菲茨杰拉德與消費(fèi)文化
發(fā)布時(shí)間：2019-03-28 18:45
【摘要】：弗·菲茨杰拉德（Francis Scott Key Fitzgerald）是20世紀(jì)美國(guó)最重要的小說(shuō)家之一。他被稱為美國(guó)“爵士樂時(shí)代”的“桂冠詩(shī)人”和美國(guó)文學(xué)“迷惘的一代”的杰出代表作家。他的一生雖然短暫，卻在二十多年的創(chuàng)作生涯中發(fā)表了五部?jī)?yōu)秀的長(zhǎng)篇小說(shuō)和一百六十多篇才華橫溢的短篇小說(shuō)，給后人留下了寶貴的文學(xué)財(cái)富。相比較而言，長(zhǎng)篇小說(shuō)《了不起的蓋茨比》（The Great Gatsby，1925)和《夜色溫柔》（Tender Is the Night，1934)真正地奠定了菲茨杰拉德在美國(guó)文學(xué)界甚至世界文壇的地位，所以本篇文章也主要以這兩部長(zhǎng)篇小說(shuō)為研究對(duì)象，，來(lái)闡釋菲茨杰拉德本人對(duì)消費(fèi)文化的態(tài)度。 菲茨杰拉德作為“爵士樂時(shí)代”的弄潮兒，縱情地享受消費(fèi)文化帶來(lái)的刺激與瘋狂，他是這個(gè)時(shí)代的化身，同時(shí)也是此時(shí)代的犧牲品。他的人生歷程詮釋了他的作品，他的作品又為他謎一般的人生做出了最恰當(dāng)?shù)淖⒔�。菲茨杰拉德在他的作品中栩栩如生地描繪了20世紀(jì)初美國(guó)消費(fèi)文化影響下的社會(huì)風(fēng)貌及人的意識(shí)形態(tài)，作品中的主人公身上都有現(xiàn)代消費(fèi)文化的烙印，他們以犧牲自己的人生坐標(biāo)去換取上流社會(huì)的種種符碼。然而，這種不等價(jià)的交換注定是以悲劇收?qǐng)�，在消費(fèi)文化大行其道的今天，重新審視菲茨杰拉德的作品，對(duì)我們?nèi)杂芯岩饬x。同時(shí)，通過(guò)菲茨杰拉德本人在其作品中對(duì)主人公悲劇形象的刻畫、人際間冷漠關(guān)系的描寫以及鋪張浪費(fèi)場(chǎng)景的描繪可以看出，在菲茨杰拉德的內(nèi)心最深處，他對(duì)消費(fèi)文化實(shí)質(zhì)上是持否定的態(tài)度。 本論文首先在引言部分簡(jiǎn)要地介紹了國(guó)內(nèi)外學(xué)者對(duì)菲茨杰拉德的研究狀況，并指出本論文的研究意義。然后在第一章主要論述了消費(fèi)文化的產(chǎn)生及其主要特征。在第二章著重闡述一戰(zhàn)后美國(guó)社會(huì)的消費(fèi)文化特征，以及消費(fèi)文化對(duì)作家菲茨杰拉德本人生活及其創(chuàng)作的影響。在第三章主要通過(guò)解讀菲茨杰拉德的長(zhǎng)篇小說(shuō)，尤其是《了不起的蓋茨比》和《夜色溫柔》，探討消費(fèi)文化在其文本中的具體體現(xiàn)以及作品中人物在消費(fèi)文化主宰下的悲劇命運(yùn)。第四章則就菲茨杰拉德對(duì)現(xiàn)代美國(guó)消費(fèi)文化的態(tài)度進(jìn)行評(píng)述。最后得出菲茨杰拉德對(duì)消費(fèi)文化實(shí)質(zhì)上是持否定態(tài)度這一結(jié)論。
[Abstract]:Fitzgerald (Francis Scott Key Fitzgerald) is one of the most important American novelists in the 20th century. He is known as the laureate poet of the Jazz Age and the outstanding representative writer of the lost generation of American literature. Although his life is short, he has published five excellent novels and more than 160 talented short stories in his creation career of more than 20 years, leaving a valuable literary wealth for future generations. By contrast, the novels "the Great Gatsby" (The Great Gatsby,1925) and "the Tender of the Night" (Tender Is the Night,1934) truly established Fitzgerald's position in the American literary world and even in the world. So this article also takes these two novels as the object of study to explain Fitzgerald's attitude towards consumption culture. As a wave rider of the Jazz Age, Fitzgerald indulged in the excitement and madness of consumer culture. He was the embodiment and victim of this era. His life has interpreted his works, and his works have made the most appropriate explanation for his enigmatic life. In his works, Fitzgerald vividly depicts the social style and human ideology under the influence of American consumer culture in the early 20th century, and the protagonists in his works are imprinted with modern consumption culture. They sacrificed their own life coordinates in exchange for the symbols of the upper class. However, this unequal exchange is destined to end in tragedy, in the popular consumer culture today, the re-examination of Fitzgerald's works, we are still alert to the significance. At the same time, through the portrayal of the tragic image of the protagonist in Fitzgerald's works, the description of interpersonal indifference and the depiction of extravagant and wasteful scenes, it can be seen that the deepest part of Fitzgerald's heart is, In essence, he holds a negative attitude towards consumer culture. In the introduction part, this paper briefly introduces the research status of Fitzgerald, and points out the significance of this paper. Then the first chapter mainly discusses the emergence of consumer culture and its main characteristics. The second chapter focuses on the characteristics of consumption culture in American society after World War I, and the influence of consumption culture on Fitzgerald's life and his creation. In the third chapter, through the interpretation of Fitzgerald's novels, especially the Great Gatsby and the tenderness of the Night, This paper discusses the concrete embodiment of consumer culture in its text and the tragic fate of the characters in the works under the domination of consumer culture. The fourth chapter comments on Fitzgerald's attitude towards modern American consumer culture. Finally, it is concluded that Fitzgerald has a negative attitude towards consumer culture in essence.
【學(xué)位授予單位】：遼寧師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：I712.074
本文編號(hào)：2449134
[Abstract]:Fitzgerald (Francis Scott Key Fitzgerald) is one of the most important American novelists in the 20th century. He is known as the laureate poet of the Jazz Age and the outstanding representative writer of the lost generation of American literature. Although his life is short, he has published five excellent novels and more than 160 talented short stories in his creation career of more than 20 years, leaving a valuable literary wealth for future generations. By contrast, the novels "the Great Gatsby" (The Great Gatsby,1925) and "the Tender of the Night" (Tender Is the Night,1934) truly established Fitzgerald's position in the American literary world and even in the world. So this article also takes these two novels as the object of study to explain Fitzgerald's attitude towards consumption culture. As a wave rider of the Jazz Age, Fitzgerald indulged in the excitement and madness of consumer culture. He was the embodiment and victim of this era. His life has interpreted his works, and his works have made the most appropriate explanation for his enigmatic life. In his works, Fitzgerald vividly depicts the social style and human ideology under the influence of American consumer culture in the early 20th century, and the protagonists in his works are imprinted with modern consumption culture. They sacrificed their own life coordinates in exchange for the symbols of the upper class. However, this unequal exchange is destined to end in tragedy, in the popular consumer culture today, the re-examination of Fitzgerald's works, we are still alert to the significance. At the same time, through the portrayal of the tragic image of the protagonist in Fitzgerald's works, the description of interpersonal indifference and the depiction of extravagant and wasteful scenes, it can be seen that the deepest part of Fitzgerald's heart is, In essence, he holds a negative attitude towards consumer culture. In the introduction part, this paper briefly introduces the research status of Fitzgerald, and points out the significance of this paper. Then the first chapter mainly discusses the emergence of consumer culture and its main characteristics. The second chapter focuses on the characteristics of consumption culture in American society after World War I, and the influence of consumption culture on Fitzgerald's life and his creation. In the third chapter, through the interpretation of Fitzgerald's novels, especially the Great Gatsby and the tenderness of the Night, This paper discusses the concrete embodiment of consumer culture in its text and the tragic fate of the characters in the works under the domination of consumer culture. The fourth chapter comments on Fitzgerald's attitude towards modern American consumer culture. Finally, it is concluded that Fitzgerald has a negative attitude towards consumer culture in essence.
【學(xué)位授予單位】：遼寧師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：I712.074
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