑色幽默就是能使人們對(duì)荒誕、毫無(wú)意義的生活,發(fā)出絕望的笑聲的喜劇。 接下來(lái)本文簡(jiǎn)單介紹了本文的研究對(duì)象-《第22條軍規(guī)》。 論文的主體部分將語(yǔ)篇分析理論逐一應(yīng)用到對(duì)該小說(shuō)的分析當(dāng)中,主要包括兩個(gè)部分。第一部分主要研究如何通過(guò)語(yǔ)義手段實(shí)現(xiàn)黑色幽默的效果。第二部分從語(yǔ)用學(xué)角度討論黑色幽默是如何通過(guò)言語(yǔ)行為...
【文章頁(yè)數(shù)】:72 頁(yè)
【學(xué)位級(jí)別】:碩士
【文章目錄】:
Abstract
摘要
Chapter One Introduction
1.1 An Introduction to Black Humor
1.1.1 The Origin of Black Humor
1.1.2 The Artistic Features of Black Humor
1.2 A Brief Review of Catch-22
1.3 Research Questions and Research Method of the Study
1.4 The Significance of the Research
1.5 The Organization of the Study
Chapter Two Literature Review
2.1 Previous Researches on Black Humor
2.2 Previous Studies of Catch-22
2.3 Previous Studies on Discourse Analysis
Chapter Three Theoretical Framework
3.1 Semantic Devices of Discourse Analysis
3.1.1 Reference
3.1.2 Substitution
3.1.3 Phonetic Devices
3.1.4 Repetition
3.1.5 Parallelism
3.2 Pragmatic Devices of Discourse Analysis
3.2.1 Speech Acts
3.2.2 Conversational Principles
3.2.2.1 Cooperative Principle
3.2.2.2 Politeness Principle
3.2.3 The Context of Discourse
Chapter Four The Generation and Perception of Black Humor
4.1 Black Humor and Semantic Devices
4.1.1 Black Humor Created by Reference
4.1.2 Black Humor Created by Substitution
4.1.3 Black Humor Created by Phonetic Means
4.1.4 Black Humor Created by Repetition
4.1.5 Black Humor Created by Parallel Structure
4.2 Black Humor and Pragmatic Devices
4.2.1 Speech Acts and Black Humor
4.2.2 Conversational Principles and Black Humor
4.2.2.1 Cooperative Principles and Black Humor
4.2.2.2 Politeness Principle
4.2.3 Context and Black Humor
Chapter Five Conclusion
Bibliography
Acknowledgements
Academic Achievements
本文編號(hào):3872799
【文章頁(yè)數(shù)】:72 頁(yè)
【學(xué)位級(jí)別】:碩士
【文章目錄】:
Abstract
摘要
Chapter One Introduction
1.1 An Introduction to Black Humor
1.1.1 The Origin of Black Humor
1.1.2 The Artistic Features of Black Humor
1.2 A Brief Review of Catch-22
1.3 Research Questions and Research Method of the Study
1.4 The Significance of the Research
1.5 The Organization of the Study
Chapter Two Literature Review
2.1 Previous Researches on Black Humor
2.2 Previous Studies of Catch-22
2.3 Previous Studies on Discourse Analysis
Chapter Three Theoretical Framework
3.1 Semantic Devices of Discourse Analysis
3.1.1 Reference
3.1.2 Substitution
3.1.3 Phonetic Devices
3.1.4 Repetition
3.1.5 Parallelism
3.2 Pragmatic Devices of Discourse Analysis
3.2.1 Speech Acts
3.2.2 Conversational Principles
3.2.2.1 Cooperative Principle
3.2.2.2 Politeness Principle
3.2.3 The Context of Discourse
Chapter Four The Generation and Perception of Black Humor
4.1 Black Humor and Semantic Devices
4.1.1 Black Humor Created by Reference
4.1.2 Black Humor Created by Substitution
4.1.3 Black Humor Created by Phonetic Means
4.1.4 Black Humor Created by Repetition
4.1.5 Black Humor Created by Parallel Structure
4.2 Black Humor and Pragmatic Devices
4.2.1 Speech Acts and Black Humor
4.2.2 Conversational Principles and Black Humor
4.2.2.1 Cooperative Principles and Black Humor
4.2.2.2 Politeness Principle
4.2.3 Context and Black Humor
Chapter Five Conclusion
Bibliography
Acknowledgements
Academic Achievements
本文編號(hào):3872799
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