On Integrity and Narrative Features of Jacob’s Life Story in
發(fā)布時間:2021-06-16 10:15
關(guān)于圣經(jīng)的研究,自從經(jīng)文的出現(xiàn)就開始了,各種各樣的理論都被用來研究它。傳統(tǒng)上,最早也是最常見的就是“神學(xué)”和“史學(xué)”方面的研究。二十世紀(jì)后半葉,多種多樣的文學(xué)理論被用來探索這部經(jīng)典的文學(xué)特點與價值。本文采用“敘事批評”的理論對《圣經(jīng)·創(chuàng)世紀(jì)》中第二十五章十九節(jié)到五十章二十六節(jié)(Genesis 25:19-50:26)中記載的雅各一生故事的完整性及其敘事特點進(jìn)行分析。除了開頭介紹和結(jié)尾結(jié)論兩章以外,主體部分由五章內(nèi)容構(gòu)成:第二章是對國內(nèi)外圣經(jīng)文學(xué)研究的回顧;第三章是敘事批評理論闡述;第四章通過對情節(jié)和意識形態(tài)的分析來證實雅各一生故事的完整性;第五章對敘述者的無所不知及顯現(xiàn)和隱現(xiàn)進(jìn)行了分析;第六章闡釋了雅各一生故事中敘事視角的三種聚焦。通過詳細(xì)的文本分析,可以看到,雅各一生的故事不但具有情節(jié)和意識形態(tài)上的整體性,而且有著強烈的文學(xué)特點和鑒賞價值,這補充了國內(nèi)外已有的只對雅各一生分散的個別片段進(jìn)行研究的不足。作為亞伯拉罕的孫子,以撒的兒子,雅各是以色列人的始祖,他的故事開始了上帝選民的歷史。把個人一生的故事作為整體并探討其敘事特點這一方法也可以應(yīng)用于對圍繞其他主要人物而展開的圣經(jīng)敘事,從而為...
【文章來源】: 馬亞娜 西安外國語大學(xué)
【文章頁數(shù)】:63 頁
【學(xué)位級別】:碩士
【文章目錄】:
ACKNOWLEDGEMENTS
ABSTRACT
摘要
CHAPTER Ⅰ INTRODUCTION
1.1 Significance of the Study
1.2 From Integrity of the Text to Narrative Features
1.3 Text Boundary of Jacob’s Life Story –Genesis 25:19-50:26
CHAPTER Ⅱ LITERATURE REVIEW
2.1 Studies on Biblical Literature Abroad
2.2 Studies on Biblical Literature at Home
CHAPTER Ⅲ NARRATIVE CRITICISM
3.1 Definition and Method of Narrative Criticism
3.2 Steinberg’s Three Principles and Bar-Efrat’s Theory about Plots
3.3 Theory about the Narrator
3.4 Viewpoint Theory and Three Focalizations
CHAPTER Ⅳ INTEGRITY OF JACOB’S LIFE STORY
4.1 Jacob’s Life Story as a Narrative Unit
4.2 Jacob’s Life Story as an Ideological Unit
CHAPTER Ⅴ NARRATOR IN JACOB’S LIFE STORY
5.1 Narrator’s Omniscience in Jacob’s Life Story
5.1.1 One Scene—Jacob’s Daughter Dinah’s Rape
5.1.2 Switched Scenes—Jacob’s Fleeing from Laban
5.1.3 Secret Scenes –Jacob’s Cheat for Blesses
5.1.4 Knowing God’s Will and Actions
5.1.5 Knowing Characters’Minds and Deeds
5.2 Narrator’s Overt and Covert Presence
5.2.1 Narrator’s Overt Presence
5.2.2 Narrator’s Covert Presence
CHAPTER Ⅵ VIEWPOINT IN JACOB’S LIFE STORY
6.1 Zero-Focalization—Jacob’s Father and Sons
6.2 Internal-Focalization—Jacob’s Son Judah
6.3 External-Focalization—Jacob’s Sons and Shechem
CHAPTER Ⅶ CONCLUSION
WORKS CITED
【參考文獻(xiàn)】:
碩士論文
[1]《創(chuàng)世紀(jì)》的敘事藝術(shù)[D]. 張嬌媛.吉林大學(xué) 2008
本文編號:3232890
【文章來源】: 馬亞娜 西安外國語大學(xué)
【文章頁數(shù)】:63 頁
【學(xué)位級別】:碩士
【文章目錄】:
ACKNOWLEDGEMENTS
ABSTRACT
摘要
CHAPTER Ⅰ INTRODUCTION
1.1 Significance of the Study
1.2 From Integrity of the Text to Narrative Features
1.3 Text Boundary of Jacob’s Life Story –Genesis 25:19-50:26
CHAPTER Ⅱ LITERATURE REVIEW
2.1 Studies on Biblical Literature Abroad
2.2 Studies on Biblical Literature at Home
CHAPTER Ⅲ NARRATIVE CRITICISM
3.1 Definition and Method of Narrative Criticism
3.2 Steinberg’s Three Principles and Bar-Efrat’s Theory about Plots
3.3 Theory about the Narrator
3.4 Viewpoint Theory and Three Focalizations
CHAPTER Ⅳ INTEGRITY OF JACOB’S LIFE STORY
4.1 Jacob’s Life Story as a Narrative Unit
4.2 Jacob’s Life Story as an Ideological Unit
CHAPTER Ⅴ NARRATOR IN JACOB’S LIFE STORY
5.1 Narrator’s Omniscience in Jacob’s Life Story
5.1.1 One Scene—Jacob’s Daughter Dinah’s Rape
5.1.2 Switched Scenes—Jacob’s Fleeing from Laban
5.1.3 Secret Scenes –Jacob’s Cheat for Blesses
5.1.4 Knowing God’s Will and Actions
5.1.5 Knowing Characters’Minds and Deeds
5.2 Narrator’s Overt and Covert Presence
5.2.1 Narrator’s Overt Presence
5.2.2 Narrator’s Covert Presence
CHAPTER Ⅵ VIEWPOINT IN JACOB’S LIFE STORY
6.1 Zero-Focalization—Jacob’s Father and Sons
6.2 Internal-Focalization—Jacob’s Son Judah
6.3 External-Focalization—Jacob’s Sons and Shechem
CHAPTER Ⅶ CONCLUSION
WORKS CITED
【參考文獻(xiàn)】:
碩士論文
[1]《創(chuàng)世紀(jì)》的敘事藝術(shù)[D]. 張嬌媛.吉林大學(xué) 2008
本文編號:3232890
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