《五號(hào)屠
發(fā)布時(shí)間：2018-10-17 14:01
【摘要】：庫(kù)爾特·馮內(nèi)古特是美國(guó)當(dāng)代文學(xué)史中非常重要的后現(xiàn)代主義作家�！段逄�(hào)屠場(chǎng)》是使其享譽(yù)海內(nèi)外的代表作品，也是美國(guó)黑色幽默的代表作品之一。 作為“黑色幽默小說(shuō)”的代表作之一，《五號(hào)屠場(chǎng)》一直備受關(guān)注，其批評(píng)角度呈現(xiàn)出多元化態(tài)勢(shì)：如從小說(shuō)的黑色幽默風(fēng)格、人物形象、主題思想、非線性敘事等方面來(lái)評(píng)論小說(shuō)。但是很少有人嘗試分析滲透在作品中的狂歡化特色。本文試圖運(yùn)用巴赫金的狂歡化理論解讀文本中狂歡化特征，力求為小說(shuō)的研究評(píng)價(jià)提供一個(gè)新的視角。 本論文主要從狂歡化的情節(jié)，狂歡化的精神和狂歡化的語(yǔ)言與結(jié)構(gòu)三個(gè)方面，對(duì)小說(shuō)進(jìn)行分析。引言簡(jiǎn)要介紹小說(shuō)家馮內(nèi)古特的生平、作品和五號(hào)屠場(chǎng)的主要內(nèi)容，歸納近年來(lái)國(guó)內(nèi)外對(duì)這部小說(shuō)的研究現(xiàn)狀,以及本文的寫(xiě)作目的和創(chuàng)新意義；第一章介紹了巴赫金狂歡化理論的基本理論并指出這一理論與《五號(hào)屠場(chǎng)》之間的關(guān)系，初步建立起《五號(hào)屠場(chǎng)》與狂歡化理論的聯(lián)系。第二章主要分析狂歡化的情節(jié)，包括狂歡化的人物形象，狂歡化儀式與狂歡化的廣場(chǎng)。這些由狂歡節(jié)慶生活的游藝儀式中轉(zhuǎn)化而來(lái)的一系列人物，負(fù)載著狂歡節(jié)的世界感受；小說(shuō)整體構(gòu)思和人物形象方面隱含的一種加冕與脫冕結(jié)構(gòu)而且還展示了充滿狂歡化廣場(chǎng)意味的情節(jié)，體現(xiàn)了狂歡節(jié)的交替更新精神，從而證明了小說(shuō)情節(jié)的狂歡化。第三章著重分析小說(shuō)的顛覆與對(duì)話精神。在文章中，馮內(nèi)古特顛覆了宗教的嚴(yán)肅性，揭示了美國(guó)夢(mèng)同資本主義的虛偽性，作者也對(duì)人與人之間親密無(wú)間的關(guān)系進(jìn)行了大膽的顛覆。同時(shí)小說(shuō)中以體裁拼貼形成的雜語(yǔ)以及復(fù)調(diào)特點(diǎn)顯示出了小說(shuō)的狂歡化對(duì)話精神。第四章分析了小說(shuō)體現(xiàn)的狂歡化語(yǔ)言和結(jié)構(gòu)。從馮內(nèi)古特有意地使用粗鄙的語(yǔ)言、直接引用他人使用的外國(guó)語(yǔ)言、自創(chuàng)新詞以及對(duì)看似無(wú)意義詞語(yǔ)的重復(fù)可以看出小說(shuō)的狂歡化語(yǔ)言風(fēng)格。小說(shuō)狂歡化的結(jié)構(gòu)可以從“時(shí)空體”這個(gè)概念解讀，它是一個(gè)關(guān)于特殊的時(shí)間與空間的概念。結(jié)論部分對(duì)整篇論文進(jìn)行簡(jiǎn)要?dú)w納，，明確指出，《五號(hào)屠場(chǎng)》是一部具有狂歡化文學(xué)顯著特征的小說(shuō)。
[Abstract]:Kurt Vonnegut is a very important postmodernist writer in the history of contemporary American literature. "Slaughterhouse No. 5" is one of the representative works at home and abroad and also one of the representative works of American black humor. As one of the masterpieces of "Black humor novel", "Slaughterhouse No. 5" has been attracting much attention, and its criticism shows a variety of trends, such as the novel's black humor style, character image, theme thought, etc. Non-linear narrative and other aspects to comment on the novel. But very few people try to analyze the revelry characteristic that permeates in the work. This paper tries to use Bakhtin's carnival theory to interpret the characteristics of carnival in the text in order to provide a new perspective for the study and evaluation of the novel. This paper analyzes the novel from three aspects: the plot of carnival, the spirit of carnival and the language and structure of carnival. The introduction briefly introduces the life of novelist Vonnegut, his works and the main contents of Slaughterhouse No. 5, summarizes the research status of this novel at home and abroad in recent years, as well as the writing purpose and innovative significance of this article; The first chapter introduces the basic theory of Bakhtin's carnival theory and points out the relationship between the theory and "Slaughterhouse No. 5", and preliminarily establishes the relation between "Slaughterhouse No. 5" and Carnival Theory. The second chapter mainly analyzes the plot of carnival, including carnival characters, carnival ceremony and carnival square. These are a series of characters transformed from the carnival festival to celebrate the life of the entertainment ceremony, loaded with the carnival of the world experience; The whole conception and character image of the novel is a coronation and de-coronation structure. It also shows the plot which is full of carnival square and embodies the spirit of alternating renewal of carnival, thus proving the carnival of the novel. Chapter three focuses on the subversion and dialogue spirit of the novel. In this article, Vonnegut subverts the seriousness of religion and reveals the hypocrisy between American dream and capitalism. At the same time, the mixed language and polyphonic features of the genre collage in the novel show the spirit of carnival dialogue in the novel. Chapter four analyzes the carnival language and structure of the novel. The carnival language style of the novel can be seen from the intentional use of crude language by Vonnegut, the direct quotation of foreign languages used by others, the creation of new words and the repetition of seemingly meaningless words. The structure of revelry can be interpreted from the concept of "space-time", which is a special concept of time and space. The conclusion part briefly summarizes the whole paper and points out clearly that Slaughterhouse No. 5 is a novel with remarkable characteristics of carnival literature.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：I712.074
本文編號(hào)：2276892
[Abstract]:Kurt Vonnegut is a very important postmodernist writer in the history of contemporary American literature. "Slaughterhouse No. 5" is one of the representative works at home and abroad and also one of the representative works of American black humor. As one of the masterpieces of "Black humor novel", "Slaughterhouse No. 5" has been attracting much attention, and its criticism shows a variety of trends, such as the novel's black humor style, character image, theme thought, etc. Non-linear narrative and other aspects to comment on the novel. But very few people try to analyze the revelry characteristic that permeates in the work. This paper tries to use Bakhtin's carnival theory to interpret the characteristics of carnival in the text in order to provide a new perspective for the study and evaluation of the novel. This paper analyzes the novel from three aspects: the plot of carnival, the spirit of carnival and the language and structure of carnival. The introduction briefly introduces the life of novelist Vonnegut, his works and the main contents of Slaughterhouse No. 5, summarizes the research status of this novel at home and abroad in recent years, as well as the writing purpose and innovative significance of this article; The first chapter introduces the basic theory of Bakhtin's carnival theory and points out the relationship between the theory and "Slaughterhouse No. 5", and preliminarily establishes the relation between "Slaughterhouse No. 5" and Carnival Theory. The second chapter mainly analyzes the plot of carnival, including carnival characters, carnival ceremony and carnival square. These are a series of characters transformed from the carnival festival to celebrate the life of the entertainment ceremony, loaded with the carnival of the world experience; The whole conception and character image of the novel is a coronation and de-coronation structure. It also shows the plot which is full of carnival square and embodies the spirit of alternating renewal of carnival, thus proving the carnival of the novel. Chapter three focuses on the subversion and dialogue spirit of the novel. In this article, Vonnegut subverts the seriousness of religion and reveals the hypocrisy between American dream and capitalism. At the same time, the mixed language and polyphonic features of the genre collage in the novel show the spirit of carnival dialogue in the novel. Chapter four analyzes the carnival language and structure of the novel. The carnival language style of the novel can be seen from the intentional use of crude language by Vonnegut, the direct quotation of foreign languages used by others, the creation of new words and the repetition of seemingly meaningless words. The structure of revelry can be interpreted from the concept of "space-time", which is a special concept of time and space. The conclusion part briefly summarizes the whole paper and points out clearly that Slaughterhouse No. 5 is a novel with remarkable characteristics of carnival literature.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：I712.074
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 朱錦平;王晶;;《五號(hào)屠場(chǎng)》中虛構(gòu)的歷史和真實(shí)的虛構(gòu)[J];哈爾濱工業(yè)大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2006年03期
2 蘇鳳;;論《五號(hào)屠場(chǎng)》中的狂歡化敘事[J];理論界;2011年07期
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