【摘要】：波德萊爾是19世紀(jì)法國著名的現(xiàn)代派詩人，他的詩集《惡之花》一經(jīng)出版便轟動(dòng)整個(gè)法國文壇，被看作是象征主義文學(xué)的先驅(qū)。波德萊爾同時(shí)也是一位偉大的美學(xué)評(píng)論家。他把美學(xué)理論運(yùn)用到詩歌創(chuàng)作中，對(duì)現(xiàn)代詩歌及美學(xué)思想都做出了巨大的貢獻(xiàn)�！稅褐ā分凶钌羁痰摹⒆钣杏绊懥Φ谋闶恰俺蟆钡囊庀�。“丑”的意象經(jīng)過藝術(shù)地加工便具有了審美性，詩人發(fā)掘出惡中之美。波德萊爾這位孤獨(dú)而卓爾不群的浪蕩子為詩的世界、美學(xué)的世界開啟了一道“丑”之門，意義深遠(yuǎn)。 本文著重分析《惡之花》中“丑”的意象。第一部分通過自古以來美學(xué)上對(duì)丑的各種認(rèn)識(shí)，探討丑何以具有審美性，以便為分析《惡之花》中“丑”的意象提供更多理論參考；第二部分就波德萊爾詩歌理論本身進(jìn)行研究，包括他詩歌的創(chuàng)作手法，分析波德萊爾何以對(duì)“丑”具有特殊的審美的激情；第三部分是對(duì)《惡之花》中“丑”的意象進(jìn)行分類，并結(jié)合前面內(nèi)容進(jìn)行深入的分析，研究其如何具有審美性。 本文通過對(duì)《惡之花》中“丑”的意象的梳理，使波德萊爾的形象及美學(xué)思想較為清晰地呈現(xiàn)出來，同時(shí)重點(diǎn)研究波德萊爾如何讓“丑”的意象具有審美性。
[Abstract]:Baudelaire is a famous French modernist poet in the 19th century. As soon as his collection of Poems, Flower of Evil, was published, it made a splash in the whole French literary world and was regarded as the forerunner of symbolism literature. Baudelaire is also a great aesthetic critic. He applied aesthetic theory to poetry creation and made great contributions to modern poetry and aesthetic thought. The most profound and influential image in the Flower of Evil is the image of ugliness. The image of ugliness is aesthetically processed, and the poet excavates the beauty of evil. Baudelaire, a lonely and outstanding prodigal son, opened a door of ugliness for the world of poetry and aesthetics, which was of far-reaching significance. This paper focuses on the analysis of the image of ugliness in the Flower of Evil. The first part discusses why ugliness is aesthetic through various aesthetic understandings since ancient times, in order to provide more theoretical reference for the analysis of the image of ugliness in the Flower of Evil, the second part studies Baudelaire's poetry theory itself, including the creative techniques of his poetry, and analyzes why Baudelaire has a special aesthetic passion for ugliness. The third part is to classify the image of ugliness in the Flower of Evil, and to make an in-depth analysis of the previous content, and to study how it is aesthetic. By combing the image of ugliness in the Flower of Evil, this paper makes Baudelaire's image and aesthetic thought appear more clearly, and focuses on how Baudelaire makes the image of ugliness aesthetic.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：I565.072

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 郭宏安;;伊甸園中的一枚禁果——談?wù)劜ǖ氯R爾的《惡之花》[J];讀書;1982年03期

2 郭宏安;;《惡之花》:按本來面目描繪罪惡[J];法國研究;1989年01期

3 欒棟;丑學(xué)百年[J];華中師范大學(xué)學(xué)報(bào)(人文社會(huì)科學(xué)版);1999年04期

4 楊雪;;《惡之花》中的“惡”力量[J];劍南文學(xué)(經(jīng)典教苑);2011年09期

5 陳書平;;從《惡之花》看波德萊爾的美學(xué)觀[J];民族論壇;2007年12期

6 蔣磊;;審美的“倒轉(zhuǎn)”——從康德美學(xué)到波德萊爾的藝術(shù)實(shí)驗(yàn)[J];濟(jì)寧學(xué)院學(xué)報(bào);2011年05期

7 潘加欽;論《惡之花》的美學(xué)意蘊(yùn)[J];齊齊哈爾師范學(xué)院學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);1998年04期

8 龔覓;深淵中的救贖——論審美現(xiàn)代性視野中的波德萊爾[J];國外文學(xué);2000年02期

9 張軍;;阿多諾的“丑學(xué)”[J];武漢理工大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2009年03期

10 欒棟;感性學(xué)引論[J];西北美術(shù);1996年01期

，

本文編號(hào)：2497702