湯亭亭[Maxine Hong Kingston 1940-]被認(rèn)為是在歐洲、北美、澳洲三地?fù)碛凶x者最多、入選文集及教材最多的當(dāng)代美國作家。她的三部獲獎(jiǎng)小說《女勇士》（The Woman Warrior,1976）、《中國男人》（China Men,1980）和《孫行者》（Tripmaster Monkey,1987）已經(jīng)成為美國文學(xué)的經(jīng)典。這三部垂范之作,為一代美國亞裔作家開拓了文學(xué)創(chuàng)作的基本主題。而作為湯亭亭開山之作及成名作的《女勇士》更是被克林頓贊譽(yù)為“一部劃時(shí)代的作品”。它不僅標(biāo)志著華裔文學(xué)在美國主流文學(xué)史上占有一席之地的開始,更吹響了華裔女性作家用手中的筆向權(quán)威作斗爭的號角。本文從美國歷史上華人婦女形象常被扭曲和刻板化的情況出發(fā),在對《女勇士》進(jìn)行系統(tǒng)細(xì)致的文本分析的基礎(chǔ)上,以女性形象為貫穿全文的線索,運(yùn)用后殖民女性主義理論從《女勇士》中女性弱者的失語狀態(tài)、女勇士對父權(quán)、夫權(quán)以及帝國主義文化霸權(quán)的反抗、女勇士的或死或生、死而后生的英雄形象三個(gè)方面揭示了《女勇士》的寫作不僅沒有淪為西方話語的同謀者,反而顛覆了西方中心主義統(tǒng)治下的東方主義話語,再現(xiàn)了中國女性英雄傳統(tǒng),為新時(shí)代女性... 

【文章來源】：長沙理工大學(xué)湖南省

【文章頁數(shù)】：109 頁

【學(xué)位級別】：碩士

【文章目錄】：
摘要
ABSTRACT
Introduction
    0.1 Motivation and Significance
    0.2 Literature Review on the Studies of The Woman Warrior
        0.2.1 Review on the Study of The Woman Warrior Abroad
        0.2.2 Review on the Study of The Woman Warrior in China
    0.3 Approaches and Arrangements
Chapter One Review of Chinese American Female Stereotypes andKingston's Literary Position
    1.1 Review of Chinese American Female Stereotypes
        1.1.1 Chinese American Female Stereotypes
        1.1.2 Reasons for Chinese American Women Stereotypes
    1.2 Maxine Hong Kingston and Her Literary Position
    1.3 Kingston's Reasons for Breaking Stereotypes
Chapter Two Female Aphasia of Three Weak Women in The WomanWarrior
    2.1 Theoretical Basis—Post-colonial Feminism
        2.1.1 Post-colonial Feminism's Coming into Being
        2.1.2 The Essence of Post-colonial Feminism
    2.2 Female Aphasia of Three Weak Women in The Woman Warrior
        2.2.1 Aphasia of "No Name Aunt"
        2.2.2 Aphasia of "Aunt Moon Orchid"
        2.2.3 Aphasia of "Silent Chinese Girl"
    2.3 Analysis of the Reasons for Aphasia
        2.3.1 The Reasons for "No Name Aunt"'s Aphasia
        2.3.2 The Reasons for "Aunt Moon Orchid"'s Aphasia
        2.3.3 The Reasons for "Silent Chinese Girl"'s Aphasia
Chapter Three Analysis of Women warriors'Resistance and theNarrative Strategy
    3.1 Other Three Women's Resistance
        3.1.1 Subversion of Suicide with Sword and Force
        3.1.2 Subversion of Escapism with Living
        3.1.3 Subversion of Speechlessness with Words and Voice
    3.2 Narrative Strategies in The Woman Warrior
        3.2.1 Continuity in "I—Hua Mulan" and "No Name Aunt"
        3.2.2 Coexistence of "Mother Brave Orchid" and "Aunt Moon Orchid"
        3.2.3 Coexistence of "Silent Chinese Girl" and "Poetess Cai Yan"
Chapter Four Postcolonial Feminist Analysis of Five Female Images
    4.1 The Victim of Western Cultural Hegemony
    4.2 The Woman Waking up from the Cultural Conflict
        4.2.1 The Old Chinese Tradition Retained
        4.2.2 The Cultural Conflict between the Woman and Her Children
        4.2.3 The Cultural Conflict between the Woman and American Society
        4.2.4 The Woman Waking up from the Cultural Conflict
    4.3 The Woman Ringing Ringing Alarm through Suicide
    4.4 The Woman Warrior Fighting with Force
        4.4.1 The Aggregation of Reality and Imagination
        4.4.2 The Perfect Combination of Chinese Culture and Western Culture
    4.5 The Sublimated Woman Warrior
Chapter Five Progress and Sublimation of Postcolonial Feminist Imagesand Kingston's Cross-cultural Writing
    5.1 Characteristics in Common
    5.2 Progress and Sublimation of Female Images
        5.2.1 The Cycle of Death, Living and Rebirth
        5.2.2 The Sublimation:the Break of Aphasia
    5.3 Significance of Maxine Hong Kingston's Cross-cultural Writing
        5.3.1 Cross-cultural Writing in The Woman Warrior
        5.3.2 Significance of Kingston's Cross-cultural Writing
Conclusion
Notes
Bibliography
Acknowledgements
Appendix A (攻讀學(xué)位期間發(fā)表論文目錄)


【參考文獻(xiàn)】：
期刊論文
[1]賈斯汀·希爾《黃河》中的東方主義[J]. 張喜華,查爾斯·洛克.  外國文學(xué)研究. 2008(01)
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碩士論文
[1]論《女勇士》對美國東方主義的顛覆與超越[D]. 邱食存.廣西師范大學(xué) 2008
[2]從花木蘭看女英雄的塑造與重寫[D]. 李興興.暨南大學(xué) 2006
[3]從奴隸到詩人[D]. 王增紅.西南大學(xué) 2006
[4]敘事反映身份[D]. 麥鋼.廣東外語外貿(mào)大學(xué) 2006
[5]穿越時(shí)空的符號[D]. 林越屏.福建師范大學(xué) 2006



本文編號：3475453