論《喜福會》中的敘事技巧
發(fā)布時間：2019-04-23 20:46
【摘要】：《喜福會》是譚恩美創(chuàng)作于1989年的成名作。該書以移民家庭內(nèi)部中國母親與美國女兒兩代之間關系的失落與復歸為主要線索,通過母女輪流講述故事的形式回憶梳理,重新審視和認識彼此。《喜福會》的成功奠定了譚恩美在華裔美國文學史上的重要地位,有利于華裔文學成為美國主流文學的重要組成部分。此外,譚恩美也探討了20世紀華人在國外的生存狀況,尤其是海外華人女性在異國對自身命運的把握。本文通過分析該作品獨具匠心的敘事手法,突出該作品獨特的敘事魅力以及這種敘事手法與全書主題的內(nèi)在聯(lián)系。本文主要以文學理論家里蒙-凱南、熱拉爾·熱奈特和蘇姍·蘭瑟的敘事理論為理論框架,分析《喜福會》的敘事技巧。本文主要由導論、正文和結論三部分組成。第一章為導論部分,介紹了譚恩美及《喜福會》的創(chuàng)作背景、研究現(xiàn)狀和論文結構。正文分為四個部分,分別探討了譚恩美在創(chuàng)作《喜福會》中所運用的敘事技巧,包括人物塑造、敘事時間、敘事聲音和敘事話語。第二章探討人物塑造。《喜福會》中主要有八位人物,譚恩美在塑造這些人物時巧妙的運用了里蒙凱南說的直接人物表現(xiàn)法和間接人物表現(xiàn)法,靈活應用人物對話和人物行為成功向讀者展示華裔女性的種種特質。第三章分析了小說的敘事時間,包含了敘事順序、敘事時長和敘事頻率。通過熱奈特和里蒙-凱南的敘事時間理論分析小說中的錯時(中國式麻將結構)、非對等時間跨度和不同事件的出現(xiàn)頻率,揭示它們的文學功用。譚恩美在敘事順序中創(chuàng)造性地采用了中國式麻將結構。此外,她熟練地運用不同事件的敘事時長呈現(xiàn)來不斷變化敘述步調(diào)。再者,譚恩美利用特定事件出現(xiàn)頻率來體現(xiàn)人物間矛盾,凸顯小說主題。第四章分析了小說的敘事聲音,包括作者型聲音、個人型聲音和集體型聲音。本章主要以蘇姍·蘭瑟的女性主義敘事學理論為基礎。譚恩美巧妙運用多種聲音,讓筆下的華裔女性全方位展示真實的自己和生存處境。第五章主要分析了敘述話語層面,涉及主人公的直接引語和自由直接引語等。結論部分簡要的概述了本文的研究成果。通過以上研究,我們可以得出這樣的結論:譚恩美通過運用這些敘事技巧給我們展示了四對母女間的沖突與交流,探討了20世紀華人在國外的生存狀況,真實再現(xiàn)了當時中美兩國的社會現(xiàn)實,尤其是海外華人女性在異國對自身命運的把握�！断哺返某晒Φ於俗T恩美在華裔美國文學史上的重要地位,有利于華裔文學成為美國主流文學的重要組成部分。上述技巧與小說主題的巧妙結合,使譚恩美巧妙地擴大了華裔文學在全球的影響,同時增強了《喜福會》的藝術魅力。
[Abstract]:Happiness Club is a famous work by Amy Tan in 1989. The book takes the loss and return of the relationship between Chinese mother and American daughter as the main clue in the immigrant family, and combs it through the memory of the mother and daughter who tell the story in turn. The success of Happiness Club established Tan Emi's important position in the history of Chinese-American literature and helped Chinese-American literature become an important part of mainstream American literature. In addition, Amy Tan also discusses the living conditions of Chinese abroad in the 20th century, especially the grasp of their destiny in foreign countries by overseas Chinese women. Through the analysis of the novel's unique narrative techniques, this paper highlights the unique narrative charm of the work and the inherent relationship between this narrative technique and the theme of the book. Based on the narrative theories of literary theorists Rimon Kennan, Gerard Genette and Susan Lanther, this paper analyzes the narrative techniques of "Happy Happiness Club" in the framework of the narrative theories of literature theorists Rimon Kenan, Gerard Genette and Susan Lanser. This paper mainly consists of three parts: introduction, text and conclusion. The first chapter is the introduction part, which introduces the writing background, research status and structure of Tan Enmei and Happy Happiness Club. The text is divided into four parts. It discusses the narrative techniques used by Amy Tan in her creation of the Joy Luck Club, including character shaping, narrative time, narrative voice and narrative discourse. The second chapter discusses the character shaping. There are eight characters in the Happy Blessing Club. Amy Tan skillfully uses the direct character expression and indirect character expression method of Rimon Kennan's theory in shaping these characters. Flexible use of character dialogue and character behavior to show readers the characteristics of Chinese-American women. The third chapter analyzes the narrative time of the novel, including narrative sequence, narrative length and narrative frequency. This paper analyzes the wrong time (Chinese mahjong structure), the non-equivalent time span and the frequency of different events in the novel through the narrative time theory of Genette and Rimon-Kenan, and reveals their literary functions. Amy Tan creatively adopted the Chinese mahjong structure in the narrative sequence. In addition, she skillfully uses the narrative length of different events to constantly change the narrative pace. Moreover, Amy Tan uses the frequency of specific events to reflect the contradictions between characters, highlighting the theme of the novel. Chapter four analyzes the narrative voice of the novel, including author voice, individual voice and collective voice. This chapter is based on Susan Lanther's feminist narratology theory. Amy Tan cleverly uses a variety of voices, so that the Chinese-American women show their true and survival situation in an all-round way. The fifth chapter mainly analyzes the narrative discourse level, involving the protagonist's direct speech and free direct speech and so on. The conclusion gives a brief overview of the research results of this paper. Through the above research, we can draw the following conclusion: by using these narrative techniques, Amy Tan showed us the conflict and communication among the four pairs of mothers and daughters, and discussed the living conditions of Chinese abroad in the 20th century. It truly reproduces the social reality of China and the United States at that time, especially the grasp of their destiny by overseas Chinese women in foreign countries. The success of the Joy Club laid an important position for Tan Enmei in the history of Chinese-American literature. It is beneficial for Chinese literature to become an important part of mainstream American literature. The combination of the above techniques and the theme of the novel makes Amy Tan cleverly expand the influence of Chinese literature in the world and enhance the artistic charm of Happiness Club.
【學位授予單位】：上海交通大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：I712.074
本文編號：2463785
[Abstract]:Happiness Club is a famous work by Amy Tan in 1989. The book takes the loss and return of the relationship between Chinese mother and American daughter as the main clue in the immigrant family, and combs it through the memory of the mother and daughter who tell the story in turn. The success of Happiness Club established Tan Emi's important position in the history of Chinese-American literature and helped Chinese-American literature become an important part of mainstream American literature. In addition, Amy Tan also discusses the living conditions of Chinese abroad in the 20th century, especially the grasp of their destiny in foreign countries by overseas Chinese women. Through the analysis of the novel's unique narrative techniques, this paper highlights the unique narrative charm of the work and the inherent relationship between this narrative technique and the theme of the book. Based on the narrative theories of literary theorists Rimon Kennan, Gerard Genette and Susan Lanther, this paper analyzes the narrative techniques of "Happy Happiness Club" in the framework of the narrative theories of literature theorists Rimon Kenan, Gerard Genette and Susan Lanser. This paper mainly consists of three parts: introduction, text and conclusion. The first chapter is the introduction part, which introduces the writing background, research status and structure of Tan Enmei and Happy Happiness Club. The text is divided into four parts. It discusses the narrative techniques used by Amy Tan in her creation of the Joy Luck Club, including character shaping, narrative time, narrative voice and narrative discourse. The second chapter discusses the character shaping. There are eight characters in the Happy Blessing Club. Amy Tan skillfully uses the direct character expression and indirect character expression method of Rimon Kennan's theory in shaping these characters. Flexible use of character dialogue and character behavior to show readers the characteristics of Chinese-American women. The third chapter analyzes the narrative time of the novel, including narrative sequence, narrative length and narrative frequency. This paper analyzes the wrong time (Chinese mahjong structure), the non-equivalent time span and the frequency of different events in the novel through the narrative time theory of Genette and Rimon-Kenan, and reveals their literary functions. Amy Tan creatively adopted the Chinese mahjong structure in the narrative sequence. In addition, she skillfully uses the narrative length of different events to constantly change the narrative pace. Moreover, Amy Tan uses the frequency of specific events to reflect the contradictions between characters, highlighting the theme of the novel. Chapter four analyzes the narrative voice of the novel, including author voice, individual voice and collective voice. This chapter is based on Susan Lanther's feminist narratology theory. Amy Tan cleverly uses a variety of voices, so that the Chinese-American women show their true and survival situation in an all-round way. The fifth chapter mainly analyzes the narrative discourse level, involving the protagonist's direct speech and free direct speech and so on. The conclusion gives a brief overview of the research results of this paper. Through the above research, we can draw the following conclusion: by using these narrative techniques, Amy Tan showed us the conflict and communication among the four pairs of mothers and daughters, and discussed the living conditions of Chinese abroad in the 20th century. It truly reproduces the social reality of China and the United States at that time, especially the grasp of their destiny by overseas Chinese women in foreign countries. The success of the Joy Club laid an important position for Tan Enmei in the history of Chinese-American literature. It is beneficial for Chinese literature to become an important part of mainstream American literature. The combination of the above techniques and the theme of the novel makes Amy Tan cleverly expand the influence of Chinese literature in the world and enhance the artistic charm of Happiness Club.
【學位授予單位】：上海交通大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：I712.074
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