【摘要】：兼具哲學(xué)家和文學(xué)家雙重身份的薩特以文學(xué)形式宣傳其存在主義哲學(xué)思想,作為一個(gè)迷戀主體性的存在主義哲學(xué)家,薩特給予了認(rèn)識(shí)論的主體以"絕對(duì)的自由",也使其遭遇自我禁閉的困境,在其建構(gòu)的文學(xué)世界中,主體同樣面對(duì)著自由追求的悖謬性處境�！渡n蠅》、《禁閉》和《阿爾托納的隱居者》是薩特三個(gè)創(chuàng)作時(shí)期的代表劇作,均體現(xiàn)了這一現(xiàn)代性悖論,并展示了薩特對(duì)這一問(wèn)題不斷深入的思考。
[Abstract]:Sartre, who has the dual status of philosopher and writer, propagandizes his existentialist philosophy in the form of literature. As an existentialist philosopher infatuated with subjectivity, Sartre gives the subject of epistemology "absolute freedom" and makes him encounter the dilemma of self-restraint. In the literary world constructed by Sartre, the subject also faces the absurd situation of the pursuit of freedom. "confined" and "the seclusion of Altona" are the representative plays of Sartre's three creative periods, which all reflect this paradox of modernity and show Sartre's deep thinking on this problem. (2) the reclusive works of Sartre are the representative plays of Sartre's three periods of creation, all of which reflect this paradox of modernity and show Sartre's deep thinking on this problem.
【作者單位】： 江南大學(xué)人文學(xué)院;
【基金】：“中央高�；究蒲袠I(yè)務(wù)費(fèi)專項(xiàng)資金”資助,項(xiàng)目編號(hào):JUSRP211A58
【分類號(hào)】：I565.073

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