卡森·麥卡勒斯（Carson McCullers,1917一1967）,是美國現(xiàn)代南方派作家群中一位風(fēng)格獨(dú)特、頗有建樹的女作家。她借用怪誕文學(xué)的技巧,描寫生理殘缺和心理病態(tài)。1940年,年僅23歲的麥卡勒斯憑借她的第一部長篇小說《心是孤獨(dú)的獵手》而一舉成名,同時(shí)這部小說也奠定了她日后創(chuàng)作的主題:精神隔絕（Spiritual Isolation）與孤獨(dú)（Loneliness）。隨后的幾部作品《金色瞳仁的映像》、《傷心咖啡館之歌》和《婚禮的成員》承襲了她寫作的一貫風(fēng)格,將精神隔絕與孤獨(dú)這一主題詮釋得淋漓盡致�；橐龅牟恍液筒⊥吹恼勰ナ顾膬�(nèi)心世界無法擺脫抑郁、孤寂的陰影。對(duì)生命特定的理解和感受使她寫起畸型、病態(tài)、痛苦和悲傷來很得心應(yīng)手�？ㄉ溈ɡ账沟男≌f以南方為背景,從心理開拓的角度揭示出人的內(nèi)心世界。本文旨在通過對(duì)文本的細(xì)讀,用弗洛伊德的精神分析學(xué)理論:從認(rèn)同和補(bǔ)償角度來分析麥卡勒斯兩部小說中的人物關(guān)系,如愛情友情等,以及最后認(rèn)同和補(bǔ)償?shù)腻e(cuò)位以及缺失導(dǎo)致小說的結(jié)局,進(jìn)一步挖掘精神隔絕與孤獨(dú)的內(nèi)在原因。本文第一章主要簡要介紹作家及其重要作品,以及當(dāng)前的研究動(dòng)向;第二章主要闡述本文的理論視角... 

【文章來源】：江南大學(xué)江蘇省 211工程院校 教育部直屬院校

【文章頁數(shù)】：75 頁

【學(xué)位級(jí)別】：碩士

【文章目錄】：
ACKNOWLEDGEMENTS
摘要
ABSTRACT
Chapter One INTRODUCTION
    1.1 Carson McCullers and Her Literary Achievements
    1.2 Brief Introductions to The Ballad of Sad Café and The Heart Is a Lonely Hunter
    1.3 Literature Review
    1.4 The Feasibility and Significance of This Study
Chapter Two THEOROTICAL PERSPECTIVES
    2.1 Identification in Psychoanalytical Perspectives
    2.2 Compensation in Psychoanalytical Perspective
    2.3 Frustration and Anxiety in Psychoanalysis
Chapter Three OASIS IN THE DESERT—IDENTIFICATION AND COMPENSATION IN HUMAN RELATIONSHIPS
    3.1 Miraculous Love—All Changes for You
        3.1.1 Macy’ love—“Cruel revenge from profound love”
        3.1.2 Amelia’s love—“My red skirt only for Lymon”
        3.1.3 Lymon’s love—“No regrets for disbursement to Macy”
        3.1.4 Singer’s love—“All my life for my partner”
    3.2 Omnipotent Friendship
        3.2.1 Jake’s dependence on Singer
        3.2.2 Mick’s persistence in Singer
        3.2.3 Biff’s preference to Jake and Mick
    3.3 Other Relationships
Chapter Four HOPELESS DESTRUCTION—MISSING OF IDENTIFICATION AND FAILURE OF COMPENSATION
    4.1 Aftermath of the Main Protagonists
        4.1.1 Coming to the ending of the life
        4.1.2 Seeking for new life
    4.2 Reasons for the Fading of Identification and Compensation
        4.2.1 Figures’ self-confusion and self-lost
        4.2.2 Society’s hegemony and force
Chapter Five ARTS FEATURES IN CARSON MCCULLERS’ LITERARY CREATION AND WORKS
    5.1 Identification in McCullers’ Perspective
    5.2 Carson McCullers’ Views on Her Own Literary Creation
    5.3 Identification and Compensation in McCullers’ Literary Creation
Chapter Six CONCLUSION
REFERENCES
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