【摘要】：十六世紀朝鮮結(jié)束了宋詩風主導詩壇的時代，，開始流行唐詩風。這一時代出現(xiàn)了三唐詩人—李達、崔慶昌、白光勛。他們以寫作風格與唐代時期相同。他們把杜甫、李白的詩，作為典范來學習。因此，他們的詩具有濃厚的唐風傾向。 第一章研究杜甫和三唐詩人的人生。雖然他們堅持儒家思想，但懷才不遇，一生痛苦。在這一章，根據(jù)他們相似的人生經(jīng)歷，論證杜詩對三唐詩人的影響。 第二章研究杜甫和三唐詩人的交怞詩。杜甫一一生求官，但因為李林甫勢力的阻撓，沒能實現(xiàn)他的儒家理想。另外，由于安史之亂一生都無法歸鄉(xiāng)。因此，他的很多詩都表達了思友之情和與李白、鄭虔等親密好友間的離別之痛。三唐詩人通過組織浮碧樓詩社和廣寒樓詩社消除沒能出人頭地的憤恨，并把這種情感升華為漢詩來表達。所以他們的詩都具有懷才不遇而感到的悲傷。 第三章比較杜甫和三唐詩人的題畫詩和詠物詩。杜甫主要用的是馬、鷹等男性化的題材。如果說通過事物表達詩人情感是唐詩的特征，比較題材來論證比較文學的影響關(guān)系，這是較好的研究方法。杜甫在《房兵曹胡馬》和《高都護聰馬行》中，把自己的希望和夢想寄托在馬中，表達了忠臣的情緒。李達在《柳d`戎紫騮馬歌》中雖然把紫騮馬描寫為駿馬，但沒沒能把自己的想法表達出來，只是停留在表面上的描寫。杜甫重視寫意，而這對三唐詩人產(chǎn)生了很多影響。 第四章研究杜甫和三唐詩人的社會詩。杜甫把‘至君堯舜上,再使風俗淳’作為自己的政治理想。但李林甫勢力的阻礙導致杜甫一生官小職微。他過著流浪生活，為實現(xiàn)自己的理想而努力，但屢次失敗，一輩子憂國憂民。三唐詩人由于身份地位的限制，也沒能實現(xiàn)人生理想。但他們關(guān)愛平民百姓的生活，敦促為政者給老百姓施仁政。 第五章研究杜甫和三唐詩人的樂府詩。杜甫的樂府詩描寫了典型的百姓生活景象。一首詩中很好地展現(xiàn)了百姓的痛苦和悲歡。李達的七言絕句樂府詩中也有此傾向。另外，杜詩‘一頭兩腳體’的結(jié)構(gòu)、襲用民間古詩、對話體的運用、頂針格詩體的使用等等對三唐詩人創(chuàng)造韓國樂府詩起到了不可缺少的作用。 第六章研究了杜甫和三唐詩人的山水自然詩。對孟浩然和王維來說大自然就是逃難處，但杜甫不是。杜甫通過邊塞的自然風景表達了自己的煩惱。三唐詩人也通過自然風景，把時代到給他們的傷痛和悲哀表達了出來。
[Abstract]:In the 16 th century, North Korea ended the era when Song poetry dominated the poetry world, and began to popularize Tang poetry. This era appeared three Tang poets-Li Da, Cui Qingchang, Bai Guangxun. They write in the same style as in the Tang Dynasty. They studied du Fu and Li Bai's poems as models. Therefore, their poems have a strong tendency of Tang style. The first chapter studies the life of du Fu and the poets of the three Tang dynasties. Although they persist in Confucianism, they never meet with talent and suffer all their lives. In this chapter, according to their similar life experience, this paper demonstrates the influence of du Shi on the poets of the three Tang dynasties. The second chapter studies the poems of du Fu and the poets of the three Tang dynasties. Du Fu sought official all his life, but because of the obstruction of Li Linfu's power, he failed to realize his Confucian ideal. In addition, because of the chaos of Anshi life can not return home. Therefore, many of his poems express the feeling of thinking about friends and the pain of parting with close friends such as Li Bai and Zheng Geng. The poets of the three Tang dynasties eliminated the indignation that failed to get ahead by organizing the Fubilu Poetry Society and the Guanghan House Poetry Society, and sublimated this emotion into Chinese poetry to express it. So their poems all have the sadness of not meeting each other with talent. The third chapter compares the painting poems and chanting poems between du Fu and the poets of the three Tang dynasties. Du Fu mainly uses masculine themes such as horses and eagles. If it is the characteristic of Tang poetry to express the poet's emotion through things, it is a good research method to demonstrate the influence relationship of comparative literature by comparing the subject matter. Du Fu pinned his hopes and dreams on his horses in Cao Huma, a room soldier, and Gaodu's Cong Protection Horse, and expressed the feelings of loyalty. Li Da described the purple monkey horse as a horse in Liu d`Rong purple monkey song, but failed to express his own ideas, but only stayed on the surface of the description. Du Fu attached importance to freehand brushwork, which had a lot of influence on the poets of the three Tang dynasties. The fourth chapter studies the social poems of du Fu and the poets of the three Tang dynasties. Du Fu regards'to Jun Yao and Shun, and then make custom Chun'as his political ideal. However, the hindrance of Li Linfu's power led to the decline of du Fu's official duties in his life. He lived a wandering life and worked hard to realize his ideals, but failed many times and worried about the country and the people all his life. Because of the limitation of status, the poets of the three Tang dynasties failed to realize the ideal of life. But they care for the lives of ordinary people and urge those who serve the government to give benevolence to the people. The fifth chapter studies the Yuefu poems of du Fu and the poets of the three Tang dynasties. Du Fu's Yuefu poems describe a typical scene of people's life. A poem is a good display of the pain and joys and sorrows of the people. Li Da also has this tendency in his seven-character Yuefu poetry. In addition, the structure of du Shi's' one end bipedal style 'played an indispensable role in the creation of Korean Yuefu poetry by the poets of the three Tang dynasties, such as the use of folk ancient poetry, the use of the style of speech, the use of the style of thimble poetry and so on. The sixth chapter studies the landscape natural poems of du Fu and the poets of the three Tang dynasties. For Meng Haoran and Wang Wei, nature is a place to escape, but du Fu is not. Du Fu expressed his troubles through the natural scenery of the frontier fortress. Through the natural scenery, the poets of the three Tang dynasties also expressed the pain and sorrow that the times had given them.
【學位授予單位】：東北師范大學
【學位級別】：博士
【學位授予年份】：2013
【分類號】：I106.2-03

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