《格列佛游記》中的陌生化藝術(shù)
發(fā)布時(shí)間：2019-04-15 22:49
【摘要】：江奈生·斯威夫特是18世紀(jì)英國著名的作家,《格列佛游記》是其杰作。現(xiàn)如今,這部小說仍然舉足輕重,被視為世界文學(xué)寶庫中最杰出的小說之一。《格列佛游記》于1726年10月28日第一次出版,自此對這部小說的研究繁花似錦。但是,很少有學(xué)者從陌生化的視角研究《格列佛游記》。本論文將從陌生化這個視角來分析這部小說,以期給這部小說提供一個新的詮釋方法。 引言部分簡單介紹對這部小說所做的研究以及什克洛夫斯基所倡導(dǎo)的陌生化理論,緊隨其后的是本篇論文的主體部分共分為四章。 第一章關(guān)注敘事策略中的陌生化手法。在《格列佛游記》中,斯威夫特構(gòu)建了四個陌生化的空間,采用有限全知視角的同時(shí)穿插特殊的敘事者,為讀者講述了一個充滿懸念的傳奇故事。 第二章從三個方面探索《格列佛游記》中語言的陌生化：陌生化手法所帶來的強(qiáng)烈的語言可感性,修辭,詞匯的陌生化。 第三章介紹藝術(shù)形象的陌生化。在小人國和大人國中藝術(shù)形象的陌生化只停留在外部表層,而第三部分和第四部分中藝術(shù)形象的陌生化不僅表現(xiàn)在外部面貌,而且深入到內(nèi)心層面。 第四章介紹陌生化與審美距離。在《格列佛游記》中斯威夫特用陌生化的語言給讀者構(gòu)建了四個滿是陌生化藝術(shù)形象的陌生空間,給小說平添了神秘感并成功得拉開了讀者與小說之間的審美距離。審美距離過近,文學(xué)作品就會缺乏文學(xué)性而令讀者得不到藝術(shù)享受。審美距離過遠(yuǎn),文學(xué)作品就會太荒誕而令讀者也得不到審美快感。在《格列佛游記》中,斯威夫特從以下兩個方面來控制讀者與其小說之間適度的審美距離：一、故事情節(jié)源于現(xiàn)實(shí)又高于現(xiàn)實(shí)；二、細(xì)節(jié)描寫時(shí)大量的運(yùn)用了十分精準(zhǔn)的數(shù)據(jù),使虛幻的情節(jié)真實(shí)可信。在閱讀這部小說時(shí),讀者不僅能沉浸于作者所苦心營造的虛幻世界,而且能看透當(dāng)權(quán)者的偽善和人性的退化。 基于以上四章的分析,本論文得出以下結(jié)論：《格列佛游記》諷刺藝術(shù)所達(dá)到的巨大文學(xué)價(jià)值正得益于小說中所蘊(yùn)含的陌生化藝術(shù)。
[Abstract]:Jonathan Swift is a famous English writer in the 18th century. Gulliver's Journey is his masterpiece. Today, the novel is still important and is regarded as one of the most outstanding novels in the world literature treasure house. Gulliver's travels was first published on October 28, 1726, and the study of the novel has been full of splendor ever since. However, few scholars study Gulliver's travels from the perspective of defamiliarization. This paper will analyze the novel from the perspective of defamiliarization, in order to provide a new interpretation of the novel. The introduction briefly introduces the study of the novel and the defamiliarization theory advocated by Shkrovsky. The main part of this thesis is divided into four chapters. The first chapter focuses on the defamiliarization techniques in narrative strategy. In Gulliver's Journey, Swift constructs four defamiliarization spaces with a limited omniscient perspective and a special storyteller, telling the reader a legend full of suspense. The second chapter explores the defamiliarization of language in Gulliver's travels from three aspects: the strong defamiliarization of language sensibility, rhetoric and vocabulary brought by defamiliarization. The third chapter introduces the defamiliarization of artistic image. The defamiliarization of the artistic image in the small country and the great nation only stays in the outer surface, while in the third and fourth parts, the defamiliarization of the artistic image is not only expressed in the external face, but also deep into the inner level. The fourth chapter introduces defamiliarization and aesthetic distance. In Gulliver's travels, Swift constructs four strange spaces full of unfamiliar artistic images in the language of strangeness, which adds mystery to the novel and successfully opens the aesthetic distance between the reader and the novel. Too close to the aesthetic, literary works will lack literariness and readers will not get artistic enjoyment. If the aesthetic distance is too far, the literary works will be too absurd for the reader to get aesthetic pleasure. In Gulliver's travels, Swift controls the appropriate aesthetic distance between the reader and his novel from the following two aspects: first, the plot of the story originates from the reality and is higher than the reality; Second, the detailed description of the use of a large number of accurate data, making the illusion of the plot true and credible. In reading the novel, readers can not only immerse themselves in the fantasy world created by the author, but also see through the hypocrisy of the authority and the degradation of human nature. Based on the analysis of the above four chapters, this thesis draws the following conclusions: the great literary value of satirical art in Gulliver's travels is benefiting from the defamiliarization art contained in the novel.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：I561.074
本文編號：2458558
[Abstract]:Jonathan Swift is a famous English writer in the 18th century. Gulliver's Journey is his masterpiece. Today, the novel is still important and is regarded as one of the most outstanding novels in the world literature treasure house. Gulliver's travels was first published on October 28, 1726, and the study of the novel has been full of splendor ever since. However, few scholars study Gulliver's travels from the perspective of defamiliarization. This paper will analyze the novel from the perspective of defamiliarization, in order to provide a new interpretation of the novel. The introduction briefly introduces the study of the novel and the defamiliarization theory advocated by Shkrovsky. The main part of this thesis is divided into four chapters. The first chapter focuses on the defamiliarization techniques in narrative strategy. In Gulliver's Journey, Swift constructs four defamiliarization spaces with a limited omniscient perspective and a special storyteller, telling the reader a legend full of suspense. The second chapter explores the defamiliarization of language in Gulliver's travels from three aspects: the strong defamiliarization of language sensibility, rhetoric and vocabulary brought by defamiliarization. The third chapter introduces the defamiliarization of artistic image. The defamiliarization of the artistic image in the small country and the great nation only stays in the outer surface, while in the third and fourth parts, the defamiliarization of the artistic image is not only expressed in the external face, but also deep into the inner level. The fourth chapter introduces defamiliarization and aesthetic distance. In Gulliver's travels, Swift constructs four strange spaces full of unfamiliar artistic images in the language of strangeness, which adds mystery to the novel and successfully opens the aesthetic distance between the reader and the novel. Too close to the aesthetic, literary works will lack literariness and readers will not get artistic enjoyment. If the aesthetic distance is too far, the literary works will be too absurd for the reader to get aesthetic pleasure. In Gulliver's travels, Swift controls the appropriate aesthetic distance between the reader and his novel from the following two aspects: first, the plot of the story originates from the reality and is higher than the reality; Second, the detailed description of the use of a large number of accurate data, making the illusion of the plot true and credible. In reading the novel, readers can not only immerse themselves in the fantasy world created by the author, but also see through the hypocrisy of the authority and the degradation of human nature. Based on the analysis of the above four chapters, this thesis draws the following conclusions: the great literary value of satirical art in Gulliver's travels is benefiting from the defamiliarization art contained in the novel.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：I561.074
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